(Modal Music, Free Jazz) [CD] Pharoah Sanders - Jewels of Thought - 1969 (2007 Japan Edition), FLAC (tracks+.cue), lossless
Pharoah Sanders - Jewels of Thought
Жанр: Modal Music, Free Jazz
Носитель: CD
Страна-производитель диска (релиза): Япония
Год издания: 2007
Издатель (лейбл): Impulse!/Universal
Номер по каталогу: UCCI-9128
Страна исполнителя (группы): США
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 42:59
Источник (релизер): FelixClown (what)
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. Hum-Allah-Hum-Allah-Hum-Allah (Sanders-Smith-Thomas) - 15:08
02. Sun in Aquarius (Sanders-Smith) - 27:51
Состав:
Pharoah Sanders – tenor saxophone, contrabass clarinet, reed flute, kalimba, orchestra chimes, percussion
Leon Thomas – vocals, percussion
Lonnie Liston Smith – piano, African flute, kalimba, percussion
Cecil McBee, Richard Davis (#2) – bass, percussion
Idris Muhammad – drums, percussion
Roy Haynes – drums (#1)
Recorded at Plaza Sound Studios, New York on October 20, 1969.
Жанр: Modal Music, Free Jazz
Носитель: CD
Страна-производитель диска (релиза): Япония
Год издания: 2007
Издатель (лейбл): Impulse!/Universal
Номер по каталогу: UCCI-9128
Страна исполнителя (группы): США
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 42:59
Источник (релизер): FelixClown (what)
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. Hum-Allah-Hum-Allah-Hum-Allah (Sanders-Smith-Thomas) - 15:08
02. Sun in Aquarius (Sanders-Smith) - 27:51
Состав:
Pharoah Sanders – tenor saxophone, contrabass clarinet, reed flute, kalimba, orchestra chimes, percussion
Leon Thomas – vocals, percussion
Lonnie Liston Smith – piano, African flute, kalimba, percussion
Cecil McBee, Richard Davis (#2) – bass, percussion
Idris Muhammad – drums, percussion
Roy Haynes – drums (#1)
Recorded at Plaza Sound Studios, New York on October 20, 1969.
Лог создания рипа
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XLD extraction logfile from 2016-05-08 09:52:45 -0400
Pharoah Sanders / Jewels of Thought
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TOC of the extracted CD
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1 | 00:00:00 | 15:08:07 | 0 | 68106
2 | 15:08:07 | 27:51:28 | 68107 | 193459
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Содержание индексной карты (.CUE)
TITLE "Jewels of Thought"
PERFORMER "Pharoah Sanders"
CATALOG 0076742905842
REM GENRE "Jazz"
REM DATE "1969"
REM DISCID 0C0A1302
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FILE "01 - Hum-Allah-Hum-Allah-Hum-Allah.flac" WAVE
TRACK 01 AUDIO
TITLE "Hum-Allah-Hum-Allah-Hum-Allah"
REM REPLAYGAIN_TRACK_GAIN -6.23 dB
REM REPLAYGAIN_TRACK_PEAK 0.939423
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Sun in Aquarius"
REM REPLAYGAIN_TRACK_GAIN -6.22 dB
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INDEX 00 15:04:16
FILE "02 - Sun in Aquarius.flac" WAVE
INDEX 01 00:00:00
AllMusic Review by Thom Jurek
In 1969, Pharoah Sanders was incredibly active, recording no less than four albums and releasing three. The band on Jewels of Thought is largely the same as on Deaf Dumb Blind and Karma, with a few changes. Idris Muhammad has, with the exception of "Hum-Allah-Hum-Allah Hum Allah," replaced Roy Haynes, and Richard Davis has permanently replaced Reggie Workman and Ron Carter, though Cecil McBee is still present for the extra bottom sound. Leon Thomas and his trademark holy warble are in the house, as is Lonnie Liston Smith. Comprised of two long cuts, the aforementioned and "Sun in Aquarius," Jewels of Thought sees Sanders moving out from his signature tenor for the first time and delving deeply into reed flutes and bass clarinet. The plethora of percussion instruments utilized by everyone is, as expected, part of the mix. "Hum-Allah" begins with a two-chord piano vamp by Smith and Thomas singing and yodeling his way into the band's improvisational space. For 12 minutes, Sanders and company mix it up -- especially the drummers -- whipping it first quietly down into the most pure melodic essences of Smith's solo and then taking the tension and building to ecstatic heights with all manner of blowing and intervallic interaction between the various elements until it just explodes, before coming down in pieces and settling into a hush of melodic frames and the same two-chord vamp. On "Sun in Aquarius," African thumb pianos, reed flutes, sundry percussion, and orchestra chimes are employed to dislocate all notions of Western music. Things get very quiet (though there is constant motion); the innards of the piano are brushed and hammered quietly before Sanders comes roaring out of the tense silence with his bass clarinet, and then the tenor and bass share an intertwined solo and Smith starts kicking ass with impossibly large chords. It moves into another two-chord vamp at the end of 27 minutes, to be taken out as a closed prayer. It's more like a finished exorcism, actually, but it is one of the most astonishing pieces by Sanders ever.
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This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777