(Mainstream Jazz) Oscar Pettiford - The Manhatan Jazz Septette (1956) / Barry Galbraith and his Orchestra - Guitar & The Wind (1958) - 2006, FLAC (tracks+.cue), lossless
Треклист:
Oscar Pettiford - The Manhatan Jazz Septette (1956) / Barry Galbraith and his Orchestra - Guitar & The Wind (1958)
Эта же раздача в mp3 (tracks), 320 kbps
Жанр: Mainstream Jazz
Дата записи: 1956, 1958
Дата выпуска: 2006
Производитель диска, страна: Lone Hill Jazz LHJ10262, Made in EU
Тип: Compilation
Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Включает: Full artwork
Продолжительность: 71:11
Источник: Render's collection
Риппер: Мой рип
К этому интересному LP Петтифорда, впервые вышедшему на CD, издатели добавили другой цельный альбом, "Guitar and the Wind", в котором учавствуют многие музыканты с первого альбома (Urbie Green, Eddie Costa, Osie Johnson и Barry Galbraith), и имеющий такую же музыкальную концепцию. Этот альбом был записан точно через два года после Manhattan Jazz Septette
Трэклист:
1. KING PORTER STOMP (Jelly Roll Morton) 2:46
2. NEVER NEVER LAND (Comden-Green-Styne) 2:59
3. LIKE LISTEN (Manny Albam) 2:51
4. SINCE WHEN (Manny Albam) 2:54
5. LOVE OF MY LIVE (Johnny Mercer-Artie Shaw) 2:25
6. RAPID TRANSIT (Manny Albam) 2:34
7. FLUTE COCKTAIL (Manny Albam) 3:23
8. AT BAT FOR K.C. (Manny Albam) 3:41
9. DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS? (Alter-De Lange)3:15
10. MY SHINING HOUR (Harold Arlen-Johnny Mercer) 3:10
11. THOU SVELT (Manny Albam) 3:17
12. THERE'LL NEVER BE ANOTHER YOU (Warren-Gordon) 2:13
1-12: Oscar Pettiford: THE MANHATTAN JAZZ SEPTETTE
New York, June 7, 1956.
Urbie Green (tb), Hal McKusick (as), Herbie Mann (fl, ts), Eddie Costa (p, vib), Barry Galbraith (g), Oscar Pettiford (b), Osie Johnson (d), Manny Albam (arr).
13. BULL MARKET* (Billy Byers) 2:47
14. PORTRAIT OF JENNIE* (Burdge-Robinson)3:12
15. JUDY'S JAUNT* (AlCohn) 2:31
16. NINA NEVER KNEW* (Drake-Alter) 2:51
17. WALKING (DOWN)* (Carpenter) 3:15
18. A GAL IN CALICO* (Robin-Schwartz) 3:13
19. I LIKE TO RECOGNIZE THE TUNE* (Rodgers-Hart) 2:59
20. ANY PLACE I HANG MY HAT* (Arlen-Mercer) 3:10
21. LOVE IS FOR THE VERY YOUNG* (David Raskin) 2:51
22. HOLIDAY* (Al Cohn) 2:54
23. YA GOTTA HAVE RHYTHM* (Osie Johnson) 3:14
24. WHAT AM I HERE FOR?* (Duke Ellington) 2:36
* Bonus tracks
13-24: Barry Galbraith and his Orchestra: GUITAR & THE WIND
New York, January 16,1958
Tracks 13,16, 20 & 24: Urbie Green, Chauncey Welsch, Frank Rehak (tb), Dick Hixson (b-tb), Bobby Jaspar (fl, ts), Eddie Costa (p, vib), Barry Galbraith (g), Milt Hinton (b), Osie Johnson (d), Billy Byers (arr).
New York, January 21,1958.
Tracks 14,18,19 & 22: Bobby Jaspar (fl, ts), Phil Bodner, Romeo Penque, Spencer Sinatra (reeds), Eddie Costa (p, vib), Barry Galbraith (g), Milt Hinton (b), Osie Johnson (d), Al Cohn (arr).
January 28,1958
Tracks 15,17, 21 & 23: Same personnel and location as tracks 14,18,19 & 22, Reeds out on 15 & 23
Я не сидирую все свои раздачи подолгу, только новые (до 3х первых сидов)
Предлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш
Если нет сидов или раздача находится в архиве, пришлите письмо, и я вернусь
Эта же раздача в mp3 (tracks), 320 kbps
Жанр: Mainstream Jazz
Дата записи: 1956, 1958
Дата выпуска: 2006
Производитель диска, страна: Lone Hill Jazz LHJ10262, Made in EU
Тип: Compilation
Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Включает: Full artwork
Продолжительность: 71:11
Источник: Render's collection
Риппер: Мой рип
К этому интересному LP Петтифорда, впервые вышедшему на CD, издатели добавили другой цельный альбом, "Guitar and the Wind", в котором учавствуют многие музыканты с первого альбома (Urbie Green, Eddie Costa, Osie Johnson и Barry Galbraith), и имеющий такую же музыкальную концепцию. Этот альбом был записан точно через два года после Manhattan Jazz Septette
Трэклист:
1. KING PORTER STOMP (Jelly Roll Morton) 2:46
2. NEVER NEVER LAND (Comden-Green-Styne) 2:59
3. LIKE LISTEN (Manny Albam) 2:51
4. SINCE WHEN (Manny Albam) 2:54
5. LOVE OF MY LIVE (Johnny Mercer-Artie Shaw) 2:25
6. RAPID TRANSIT (Manny Albam) 2:34
7. FLUTE COCKTAIL (Manny Albam) 3:23
8. AT BAT FOR K.C. (Manny Albam) 3:41
9. DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS? (Alter-De Lange)3:15
10. MY SHINING HOUR (Harold Arlen-Johnny Mercer) 3:10
11. THOU SVELT (Manny Albam) 3:17
12. THERE'LL NEVER BE ANOTHER YOU (Warren-Gordon) 2:13
1-12: Oscar Pettiford: THE MANHATTAN JAZZ SEPTETTE
New York, June 7, 1956.
Urbie Green (tb), Hal McKusick (as), Herbie Mann (fl, ts), Eddie Costa (p, vib), Barry Galbraith (g), Oscar Pettiford (b), Osie Johnson (d), Manny Albam (arr).
13. BULL MARKET* (Billy Byers) 2:47
14. PORTRAIT OF JENNIE* (Burdge-Robinson)3:12
15. JUDY'S JAUNT* (AlCohn) 2:31
16. NINA NEVER KNEW* (Drake-Alter) 2:51
17. WALKING (DOWN)* (Carpenter) 3:15
18. A GAL IN CALICO* (Robin-Schwartz) 3:13
19. I LIKE TO RECOGNIZE THE TUNE* (Rodgers-Hart) 2:59
20. ANY PLACE I HANG MY HAT* (Arlen-Mercer) 3:10
21. LOVE IS FOR THE VERY YOUNG* (David Raskin) 2:51
22. HOLIDAY* (Al Cohn) 2:54
23. YA GOTTA HAVE RHYTHM* (Osie Johnson) 3:14
24. WHAT AM I HERE FOR?* (Duke Ellington) 2:36
* Bonus tracks
13-24: Barry Galbraith and his Orchestra: GUITAR & THE WIND
New York, January 16,1958
Tracks 13,16, 20 & 24: Urbie Green, Chauncey Welsch, Frank Rehak (tb), Dick Hixson (b-tb), Bobby Jaspar (fl, ts), Eddie Costa (p, vib), Barry Galbraith (g), Milt Hinton (b), Osie Johnson (d), Billy Byers (arr).
New York, January 21,1958.
Tracks 14,18,19 & 22: Bobby Jaspar (fl, ts), Phil Bodner, Romeo Penque, Spencer Sinatra (reeds), Eddie Costa (p, vib), Barry Galbraith (g), Milt Hinton (b), Osie Johnson (d), Al Cohn (arr).
January 28,1958
Tracks 15,17, 21 & 23: Same personnel and location as tracks 14,18,19 & 22, Reeds out on 15 & 23
Original Liner Notes:
THE MANHATTAN JAZZ SEPTETTE
Once upon a time, in a happy and innocent yesterday, everybody danced and every band was a dance band. Not every dance band was a jazz band, of course, but all the jazz bands played with the idea that their music was going to inspire most couples to take off across the floor in their own personal interpretations of the light fantastic. In those days, the ideal tempo was the gently heated beat exemplified by the more relaxed excursions of the Benny Goodman small groups. The playing was firm, definite and danceable, urging the would-be dancer to get up and cooperate. This urge to engage in a little stimulating heel-and-toe still remains in most of us, the natures of the human male and the human female being what they are, but finding the proper accompaniment is not as easy as it should be nowadays.
'So, to fill this gap, to provide a dancing beat which is spelled out with more body than sighing strings can provide, we have the Manhattan Jazz Septette, a group which in no sense is imitative of the Benny Goodman small groups mentioned above, but which cannot disclaim some lineal descent from them.
The area in which the Septette works is that of the easy-going, swinging beat expressed in tightly knit, up-to-date arrangements. The man who knits the group's arrangements so well -and who created all of the original numbers in this set -is Manny Albam, whose knowledgeable hand has been involved in an incredible number of jazz settings for both instrumental groups and singers in the past two or three years. His prolific work as both writer and conductor has given Albam a perceptive insight into the bounds to be set and the cliches to be avoided in writing for a danceable jazz group such as the Septette. More than that, Manny spent his jazz apprenticeship in such dance-worthy pre-war bog bands as Bob Chester's and Georgie Auld's before he moved his baritone-saxophone into Charlie Barnet's 1949 powerhouse troupe and then, finally, gave up playing entirely to concentrate on his behind-the-scenes activities with pen and baton. The Septette assembled to play Albam's artful sketches is made up of a blend of high skill and adventure, of the widely recognized musician and the emergent talent. The instrumentation itself is adventurous with a horn line-up consisting of a trombone and two reeds. The trombonist is Urbie Green who has been in the big time since he was 16 when he played with the bands of Bob Strong and Tommy Reynolds. Later, working his way from strictly dance bands to jazz groups, he was with Jan Savitt, Frankie Carle, Gene Krupa and, finally, Woody Herman. It was with the Herman Herd that Green emerged as one of the great jazz trombonists. He is noted for his versatility and is heard with the Septette playing in a variety of styles from the tender to the rough and rowdy. The two reed men, both doubling, are Hal McKusick and Herbie Mann. McKusick, who plays alto-saxophone and clarinet, received a thorough grounding in the jazz-tinged dance band field before he moved into small group work. Since 1942 he has played with Les Brown, Dean Hudson, Woody Herman, Boyd Raeburn, Al Donahue, Buddy Rich, Claude Thornhill and Elliot Lawrence. He was an important element in Terry Gibbs' Quintet for a year and has worked frequently with Don Elliot's group. With the Septette he is heard playing both his slightly Parker-touched alto and his smooth, lower register clarinet.
Herbie Mann is a relative newcomer in jazz compared with Green and McKusick but he has quickly made a place for himself as one of the most skilled and tasteful flautists working today, particularly as a result of his work with the Mat Mathews Quintet and in various small recording groups. Before he took up the flute, his instrument was the tenor saxophone and he reverts to it once ("At Bat for K.C.") with the Septette. Behind these three is a rhythm section which provides an unfailingly light, swinging beat. Eddie Costa, who dodges back and forth from piano to vibes, has successfully made the leap from high school music teacher to up-and-coming professional musician. He is gaining increasing attention for his deft, imaginative work on the vibes. Guitarist Barry Galbraith, one of the recognized masters of his instrument, has split his career between the rhythm sections of big bands (Red Norvo, Claude Thomhill, Hal Mclntyre) and the freer associations of the freelance career he has been following for the past ten years.
Oscar Pettiford and his bass appeared on the scene at the tail-end of the swing period, and were influential in the early days of bop and have since been heard with Duke Ellington, Woody Herman and innumerable small groups, all of which have benefited rhythmically from Pettiford's unusually polished musicianship. The Septette's drummer, Osie Johnson, is generally considered one of the three or four top men on his instrument for small group work. He has been with Earl Hines and Tony Scott and has played on and written arrangements for a long series, of recording dates. Six of the twelve tunes played by the Septette are the creations of Manny Albam. His neatly organized and melodically catchy arrangement of "Never Never Land" gives each of the solo aspirants a chance to be heard -Costa on vibes, McKusick on clarinet, and Mann on flute, while Green offers the expansive but tender side of his trombone nature. Both "Like Listen" and "Since When" have an insistently swinging beat, the first featuring a strongly expressed piano solo by Costa who returns to vibes for another well developed solo on "Since When". The latter number also gives Urbie Green a chance to trot out his big, rough tone. "Rapid transit" is the only selection that is not given a really suitable dance tempo. But the Septette can be granted one chance to take off as it does here behind Eddie Costa's occasionally fantastic and frequently awesome piano solo.
"Flute cocktail" provides a similar showcase, at a more modest tempo, for Herbie Mann's flute, while "At bat for K.C." is a bow in the direction of Kansas City's Count Basie, spelled out in the opening measures. McKusick takes one of his typical jabbing alto solos on this one and some of Urbie Green's humour leaps through at the end of his trombone solo. Albam's final original contribution is "Thou Svelt", for which he has written an unusual and rather weird opening with flute and clarinet blending over the stringed instruments.
The curtain raiser, "King Porter Stomp", is a lightly rolling modern version of Jelly Roll Morton's classic piano solo which is most familiar nowadays as a swinging big band vehicle for Benny Goodman's band. For "Love of my Life", Albam has done some tight ensemble writing which the Septette plays with a gentle bounce that is slightly reminiscent of John Kirby's little band. "Do You Know What It Means to Miss New Orleans?", a number introduced in a film by Louis Armstrong, is given a very different feeling with Herbie Mann's flute leading the ensemble instead of an Armstrongian trumpet. "My Shining Hour" gives Barry Galbraith one of his rare chances to come to the front of the group, both in a single string solo and chording the melody over the riffing ensemble. The tempo picks up again for the finale, "There Will Never Be Another You", which features McKusick's alto and Green's high-noting trombone.
For the ear, the Septette's treatment is always suave. For the toe, it's tappable. Head to toe, it's a complete treatment. Try it on you feet.
John S. Wilson
Once upon a time, in a happy and innocent yesterday, everybody danced and every band was a dance band. Not every dance band was a jazz band, of course, but all the jazz bands played with the idea that their music was going to inspire most couples to take off across the floor in their own personal interpretations of the light fantastic. In those days, the ideal tempo was the gently heated beat exemplified by the more relaxed excursions of the Benny Goodman small groups. The playing was firm, definite and danceable, urging the would-be dancer to get up and cooperate. This urge to engage in a little stimulating heel-and-toe still remains in most of us, the natures of the human male and the human female being what they are, but finding the proper accompaniment is not as easy as it should be nowadays.
'So, to fill this gap, to provide a dancing beat which is spelled out with more body than sighing strings can provide, we have the Manhattan Jazz Septette, a group which in no sense is imitative of the Benny Goodman small groups mentioned above, but which cannot disclaim some lineal descent from them.
The area in which the Septette works is that of the easy-going, swinging beat expressed in tightly knit, up-to-date arrangements. The man who knits the group's arrangements so well -and who created all of the original numbers in this set -is Manny Albam, whose knowledgeable hand has been involved in an incredible number of jazz settings for both instrumental groups and singers in the past two or three years. His prolific work as both writer and conductor has given Albam a perceptive insight into the bounds to be set and the cliches to be avoided in writing for a danceable jazz group such as the Septette. More than that, Manny spent his jazz apprenticeship in such dance-worthy pre-war bog bands as Bob Chester's and Georgie Auld's before he moved his baritone-saxophone into Charlie Barnet's 1949 powerhouse troupe and then, finally, gave up playing entirely to concentrate on his behind-the-scenes activities with pen and baton. The Septette assembled to play Albam's artful sketches is made up of a blend of high skill and adventure, of the widely recognized musician and the emergent talent. The instrumentation itself is adventurous with a horn line-up consisting of a trombone and two reeds. The trombonist is Urbie Green who has been in the big time since he was 16 when he played with the bands of Bob Strong and Tommy Reynolds. Later, working his way from strictly dance bands to jazz groups, he was with Jan Savitt, Frankie Carle, Gene Krupa and, finally, Woody Herman. It was with the Herman Herd that Green emerged as one of the great jazz trombonists. He is noted for his versatility and is heard with the Septette playing in a variety of styles from the tender to the rough and rowdy. The two reed men, both doubling, are Hal McKusick and Herbie Mann. McKusick, who plays alto-saxophone and clarinet, received a thorough grounding in the jazz-tinged dance band field before he moved into small group work. Since 1942 he has played with Les Brown, Dean Hudson, Woody Herman, Boyd Raeburn, Al Donahue, Buddy Rich, Claude Thornhill and Elliot Lawrence. He was an important element in Terry Gibbs' Quintet for a year and has worked frequently with Don Elliot's group. With the Septette he is heard playing both his slightly Parker-touched alto and his smooth, lower register clarinet.
Herbie Mann is a relative newcomer in jazz compared with Green and McKusick but he has quickly made a place for himself as one of the most skilled and tasteful flautists working today, particularly as a result of his work with the Mat Mathews Quintet and in various small recording groups. Before he took up the flute, his instrument was the tenor saxophone and he reverts to it once ("At Bat for K.C.") with the Septette. Behind these three is a rhythm section which provides an unfailingly light, swinging beat. Eddie Costa, who dodges back and forth from piano to vibes, has successfully made the leap from high school music teacher to up-and-coming professional musician. He is gaining increasing attention for his deft, imaginative work on the vibes. Guitarist Barry Galbraith, one of the recognized masters of his instrument, has split his career between the rhythm sections of big bands (Red Norvo, Claude Thomhill, Hal Mclntyre) and the freer associations of the freelance career he has been following for the past ten years.
Oscar Pettiford and his bass appeared on the scene at the tail-end of the swing period, and were influential in the early days of bop and have since been heard with Duke Ellington, Woody Herman and innumerable small groups, all of which have benefited rhythmically from Pettiford's unusually polished musicianship. The Septette's drummer, Osie Johnson, is generally considered one of the three or four top men on his instrument for small group work. He has been with Earl Hines and Tony Scott and has played on and written arrangements for a long series, of recording dates. Six of the twelve tunes played by the Septette are the creations of Manny Albam. His neatly organized and melodically catchy arrangement of "Never Never Land" gives each of the solo aspirants a chance to be heard -Costa on vibes, McKusick on clarinet, and Mann on flute, while Green offers the expansive but tender side of his trombone nature. Both "Like Listen" and "Since When" have an insistently swinging beat, the first featuring a strongly expressed piano solo by Costa who returns to vibes for another well developed solo on "Since When". The latter number also gives Urbie Green a chance to trot out his big, rough tone. "Rapid transit" is the only selection that is not given a really suitable dance tempo. But the Septette can be granted one chance to take off as it does here behind Eddie Costa's occasionally fantastic and frequently awesome piano solo.
"Flute cocktail" provides a similar showcase, at a more modest tempo, for Herbie Mann's flute, while "At bat for K.C." is a bow in the direction of Kansas City's Count Basie, spelled out in the opening measures. McKusick takes one of his typical jabbing alto solos on this one and some of Urbie Green's humour leaps through at the end of his trombone solo. Albam's final original contribution is "Thou Svelt", for which he has written an unusual and rather weird opening with flute and clarinet blending over the stringed instruments.
The curtain raiser, "King Porter Stomp", is a lightly rolling modern version of Jelly Roll Morton's classic piano solo which is most familiar nowadays as a swinging big band vehicle for Benny Goodman's band. For "Love of my Life", Albam has done some tight ensemble writing which the Septette plays with a gentle bounce that is slightly reminiscent of John Kirby's little band. "Do You Know What It Means to Miss New Orleans?", a number introduced in a film by Louis Armstrong, is given a very different feeling with Herbie Mann's flute leading the ensemble instead of an Armstrongian trumpet. "My Shining Hour" gives Barry Galbraith one of his rare chances to come to the front of the group, both in a single string solo and chording the melody over the riffing ensemble. The tempo picks up again for the finale, "There Will Never Be Another You", which features McKusick's alto and Green's high-noting trombone.
For the ear, the Septette's treatment is always suave. For the toe, it's tappable. Head to toe, it's a complete treatment. Try it on you feet.
John S. Wilson
EAC log
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 15. August 2009, 13:48
Oscar Pettiford / The Manhatan Jazz Septette
Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.01 | 2:46.60 | 1 | 12510
2 | 2:46.61 | 2:59.07 | 12511 | 25942
3 | 5:45.68 | 2:51.19 | 25943 | 38786
4 | 8:37.12 | 2:54.29 | 38787 | 51865
5 | 11:31.41 | 2:25.16 | 51866 | 62756
6 | 13:56.57 | 2:34.52 | 62757 | 74358
7 | 16:31.34 | 3:23.57 | 74359 | 89640
8 | 19:55.16 | 3:41.14 | 89641 | 106229
9 | 23:36.30 | 3:15.20 | 106230 | 120874
10 | 26:51.50 | 3:10.46 | 120875 | 135170
11 | 30:02.21 | 3:17.28 | 135171 | 149973
12 | 33:19.49 | 2:13.11 | 149974 | 159959
13 | 35:32.60 | 2:47.44 | 159960 | 172528
14 | 38:20.29 | 3:12.31 | 172529 | 186959
15 | 41:32.60 | 2:31.70 | 186960 | 198354
16 | 44:04.55 | 2:51.34 | 198355 | 211213
17 | 46:56.14 | 3:15.07 | 211214 | 225845
18 | 50:11.21 | 3:13.28 | 225846 | 240348
19 | 53:24.49 | 2:59.14 | 240349 | 253787
20 | 56:23.63 | 3:10.28 | 253788 | 268065
21 | 59:34.16 | 2:51.52 | 268066 | 280942
22 | 62:25.68 | 2:54.53 | 280943 | 294045
23 | 65:20.46 | 3:14.07 | 294046 | 308602
24 | 68:34.53 | 2:37.17 | 308603 | 320394
Track 1
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Track 9
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Track 10
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Track 13
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Copy OK
Track 14
Filename D:\music\rip\Oscar Pettiford - The Manhatan Jazz Septette (1956) {2006 Lone Hill Jazz LHJ10262}\14 - Portrait Of Jennie (Bonus Track).wav
Peak level 83.2 %
Track quality 100.0 %
Test CRC 30774E4A
Copy CRC 30774E4A
Track not present in AccurateRip database
Copy OK
Track 15
Filename D:\music\rip\Oscar Pettiford - The Manhatan Jazz Septette (1956) {2006 Lone Hill Jazz LHJ10262}\15 - Judy S Jaunt (Bonus Track).wav
Peak level 83.3 %
Track quality 100.0 %
Test CRC A4AF19E7
Copy CRC A4AF19E7
Track not present in AccurateRip database
Copy OK
Track 16
Filename D:\music\rip\Oscar Pettiford - The Manhatan Jazz Septette (1956) {2006 Lone Hill Jazz LHJ10262}\16 - Nina Never Knew (Bonus Track).wav
Peak level 84.9 %
Track quality 100.0 %
Test CRC FC4BD37E
Copy CRC FC4BD37E
Track not present in AccurateRip database
Copy OK
Track 17
Filename D:\music\rip\Oscar Pettiford - The Manhatan Jazz Septette (1956) {2006 Lone Hill Jazz LHJ10262}\17 - Nina Never Knew (Bonus Track).wav
Peak level 77.4 %
Track quality 100.0 %
Test CRC C9D5ADFE
Copy CRC C9D5ADFE
Track not present in AccurateRip database
Copy OK
Track 18
Filename D:\music\rip\Oscar Pettiford - The Manhatan Jazz Septette (1956) {2006 Lone Hill Jazz LHJ10262}\18 - Gal In Calico (Bonus Track).wav
Peak level 79.6 %
Track quality 100.0 %
Test CRC 425CF9A0
Copy CRC 425CF9A0
Track not present in AccurateRip database
Copy OK
Track 19
Filename D:\music\rip\Oscar Pettiford - The Manhatan Jazz Septette (1956) {2006 Lone Hill Jazz LHJ10262}\19 - I Like To Recognize The Tune (Bonus Track).wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC 0E6A6418
Copy CRC 0E6A6418
Track not present in AccurateRip database
Copy OK
Track 20
Filename D:\music\rip\Oscar Pettiford - The Manhatan Jazz Septette (1956) {2006 Lone Hill Jazz LHJ10262}\20 - Any Place I Hang My Hat (Bonus Track).wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC BE745CB7
Copy CRC BE745CB7
Track not present in AccurateRip database
Copy OK
Track 21
Filename D:\music\rip\Oscar Pettiford - The Manhatan Jazz Septette (1956) {2006 Lone Hill Jazz LHJ10262}\21 - Love Is For The Very Young (Bonus Track).wav
Peak level 88.4 %
Track quality 99.9 %
Test CRC 9EBA7BBB
Copy CRC 9EBA7BBB
Track not present in AccurateRip database
Copy OK
Track 22
Filename D:\music\rip\Oscar Pettiford - The Manhatan Jazz Septette (1956) {2006 Lone Hill Jazz LHJ10262}\22 - Holiday (Bonus Track).wav
Peak level 92.5 %
Track quality 100.0 %
Test CRC BD1D4CBC
Copy CRC BD1D4CBC
Track not present in AccurateRip database
Copy OK
Track 23
Filename D:\music\rip\Oscar Pettiford - The Manhatan Jazz Septette (1956) {2006 Lone Hill Jazz LHJ10262}\23 - Ya Gotta Have Rhythm (Bonus Track).wav
Peak level 91.6 %
Track quality 100.0 %
Test CRC 94BD87FF
Copy CRC 94BD87FF
Track not present in AccurateRip database
Copy OK
Track 24
Filename D:\music\rip\Oscar Pettiford - The Manhatan Jazz Septette (1956) {2006 Lone Hill Jazz LHJ10262}\24 - What Am I Here For (Bonus Track).wav
Peak level 81.3 %
Track quality 100.0 %
Test CRC FA547DA4
Copy CRC FA547DA4
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
AucDect log
3990545173 29423564 01 - King Porter Stomp.wav
1765789091 31592108 02 - Never Never Land.wav
2564401157 30209132 03 - Like Listen.wav
4026911652 30761852 04 - Since When.wav
3676767498 25615676 05 - Love Of My Live.wav
2088809371 27287948 06 - Rapid Transit.wav
1249864378 35943308 07 - Flute Cocktail.wav
2118501264 39017372 08 - At Bat For K.C.wav
4103473493 34445084 09 - Do You Know What It Means To Miss New Orleans .wav
4141171073 33624236 10 - My Shining Hour.wav
499696161 34816700 11 - Thou Svelt.wav
3531952069 23487116 12 - There Ll Never Be Another You.wav
1410581968 29562332 13 - Bull Market (Bonus Track).wav
384201697 33941756 14 - Portrait Of Jennie (Bonus Track).wav
3602811434 26801084 15 - Judy S Jaunt (Bonus Track).wav
3063189591 30244412 16 - Nina Never Knew (Bonus Track).wav
4084727555 34414508 17 - Nina Never Knew (Bonus Track).wav
2020773986 34111100 18 - Gal In Calico (Bonus Track).wav
1241130406 31608572 19 - I Like To Recognize The Tune (Bonus Track).wav
2024712875 33581900 20 - Any Place I Hang My Hat (Bonus Track).wav
1575664752 30286748 21 - Love Is For The Very Young (Bonus Track).wav
4208645411 30818300 22 - Holiday (Bonus Track).wav
4181777885 34238108 23 - Ya Gotta Have Rhythm (Bonus Track).wav
613149154 27734828 24 - What Am I Here For (Bonus Track).wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01 - King Porter Stomp.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02 - Never Never Land.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03 - Like Listen.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04 - Since When.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [05 - Love Of My Live.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06 - Rapid Transit.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07 - Flute Cocktail.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [08 - At Bat For K.C.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [09 - Do You Know What It Means To Miss New Orleans .wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [10 - My Shining Hour.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [11 - Thou Svelt.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [12 - There Ll Never Be Another You.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [13 - Bull Market (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [14 - Portrait Of Jennie (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [15 - Judy S Jaunt (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [16 - Nina Never Knew (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [17 - Nina Never Knew (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [18 - Gal In Calico (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [19 - I Like To Recognize The Tune (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [20 - Any Place I Hang My Hat (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [21 - Love Is For The Very Young (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [22 - Holiday (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [23 - Ya Gotta Have Rhythm (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [24 - What Am I Here For (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
1765789091 31592108 02 - Never Never Land.wav
2564401157 30209132 03 - Like Listen.wav
4026911652 30761852 04 - Since When.wav
3676767498 25615676 05 - Love Of My Live.wav
2088809371 27287948 06 - Rapid Transit.wav
1249864378 35943308 07 - Flute Cocktail.wav
2118501264 39017372 08 - At Bat For K.C.wav
4103473493 34445084 09 - Do You Know What It Means To Miss New Orleans .wav
4141171073 33624236 10 - My Shining Hour.wav
499696161 34816700 11 - Thou Svelt.wav
3531952069 23487116 12 - There Ll Never Be Another You.wav
1410581968 29562332 13 - Bull Market (Bonus Track).wav
384201697 33941756 14 - Portrait Of Jennie (Bonus Track).wav
3602811434 26801084 15 - Judy S Jaunt (Bonus Track).wav
3063189591 30244412 16 - Nina Never Knew (Bonus Track).wav
4084727555 34414508 17 - Nina Never Knew (Bonus Track).wav
2020773986 34111100 18 - Gal In Calico (Bonus Track).wav
1241130406 31608572 19 - I Like To Recognize The Tune (Bonus Track).wav
2024712875 33581900 20 - Any Place I Hang My Hat (Bonus Track).wav
1575664752 30286748 21 - Love Is For The Very Young (Bonus Track).wav
4208645411 30818300 22 - Holiday (Bonus Track).wav
4181777885 34238108 23 - Ya Gotta Have Rhythm (Bonus Track).wav
613149154 27734828 24 - What Am I Here For (Bonus Track).wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01 - King Porter Stomp.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02 - Never Never Land.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03 - Like Listen.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04 - Since When.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [05 - Love Of My Live.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06 - Rapid Transit.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07 - Flute Cocktail.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [08 - At Bat For K.C.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [09 - Do You Know What It Means To Miss New Orleans .wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [10 - My Shining Hour.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [11 - Thou Svelt.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [12 - There Ll Never Be Another You.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [13 - Bull Market (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [14 - Portrait Of Jennie (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [15 - Judy S Jaunt (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [16 - Nina Never Knew (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [17 - Nina Never Knew (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [18 - Gal In Calico (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [19 - I Like To Recognize The Tune (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [20 - Any Place I Hang My Hat (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [21 - Love Is For The Very Young (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [22 - Holiday (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [23 - Ya Gotta Have Rhythm (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [24 - What Am I Here For (Bonus Track).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Предлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш
Если нет сидов или раздача находится в архиве, пришлите письмо, и я вернусь