(Latin Jazz, Big Band) Perez Prado & Shorty Rogers - Voodoo Suite Plus Six All-Time Greats - 1955, FLAC (tracks) lossless

auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01 - Voodoo Suite.wav]
Detected average hi-boundary frequency: 2.015062e+004 Hz
Detected average lo-boundary frequency: 1.270387e+004 Hz
Detected average hi-cut frequency: 2.111913e+004 Hz
Detected average lo-cut frequency: 7.046708e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 3.626674e-001
First order smothness: 3.860645e-001
Second order smothness: 5.365756e-001
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This track looks like CDDA with probability 100%
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Processing file: [02 - St. James Infirmary.wav]
Detected average hi-boundary frequency: 2.009404e+004 Hz
Detected average lo-boundary frequency: 1.383137e+004 Hz
Detected average hi-cut frequency: 2.137222e+004 Hz
Detected average lo-cut frequency: 8.992731e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 8.941681e-001
First order smothness: 3.199129e-001
Second order smothness: 5.669206e-001
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This track looks like CDDA with probability 100%
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Processing file: [03 - In the Mood.wav]
Detected average hi-boundary frequency: 2.031632e+004 Hz
Detected average lo-boundary frequency: 1.290325e+004 Hz
Detected average hi-cut frequency: 2.148855e+004 Hz
Detected average lo-cut frequency: 1.191417e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 9.199499e-001
First order smothness: 4.751161e-001
Second order smothness: 4.887268e-001
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This track looks like CDDA with probability 100%
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Processing file: [04 - I Can't Get Started.wav]
Detected average hi-boundary frequency: 2.016685e+004 Hz
Detected average lo-boundary frequency: 1.325105e+004 Hz
Detected average hi-cut frequency: 2.133723e+004 Hz
Detected average lo-cut frequency: 1.082628e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.994327e-001
First order smothness: 3.774967e-001
Second order smothness: 5.426099e-001
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This track looks like CDDA with probability 100%
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Processing file: [05 - Jumping at the Woodside.wav]
Detected average hi-boundary frequency: 2.041794e+004 Hz
Detected average lo-boundary frequency: 1.331206e+004 Hz
Detected average hi-cut frequency: 2.140378e+004 Hz
Detected average lo-cut frequency: 1.045562e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.134097e+000
First order smothness: 3.891369e-001
Second order smothness: 5.364583e-001
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This track looks like CDDA with probability 100%
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Processing file: [06 - Stomping at the Savoy.wav]
Detected average hi-boundary frequency: 2.046341e+004 Hz
Detected average lo-boundary frequency: 1.301173e+004 Hz
Detected average hi-cut frequency: 2.147572e+004 Hz
Detected average lo-cut frequency: 1.382495e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.290244e-001
First order smothness: 5.501152e-001
Second order smothness: 5.656682e-001
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This track looks like CDDA with probability 99%
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Processing file: [07 - Music Makers.wav]
Detected average hi-boundary frequency: 2.023846e+004 Hz
Detected average lo-boundary frequency: 1.340248e+004 Hz
Detected average hi-cut frequency: 2.143317e+004 Hz
Detected average lo-cut frequency: 1.082426e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 3.726741e-001
First order smothness: 4.269126e-001
Second order smothness: 5.409836e-001
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This track looks like CDDA with probability 100%

The sides of this album are unrelated. "Voodoo Suite" is Prado's classic orchestral composition combining Afro-Cuban and jazz in a "tone poem." It was recorded April 8, 1954, with a 22-piece band consisting of the Prado orchestra, Shorty Rogers, and other West Coast jazz musicians, mostly percussionists. The "African" chanting is hokey, but an exotic "jungle" mood is established by bass and drums. (Henry Mancini's "Hatari" sounds very likely to have borrowed from it.) While the suite provides room for plenty of solos and tempo changes, ultimately it is more an extended, sensational mambo than a classic of Afro-Cuban jazz. Evidently Prado was very excited about the project and rushed forward with it; greater planning and rehearsal would have helped. In the shadow of "Voodoo Suite," the filler "Six All-Time Greats" understandably gets overlooked. These are in the style of Mambo Mania, and indeed, "St. James Infirmary" appears on each album. The version here and three others are recorded in "mambo/La Culeta" style with strings, but the strings are barely noticeable.

Perez Prado And His Orchestra:
1:
Bill Regis, Maynard Ferguson, Pete Candoli, Walt Stuart, Don Dennis, Shorty Rogers (tp)
Joe Colvin, Harry Betts, Milt Bernhart (tb)
Tibor Shik (frh)
Don Robinson, Bob Cooper, Bud Shank, Stan Seckler (sax)
Perez Prado (p)
Don Tosti (b)
Shelly Manne, Eddie Gomez, Estephan Valera, Carlos Vidal, Modesto Martinez, Mike Pacheco, Ray Vasquera (ds)
Recorded: April 8, 1954
3, 5, 6, 7:
Bill Regis, Louis Valisan, Rolf Erickson, Bill Castaqnino (tp)
James Hill (tb)
Tibor Shik (frh)
Rene Block, Willie Maiden, Ignacio Maes, Blas Vasques (sax)
Perez Prado (p)
Edmund Guerrero (b)
Juan Cheda (bgo)
Roberto Casanova (cga)
Recorded: Feb. 15, 1955
2, 4:
same as above plus Pete Candoli (tp) and 4 violins
Recorded: Feb. 18, 1955