(Latin-Bossanova) Toco - Outro lugar - 2007, FLAC (tracks+.cue), lossless
![(Latin-Bossanova) Toco - Outro lugar - 2007, FLAC (tracks+.cue), lossless (Latin-Bossanova) Toco - Outro lugar - 2007, FLAC (tracks+.cue), lossless](/upload/000/u2/da/ca/latin-bossanova-toco-outro-lugar-2007-flac-tracks-cue.jpg)
Toco - Outro lugar
Жанр: Latin-Bossanova
Год выпуска диска: 2007
Производитель диска: Brasil
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 44:26
Трэклист:
01 Outro Lugar
02 Litoral
03 Zum Zum
04 Assuntos Banais
05 Bom Motivo Featuring - Rosalia De Souza
06 Samba Noir
07 Barracao
08 Voz Da Lapa
09 Guarapiranga
10 Contradicao Featuring - Coralia Clément
11 Simples
12 Foolish Samba
Жанр: Latin-Bossanova
Год выпуска диска: 2007
Производитель диска: Brasil
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 44:26
Трэклист:
01 Outro Lugar
02 Litoral
03 Zum Zum
04 Assuntos Banais
05 Bom Motivo Featuring - Rosalia De Souza
06 Samba Noir
07 Barracao
08 Voz Da Lapa
09 Guarapiranga
10 Contradicao Featuring - Coralia Clément
11 Simples
12 Foolish Samba
Доп. информация
Предлагаю вам к прослушиванию новый (второй по счету) альбом молодого бразильского боссановиста Токо. Альбом записан в Рио-де-Жанейро, в студии «Barquinho», которую основал легендарный композитор и гитарист Роберто Менескал (Roberto Menescal).
Outro Lugar is Toco’s second album. Born Tomaz Di Cunto, Toco is a Brazilian songwriter from Sao Paulo who despite his young age is a passionate connoisseur as well as admirer of original Bossa Nova from the 60’s. He absorbed the archetypal characteristics of the harmonies and the rhythms of that genre to offer them again in his own personal, contemporary style. As his first album Instalaçao do Samba even this second one is produced by Stefano Tirone ( S-Tone Inc. ). Toco on the other hand collaborated in S-Tone Inc.’s most recent work Luz y Sombra. He co-wrote and interpreted some crucial songs like Beira do mar and Verao. Outro Lugar benefits from the outstanding contribution of Roberto Menescal, the maestro as well as pioneer of Bossa Nova, who played the guitar in every track in the meantime offering a precious source of inspiration. The great majority of the album was recorded in Rio De Janeiro, precisely in the studio of Menescal with the participation of some amongst the best ‘carioca’ musician. Particularly double-bass player Adriano Giffoni, pianist Adriano Souza who played also in Rosalia De Souza’s album Brasil Precisa Balançar, which incidentally happens to be produced by Roberto Menescal. All these elements contributed in giving the album the exact taste that artist and producer decided to achieve: inspired from the past yet aimed at creating a sound resulting fresh and modern through thorough attention; lightly touched by electronic, filled with grooves perfectly blending into acoustic instruments. The second part of the recording was carried out in Milan. It features the collaboration of some among the best musicians in the Milanese jazz scene, on horns as well as cello. The album also sees the contribution of Rosalia De Souza, singing in several tracks and standing out in Bom Motivo especially. The French chanteuse Coralie Clement features in La Conradiction, her own piece re-interpreted by Toco in this album. He did it also as an homage to the French audience who showed support to him from the start, showing a lot of appreciation for Toco’s music. Several tracks in the album are worth mentioning, from the opening track Outro Lugar which spreads with smooth strings to then reach its peak as a classic Bossa; then Litoral , fresh and sunny; Barracao, instead is one of the most elegant. Zum Zum, is an vibrant cover of a piece already interpreted by the great Edu Lobo. In this version it becomes a Samba-Jazz highlighting the electric keys played by Donatinho, no less than Joao Donato’s son. He also contributed to the the song Voz da Lapa, which was written by Toco and featured previously in Rosalia De Souza’s album Brasil Precisa Balançar. The version in this album by Toco is a Soul-Funk though. Certainly the most distinctive piece in the album is Samba noir, which is a slow, hypnotic Samba meeting ‘cinematic’ atmospheres as suggested by the title itself. This composition co-written with Stefano Tirone stands as an instance on how Brazilian music cam trace future directions still setting off from its own past. This album is for all lovers of Brazilian music, linked to the period of original Bossa Nova and Jazz Samba, yet wishing to hear a more modern and current sound of it. It does not have to be necessarily full of electronic, here it is merely used to complement the production without seeming too much ever. With Outro Lugar Toco ratifies his profile of refined and cultured musician (who wrote 10 of 12 tracks). A gifted performer of a warm and smooth voice able to awaken the emotions of the most sensitive ones in the audience.
Outro Lugar is Toco’s second album. Born Tomaz Di Cunto, Toco is a Brazilian songwriter from Sao Paulo who despite his young age is a passionate connoisseur as well as admirer of original Bossa Nova from the 60’s. He absorbed the archetypal characteristics of the harmonies and the rhythms of that genre to offer them again in his own personal, contemporary style. As his first album Instalaçao do Samba even this second one is produced by Stefano Tirone ( S-Tone Inc. ). Toco on the other hand collaborated in S-Tone Inc.’s most recent work Luz y Sombra. He co-wrote and interpreted some crucial songs like Beira do mar and Verao. Outro Lugar benefits from the outstanding contribution of Roberto Menescal, the maestro as well as pioneer of Bossa Nova, who played the guitar in every track in the meantime offering a precious source of inspiration. The great majority of the album was recorded in Rio De Janeiro, precisely in the studio of Menescal with the participation of some amongst the best ‘carioca’ musician. Particularly double-bass player Adriano Giffoni, pianist Adriano Souza who played also in Rosalia De Souza’s album Brasil Precisa Balançar, which incidentally happens to be produced by Roberto Menescal. All these elements contributed in giving the album the exact taste that artist and producer decided to achieve: inspired from the past yet aimed at creating a sound resulting fresh and modern through thorough attention; lightly touched by electronic, filled with grooves perfectly blending into acoustic instruments. The second part of the recording was carried out in Milan. It features the collaboration of some among the best musicians in the Milanese jazz scene, on horns as well as cello. The album also sees the contribution of Rosalia De Souza, singing in several tracks and standing out in Bom Motivo especially. The French chanteuse Coralie Clement features in La Conradiction, her own piece re-interpreted by Toco in this album. He did it also as an homage to the French audience who showed support to him from the start, showing a lot of appreciation for Toco’s music. Several tracks in the album are worth mentioning, from the opening track Outro Lugar which spreads with smooth strings to then reach its peak as a classic Bossa; then Litoral , fresh and sunny; Barracao, instead is one of the most elegant. Zum Zum, is an vibrant cover of a piece already interpreted by the great Edu Lobo. In this version it becomes a Samba-Jazz highlighting the electric keys played by Donatinho, no less than Joao Donato’s son. He also contributed to the the song Voz da Lapa, which was written by Toco and featured previously in Rosalia De Souza’s album Brasil Precisa Balançar. The version in this album by Toco is a Soul-Funk though. Certainly the most distinctive piece in the album is Samba noir, which is a slow, hypnotic Samba meeting ‘cinematic’ atmospheres as suggested by the title itself. This composition co-written with Stefano Tirone stands as an instance on how Brazilian music cam trace future directions still setting off from its own past. This album is for all lovers of Brazilian music, linked to the period of original Bossa Nova and Jazz Samba, yet wishing to hear a more modern and current sound of it. It does not have to be necessarily full of electronic, here it is merely used to complement the production without seeming too much ever. With Outro Lugar Toco ratifies his profile of refined and cultured musician (who wrote 10 of 12 tracks). A gifted performer of a warm and smooth voice able to awaken the emotions of the most sensitive ones in the audience.
Отчёт EAC
EAC extraction logfile from 30. August 2008, 20:27 for CD
Toco / Outro lugar
Used drive : Optiarc DVD RW AD-7173S Adapter: 1 ID: 1
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Used output format : C:\Program Files\FLAC\flac.exe (User Defined Encoder)
320 kBit/s
Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC Flac 1.1.2 -5" %s
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface
Track 1
Filename F:\Stuff\Toco - Outro lugar\01 - Outro lugar.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 804C9573
Copy CRC 804C9573
Copy OK
Track 2
Filename F:\Stuff\Toco - Outro lugar\02 - Litoral.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC D536C862
Copy CRC D536C862
Copy OK
Track 3
Filename F:\Stuff\Toco - Outro lugar\03 - Zum zum.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC 121B9E7E
Copy CRC 121B9E7E
Copy OK
Track 4
Filename F:\Stuff\Toco - Outro lugar\04 - Assuntos banais.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 9DE9FFD6
Copy CRC 9DE9FFD6
Copy OK
Track 5
Filename F:\Stuff\Toco - Outro lugar\05 - Bom motivo (feat. Rosalia De Souza).wav
Peak level 99.9 %
Track quality 99.9 %
Test CRC 33E9F83B
Copy CRC 33E9F83B
Copy OK
Track 6
Filename F:\Stuff\Toco - Outro lugar\06 - Samba noir.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 493455BE
Copy CRC 493455BE
Copy OK
Track 7
Filename F:\Stuff\Toco - Outro lugar\07 - Barracao.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC E4655952
Copy CRC E4655952
Copy OK
Track 8
Filename F:\Stuff\Toco - Outro lugar\08 - Voz da Lapa.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 9612BA7D
Copy CRC 9612BA7D
Copy OK
Track 9
Filename F:\Stuff\Toco - Outro lugar\09 - Guarapirange.wav
Peak level 99.9 %
Track quality 99.9 %
Test CRC 883D01E5
Copy CRC 883D01E5
Copy OK
Track 10
Filename F:\Stuff\Toco - Outro lugar\10 - Contradicao (feat. Coralie Clement).wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC B79C9D52
Copy CRC B79C9D52
Copy OK
Track 11
Filename F:\Stuff\Toco - Outro lugar\11 - Simples.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 2FBF22C8
Copy CRC 2FBF22C8
Copy OK
Track 12
Filename F:\Stuff\Toco - Outro lugar\12 - Foolish samba.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC EA8A1A2A
Copy CRC EA8A1A2A
Copy OK
No errors occured
End of status report
Toco / Outro lugar
Used drive : Optiarc DVD RW AD-7173S Adapter: 1 ID: 1
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Used output format : C:\Program Files\FLAC\flac.exe (User Defined Encoder)
320 kBit/s
Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC Flac 1.1.2 -5" %s
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface
Track 1
Filename F:\Stuff\Toco - Outro lugar\01 - Outro lugar.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 804C9573
Copy CRC 804C9573
Copy OK
Track 2
Filename F:\Stuff\Toco - Outro lugar\02 - Litoral.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC D536C862
Copy CRC D536C862
Copy OK
Track 3
Filename F:\Stuff\Toco - Outro lugar\03 - Zum zum.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC 121B9E7E
Copy CRC 121B9E7E
Copy OK
Track 4
Filename F:\Stuff\Toco - Outro lugar\04 - Assuntos banais.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 9DE9FFD6
Copy CRC 9DE9FFD6
Copy OK
Track 5
Filename F:\Stuff\Toco - Outro lugar\05 - Bom motivo (feat. Rosalia De Souza).wav
Peak level 99.9 %
Track quality 99.9 %
Test CRC 33E9F83B
Copy CRC 33E9F83B
Copy OK
Track 6
Filename F:\Stuff\Toco - Outro lugar\06 - Samba noir.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 493455BE
Copy CRC 493455BE
Copy OK
Track 7
Filename F:\Stuff\Toco - Outro lugar\07 - Barracao.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC E4655952
Copy CRC E4655952
Copy OK
Track 8
Filename F:\Stuff\Toco - Outro lugar\08 - Voz da Lapa.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 9612BA7D
Copy CRC 9612BA7D
Copy OK
Track 9
Filename F:\Stuff\Toco - Outro lugar\09 - Guarapirange.wav
Peak level 99.9 %
Track quality 99.9 %
Test CRC 883D01E5
Copy CRC 883D01E5
Copy OK
Track 10
Filename F:\Stuff\Toco - Outro lugar\10 - Contradicao (feat. Coralie Clement).wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC B79C9D52
Copy CRC B79C9D52
Copy OK
Track 11
Filename F:\Stuff\Toco - Outro lugar\11 - Simples.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 2FBF22C8
Copy CRC 2FBF22C8
Copy OK
Track 12
Filename F:\Stuff\Toco - Outro lugar\12 - Foolish samba.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC EA8A1A2A
Copy CRC EA8A1A2A
Copy OK
No errors occured
End of status report
Отчёт auCDtect
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01 - Outro lugar.wav]
Detected average hi-boundary frequency: 2.021689e+004 Hz
Detected average lo-boundary frequency: 1.357585e+004 Hz
Detected average hi-cut frequency: 2.192706e+004 Hz
Detected average lo-cut frequency: 1.283985e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.288118e-001
First order smothness: 4.928007e-001
Second order smothness: 5.777984e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02 - Litoral.wav]
Detected average hi-boundary frequency: 2.045084e+004 Hz
Detected average lo-boundary frequency: 1.404706e+004 Hz
Detected average hi-cut frequency: 2.194392e+004 Hz
Detected average lo-cut frequency: 1.557195e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.577720e-001
First order smothness: 4.793689e-001
Second order smothness: 7.042880e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03 - Zum zum.wav]
Detected average hi-boundary frequency: 2.040261e+004 Hz
Detected average lo-boundary frequency: 1.310972e+004 Hz
Detected average hi-cut frequency: 2.196678e+004 Hz
Detected average lo-cut frequency: 1.727796e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 4.899787e-001
First order smothness: 4.611511e-001
Second order smothness: 7.586331e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04 - Assuntos banais.wav]
Detected average hi-boundary frequency: 2.027687e+004 Hz
Detected average lo-boundary frequency: 1.368548e+004 Hz
Detected average hi-cut frequency: 2.193939e+004 Hz
Detected average lo-cut frequency: 1.400986e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.583108e-001
First order smothness: 4.708672e-001
Second order smothness: 6.375339e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05 - Bom motivo (feat. Rosalia De Souza).wav]
Detected average hi-boundary frequency: 2.045805e+004 Hz
Detected average lo-boundary frequency: 1.376828e+004 Hz
Detected average hi-cut frequency: 2.196926e+004 Hz
Detected average lo-cut frequency: 1.697965e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.307648e-001
First order smothness: 4.618506e-001
Second order smothness: 7.106331e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06 - Samba noir.wav]
Detected average hi-boundary frequency: 2.029530e+004 Hz
Detected average lo-boundary frequency: 1.371615e+004 Hz
Detected average hi-cut frequency: 2.195826e+004 Hz
Detected average lo-cut frequency: 1.444697e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.036527e-001
First order smothness: 5.129325e-001
Second order smothness: 5.686933e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07 - Barracao.wav]
Detected average hi-boundary frequency: 2.044247e+004 Hz
Detected average lo-boundary frequency: 1.325059e+004 Hz
Detected average hi-cut frequency: 2.194829e+004 Hz
Detected average lo-cut frequency: 1.648551e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 7.917969e-002
First order smothness: 5.112967e-001
Second order smothness: 7.161100e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [08 - Voz da Lapa.wav]
Detected average hi-boundary frequency: 2.012620e+004 Hz
Detected average lo-boundary frequency: 1.309372e+004 Hz
Detected average hi-cut frequency: 2.193314e+004 Hz
Detected average lo-cut frequency: 1.050456e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.041137e-001
First order smothness: 4.596742e-001
Second order smothness: 4.982122e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [09 - Guarapirange.wav]
Detected average hi-boundary frequency: 2.060614e+004 Hz
Detected average lo-boundary frequency: 1.376335e+004 Hz
Detected average hi-cut frequency: 2.196659e+004 Hz
Detected average lo-cut frequency: 1.881701e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.501648e-001
First order smothness: 4.707471e-001
Second order smothness: 7.707771e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [10 - Contradicao (feat. Coralie Clement).wav]
Detected average hi-boundary frequency: 2.023889e+004 Hz
Detected average lo-boundary frequency: 1.319268e+004 Hz
Detected average hi-cut frequency: 2.194801e+004 Hz
Detected average lo-cut frequency: 1.281979e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.284851e-001
First order smothness: 4.618775e-001
Second order smothness: 6.386073e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [11 - Simples.wav]
Detected average hi-boundary frequency: 2.018182e+004 Hz
Detected average lo-boundary frequency: 1.345722e+004 Hz
Detected average hi-cut frequency: 2.189164e+004 Hz
Detected average lo-cut frequency: 9.030423e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 3.515288e-001
First order smothness: 4.780793e-001
Second order smothness: 5.824635e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [12 - Foolish samba.wav]
Detected average hi-boundary frequency: 2.014012e+004 Hz
Detected average lo-boundary frequency: 1.385828e+004 Hz
Detected average hi-cut frequency: 2.194540e+004 Hz
Detected average lo-cut frequency: 1.050165e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 7.640769e-001
First order smothness: 4.119014e-001
Second order smothness: 6.266853e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01 - Outro lugar.wav]
Detected average hi-boundary frequency: 2.021689e+004 Hz
Detected average lo-boundary frequency: 1.357585e+004 Hz
Detected average hi-cut frequency: 2.192706e+004 Hz
Detected average lo-cut frequency: 1.283985e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.288118e-001
First order smothness: 4.928007e-001
Second order smothness: 5.777984e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02 - Litoral.wav]
Detected average hi-boundary frequency: 2.045084e+004 Hz
Detected average lo-boundary frequency: 1.404706e+004 Hz
Detected average hi-cut frequency: 2.194392e+004 Hz
Detected average lo-cut frequency: 1.557195e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.577720e-001
First order smothness: 4.793689e-001
Second order smothness: 7.042880e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03 - Zum zum.wav]
Detected average hi-boundary frequency: 2.040261e+004 Hz
Detected average lo-boundary frequency: 1.310972e+004 Hz
Detected average hi-cut frequency: 2.196678e+004 Hz
Detected average lo-cut frequency: 1.727796e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 4.899787e-001
First order smothness: 4.611511e-001
Second order smothness: 7.586331e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04 - Assuntos banais.wav]
Detected average hi-boundary frequency: 2.027687e+004 Hz
Detected average lo-boundary frequency: 1.368548e+004 Hz
Detected average hi-cut frequency: 2.193939e+004 Hz
Detected average lo-cut frequency: 1.400986e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.583108e-001
First order smothness: 4.708672e-001
Second order smothness: 6.375339e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05 - Bom motivo (feat. Rosalia De Souza).wav]
Detected average hi-boundary frequency: 2.045805e+004 Hz
Detected average lo-boundary frequency: 1.376828e+004 Hz
Detected average hi-cut frequency: 2.196926e+004 Hz
Detected average lo-cut frequency: 1.697965e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.307648e-001
First order smothness: 4.618506e-001
Second order smothness: 7.106331e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06 - Samba noir.wav]
Detected average hi-boundary frequency: 2.029530e+004 Hz
Detected average lo-boundary frequency: 1.371615e+004 Hz
Detected average hi-cut frequency: 2.195826e+004 Hz
Detected average lo-cut frequency: 1.444697e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.036527e-001
First order smothness: 5.129325e-001
Second order smothness: 5.686933e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07 - Barracao.wav]
Detected average hi-boundary frequency: 2.044247e+004 Hz
Detected average lo-boundary frequency: 1.325059e+004 Hz
Detected average hi-cut frequency: 2.194829e+004 Hz
Detected average lo-cut frequency: 1.648551e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 7.917969e-002
First order smothness: 5.112967e-001
Second order smothness: 7.161100e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [08 - Voz da Lapa.wav]
Detected average hi-boundary frequency: 2.012620e+004 Hz
Detected average lo-boundary frequency: 1.309372e+004 Hz
Detected average hi-cut frequency: 2.193314e+004 Hz
Detected average lo-cut frequency: 1.050456e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.041137e-001
First order smothness: 4.596742e-001
Second order smothness: 4.982122e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [09 - Guarapirange.wav]
Detected average hi-boundary frequency: 2.060614e+004 Hz
Detected average lo-boundary frequency: 1.376335e+004 Hz
Detected average hi-cut frequency: 2.196659e+004 Hz
Detected average lo-cut frequency: 1.881701e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.501648e-001
First order smothness: 4.707471e-001
Second order smothness: 7.707771e-001
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This track looks like CDDA with probability 100%
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Processing file: [10 - Contradicao (feat. Coralie Clement).wav]
Detected average hi-boundary frequency: 2.023889e+004 Hz
Detected average lo-boundary frequency: 1.319268e+004 Hz
Detected average hi-cut frequency: 2.194801e+004 Hz
Detected average lo-cut frequency: 1.281979e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 6.284851e-001
First order smothness: 4.618775e-001
Second order smothness: 6.386073e-001
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This track looks like CDDA with probability 100%
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Processing file: [11 - Simples.wav]
Detected average hi-boundary frequency: 2.018182e+004 Hz
Detected average lo-boundary frequency: 1.345722e+004 Hz
Detected average hi-cut frequency: 2.189164e+004 Hz
Detected average lo-cut frequency: 9.030423e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 3.515288e-001
First order smothness: 4.780793e-001
Second order smothness: 5.824635e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
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Processing file: [12 - Foolish samba.wav]
Detected average hi-boundary frequency: 2.014012e+004 Hz
Detected average lo-boundary frequency: 1.385828e+004 Hz
Detected average hi-cut frequency: 2.194540e+004 Hz
Detected average lo-cut frequency: 1.050165e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 7.640769e-001
First order smothness: 4.119014e-001
Second order smothness: 6.266853e-001
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This track looks like CDDA with probability 100%
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Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Как это писать ?
Писать на болванки рекомендую BURRRN Для этого перетаскиваем CUE-файл в Burrrn, и давим на кнопку записать, всё !