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(Jazz) Hans Koller Free Sound - Phoenix - 1972/2003, FLAC (image+.cue) lossless

Hans Koller Free Sound / Phoenix
Жанр: Jazz/Free Jazz
Год издания диска: 1972/2003
Издатель (лейбл): MPS Records, Universal Jazz
Номер по каталогу: 06024 9813438
Страна: Germany
Аудио кодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 37:39
Источник (релизер): My CD collection
Наличие сканов в содержимом раздачи: да
1. Nicolas 1/2 (5:01)
2. Isus Mirror (7:37)
3. CH & HC (3:37)
4. Phoenix (4:09)
5. Victor (4:07)
6. LWS (8:19)
7. Nicolas 3/4 (4:53)
Лог создания рипа
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 24. March 2011, 22:22
Hans Koller Free Sound / Phoenix
Used drive : ASUS DRW-2014S1T Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\EAC 1\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "COMMENT=EAC V1.0 beta 1, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 5:01.07 | 0 | 22581
2 | 5:01.07 | 7:36.21 | 22582 | 56802
3 | 12:37.28 | 3:36.71 | 56803 | 73073
4 | 16:14.24 | 4:09.22 | 73074 | 91770
5 | 20:23.46 | 4:06.18 | 91771 | 110238
6 | 24:29.64 | 8:18.59 | 110239 | 147647
7 | 32:48.48 | 4:51.12 | 147648 | 169484
Range status and errors
Selected range
Filename M:\=РАЗДАЧИ\hans koller - phoenix\Hans Koller Free Sound - Phoenix.wav
Peak level 98.7 %
Extraction speed 0.9 X
Range quality 100.0 %
Test CRC 95F52D54
Copy CRC 95F52D54
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
None of the tracks are present in the AccurateRip database
End of status report
==== Log checksum 013CAB1F0117094C9D33D09706C3EA3A0F5060E1FDC49CA1BBD9D634DA98830F ====
Содержание индексной карты (.CUE)
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Hans Koller Free Sound"
TITLE "Phoenix"
FILE "Hans Koller Free Sound - Phoenix.flac" WAVE
TITLE "Nicolas 1/2"
PERFORMER "Hans Koller Free Sound"
INDEX 01 00:00:00
TITLE "Isus Mirror"
PERFORMER "Hans Koller Free Sound"
INDEX 01 05:01:07
PERFORMER "Hans Koller Free Sound"
INDEX 01 12:37:28
TITLE "Phoenix"
PERFORMER "Hans Koller Free Sound"
INDEX 01 16:14:24
TITLE "Victor"
PERFORMER "Hans Koller Free Sound"
INDEX 01 20:23:46
PERFORMER "Hans Koller Free Sound"
INDEX 01 24:29:64
TITLE "Nicolas 3/4"
PERFORMER "Hans Koller Free Sound"
INDEX 01 32:48:48
Лог проверки качества
AUDIOCHECKER v1.2 - by Dester - opdester@freemail.hu
1 -===- M:\=РАЗДАЧИ\Hans Koller Free Sound - Phoenix\Hans Koller Free Sound - Phoenix\Hans Koller Free Sound - Phoenix.flac
Extracted successfully
Conclusion: This track looks like CDDA with probability 100%
Об исполнителе (группе)
by Eugene Chadbourne
Maintaining an interest in jazz (officially regarded as treason by the Nazi Party) and staying out of trouble represented strictly minor-league intrigues during the Second World War. Nonetheless, it seems to be consistently worth noting that this artist was one of the few jazzmen of German or Austrian nationality who managed to continue performing during the conflict, despite or perhaps because of his status as a member of the German Army. Born in Vienna, Hans Koller had a diploma in his hand from the city's noted Music Academy at the age of 18, one year after he had undertaken his debut as a professional tenor saxophonist. Koller acted as if he had one thing on his mind following the end of the war: swinging. He was already leading his own groups by 1947, evolving an ensemble with pianist Jutta Hipp and trombonist Albert Mangelsdorff that is considered to be vital in the newly developing German jazz scene.
Based on this description so far, stereotypers could stray in pigeonholing Koller as a modernist, putting aside any and all doubts concerning his relationship with the ousted fascist regime. Later recordings cooked up in Vienna during the early jazz fusion years support that image -- however, what the man really seems to have been at heart was a bebopper whose beads of sweat reflected an image of Lester Young, horn in hand. In 1953 Koller toured behind none other than Dizzy Gillespie, certainly one of the bebop führers, the following year hooking into a collaborative lineup in which postbop genius Lee Konitz approvingly noshed at a smorgasbord of suggestions from Scandinavian baritone saxophone hero Lars Gullin. For several years beginning in 1954, Koller joined forces in a combo with multi-instrumentalist Roland Kovac. Sandwiched in the middle of that run was a special Stan Kenton tour in which Koller enjoyed considerable room as a soloist. During the late '50s the reedman was associated with German radio recording enterprises out of Baden-Baden, staging ground for a nice classic jazz combo with bassist Oscar Pettiford. German jazz critic, writer, and producer Joachim Berendt shot documentary footage of Koller during this period.
The dynamic creativity of this artist was well documented not only through a series of recordings under his own name but in a parallel career as an abstract artist. His solo discography starts up in the early '50s and includes a 1957 effort actually entitled Hans Across the Sea. He stopped performing in 1995, at that point choosing to focus on his painting activity. Other musical accomplishments of note include the mid-'60s Zo-Ko-So trio with French pianist Martial Solal, serving as Hamburg's Schauspielhaus musical director up through 1970, free jazz rumblings back in Vienna with keyboardist Wolfgang Dauner's Free Sound Ensemble, a ballet entitled New York City, and a brass ensemble called the International Brass Company.
Bass, Electric Bass - Adelhard Roidinger
Drums - Alex Bally
Electric Piano [Electra-piano] - Albert Mair
Engineer - Rolf Donner
Producer - Willi Fruth
Soprano Saxophone, Tenor Saxophone - Hans Koller
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