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(Free Jazz) Trinity - Breaking The Mold - 2009, FLAC (tracks+.cue) lossless

Trinity - Breaking The Mold
Жанр: Free Jazz
Страна-производитель диска: Portugal
Год издания диска: 2009
Издатель (лейбл): Clean Feed Records
Номер по каталогу: cf 139
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 52:30
Источник (релизер): собственный рип с оригинального диска.
Наличие сканов в содержимом раздачи: да
01. Mold
02. MoLded
03. MolDer
04. Breaking Them Old
Лог создания рипа
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 22. February 2011, 18:32
Trinity / Breaking The Mold
Used drive : TSSTcorpCDDVDW SH-S222A Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Tool\Compress\FLAC\flac.exe
Additional command line options : -V -8 -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "TRACKNUMBER=%n" -T "GENRE=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 12:28.66 | 0 | 56165
2 | 12:28.66 | 3:46.27 | 56166 | 73142
3 | 16:15.18 | 6:25.49 | 73143 | 102066
4 | 22:40.67 | 29:49.13 | 102067 | 236254
Track 1
Filename C:\! UPLOAD\Trinity - Breaking The Mold (2009) [FLAC]\01 - Mold.wav
Pre-gap length 0:00:02.00
Peak level 95.7 %
Track quality 100.0 %
Test CRC F9F3B097
Copy CRC F9F3B097
Track not present in AccurateRip database
Copy OK
Track 2
Filename C:\! UPLOAD\Trinity - Breaking The Mold (2009) [FLAC]\02 - MoLded.wav
Peak level 25.5 %
Track quality 100.0 %
Test CRC F885C989
Copy CRC F885C989
Track not present in AccurateRip database
Copy OK
Track 3
Filename C:\! UPLOAD\Trinity - Breaking The Mold (2009) [FLAC]\03 - MolDer.wav
Peak level 99.6 %
Track quality 100.0 %
Test CRC 328FD22A
Copy CRC 328FD22A
Track not present in AccurateRip database
Copy OK
Track 4
Filename C:\! UPLOAD\Trinity - Breaking The Mold (2009) [FLAC]\04 - Breaking Them Old.wav
Peak level 98.0 %
Track quality 99.9 %
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
Содержание индексной карты (.CUE)
REM GENRE "Free, Avant"
REM COMMENT "ExactAudioCopy v0.99pb5"
TITLE "Breaking The Mold"
FILE "01 - Mold.wav" WAVE
TITLE "Mold"
ISRC PTNF10608798
INDEX 01 00:00:00
FILE "02 - MoLded.wav" WAVE
TITLE "MoLded"
ISRC PTNF10608799
INDEX 01 00:00:00
FILE "03 - MolDer.wav" WAVE
TITLE "MolDer"
ISRC PTNF10608800
INDEX 01 00:00:00
FILE "04 - Breaking Them Old.wav" WAVE
TITLE "Breaking Them Old"
ISRC PTNF10608801
INDEX 01 00:00:00
Доп. информация:
Recorded live at Molde Int. Jazz Festival, July 20th 2006.
Об альбоме (сборнике)
With all the respect I have for the Clean Feed label, when I put on this record, I thought, "no, not again", when listening to violent saxes annex electronics, wondering why all this is necessary, even if the album starts quite slowly and relatively quietly, eery and gloomy. But as you grow accustomed to the band's approach (if that's achievable), the quality of the music increases. Again some Scandinavians doing strong things : led by saxophonist Kjetil Moster, the band further consists of Morten Qvenild on keyboards, Ingebrigt Haker Flaten on bass, and Thomas Stronen on drums. So it starts in an interesting way, with plaintive wailing sax against a background of organ, bass, drums and electronics. Slowly the long piece moves into a more tense mode, with organ and sax reacting to each other in small bursts of sound, with interspersed electronics and then, well... all hell breaks loose, as you might have expected. The second, short piece is driven by the electronics and the arco bass, and if it were not for the sax joining after a while, it would be hard to classify this as jazz, yet it sounds good, like an ocean at night, slight wind, no land to be seen. In contrast, the third piece drops you in the middle of a rock avalanche, a weird unrelenting environment from which you can't escape, wondering whether you would even want to. But all that is just the long introduction to the last, expansive, magnificent piece, that drags you along for half an hour of intense musical joy. It starts with a powerful interaction between sax and accompanying instruments, then the intensity drops for some floating mist created by organ and electronics, a barely tangible sound, a backdrop with no foreground. And when the emotional, fragile sax enters, you know you're in for a treat, because of the intensity and the quality of the sounds created, the slow pacing, and the time taken to make each sound come to full fruition and appreciation, but as it goes with carefully built-up tension, it needs release somehow, ... and it does come, gradually, intensifying the silent moaning, speeding up the tempo, increasing the volume, and the explosion does come, expansive, wild, pounding, crashing, screeching, howling, ... What more do you want?
Kjetil Møster - saxophones, clarinet
Morten Qvenild - keyboards
Ingebrigt Haker Flaten - bass
Thomas Strønen - drums
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