(Free Jazz) Paul Bley Quintet (w. Marshall Allen, Dewey Johnson, Eddie Gomez, Milford Graves) - Barrage (ESP-Disk ESP 1008-2, Germany} - 1964, APE (image+.cue) lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 3. June 2010, 20:46
Paul Bley / Barrage
Used drive  : TSSTcorpDVD+-RW TS-U633A   Adapter: 0  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  4:15.50 |         0    |    19174
        2  |  4:15.50 |  5:21.67 |     19175    |    43316
        3  |  9:37.42 |  4:19.20 |     43317    |    62761
        4  | 13:56.62 |  4:12.20 |     62762    |    81681
        5  | 18:09.07 |  4:14.50 |     81682    |   100781
        6  | 22:23.57 |  5:32.15 |    100782    |   125696
Range status and errors
Selected range
     Filename C:\_Arc\EAC_Out\Paul Bley - Barrage\Paul Bley - Barrage.wav
     Peak level 96.4 %
     Range quality 100.0 %
     Copy CRC 70931908
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 2)  [1CC4C397]
Track  2  accurately ripped (confidence 2)  [EAD616E2]
Track  3  accurately ripped (confidence 2)  [1781EF7A]
Track  4  accurately ripped (confidence 2)  [1C01CFC5]
Track  5  accurately ripped (confidence 2)  [3660D86E]
Track  6  accurately ripped (confidence 2)  [B7326719]
All tracks accurately ripped
End of status report

REM GENRE Jazz
REM DATE 1964
REM DISCID 50068B06
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Paul Bley"
TITLE "Barrage"
FILE "Paul Bley - Barrage.ape" WAVE
  TRACK 01 AUDIO
    TITLE "Batterie"
    PERFORMER "Paul Bley"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Ictus"
    PERFORMER "Paul Bley"
    INDEX 00 04:14:15
    INDEX 01 04:15:50
  TRACK 03 AUDIO
    TITLE "And How The Queen"
    PERFORMER "Paul Bley"
    INDEX 00 09:36:37
    INDEX 01 09:37:42
  TRACK 04 AUDIO
    TITLE "Around Again"
    PERFORMER "Paul Bley"
    INDEX 00 13:53:62
    INDEX 01 13:56:62
  TRACK 05 AUDIO
    TITLE "Working Woman"
    PERFORMER "Paul Bley"
    INDEX 00 18:06:72
    INDEX 01 18:09:07
  TRACK 06 AUDIO
    TITLE "Barrage"
    PERFORMER "Paul Bley"
    INDEX 00 22:22:70
    INDEX 01 22:23:57

"Pianist Paul Bley's early ESP free jazz session combines the influence of the Jazz Composer's Guild with Ornette Coleman. On Barrage, Bley is joined by alto saxophonist Marshall Allen (in one of his few appearances outside of Sun Ra's Arkestra), trumpeter Dewey Johnson (who would go on to play on Coltrane's Ascension the following year), Eddie Gomez on bass, and Milford Graves taking care of percussion. All compositions are by Bley's former wife, Carla Bley, with a definite nod to Coleman's hyperactive stop-start punctuation (Paul Bley had fronted one of the earliest incarnations of the original Coleman quartet). Graves and Allen are especially irrepressible here, making Barrage a lost free jazz classic."