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(Free Jazz) Lowell Davidson Trio (Gary Peacock, Milford Graves) - Lowell Davidson Trio {ESP-Disk ESP 1012-2, Germany} - 1965, APE (image+.cue) lossless

(Free Jazz) Lowell Davidson Trio (Gary Peacock, Milford Graves) - Lowell Davidson Trio {ESP-Disk ESP 1012-2, Germany} - 1965, APE (image+.cue) lossless
Треклист:
Lowell Davidson Trio - Lowell Davidson Trio
Жанр: Free Jazz
Страна-производитель диска: Germany
Год издания диска: 1965
Издатель (лейбл): ESP-Disk
Номер по каталогу: ESP 1012-2
Аудио кодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:44:35
Источник (релизер): barin99
Наличие сканов в содержимом раздачи: да
Треклист:
1. "L" 8:11
2. Stately 1 11:00
3. Dunce 4:22
4. Ad Hoc 12:15
5. Strong Tears 8:28
Recorded July 27, 1965
Personnel:
Lowell Davidson — Piano
Gary Peacock — Bass
Milford Graves — Percussion, Drums
 
Лог создания рипа (EAC Log)
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 12. August 2009, 22:59
Lowell Davidson Trio / Lowell Davidson Trio
Used drive : HL-DT-STRW/DVD GCC-4242N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 8:11.35 | 0 | 36859
2 | 8:11.35 | 11:04.47 | 36860 | 86706
3 | 19:16.07 | 4:31.30 | 86707 | 107061
4 | 23:47.37 | 12:16.10 | 107062 | 162271
5 | 36:03.47 | 8:32.00 | 162272 | 200671
Range status and errors
Selected range
Filename C:\_\EAC_Out\Out\Lowell Davidson Trio - Lowell Davidson Trio\Lowell Davidson Trio - Lowell Davidson Trio.wav
Peak level 87.7 %
Range quality 100.0 %
Copy CRC 42402B07
Copy OK
No errors occurred
AccurateRip summary
Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
None of the tracks are present in the AccurateRip database
End of status report
 
Содержание индексной карты (.CUE)
REM DATE 1965
REM DISCID 3F0A7305
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Lowell Davidson Trio"
TITLE "Lowell Davidson Trio"
FILE "Lowell Davidson Trio - Lowell Davidson Trio.ape" WAVE
TRACK 01 AUDIO
TITLE "L"
PERFORMER "Lowell Davidson Trio"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Stately"
PERFORMER "Lowell Davidson Trio"
INDEX 00 08:09:62
INDEX 01 08:11:35
TRACK 03 AUDIO
TITLE "Dunce"
PERFORMER "Lowell Davidson Trio"
INDEX 00 19:14:37
INDEX 01 19:16:07
TRACK 04 AUDIO
TITLE "Ad Hoc"
PERFORMER "Lowell Davidson Trio"
INDEX 00 23:41:52
INDEX 01 23:47:37
TRACK 05 AUDIO
TITLE "Strong Tears"
PERFORMER "Lowell Davidson Trio"
INDEX 00 36:02:30
INDEX 01 36:03:47
 
AMG
"For even the astute early creative music lover, pianist Lowell Davidson is an obscure figure in the annals of jazz. Recommended to ESP-Disk by Ornette Coleman and signed to record his music without an audition, Davidson was the son of a theologist, studied biochemistry at Harvard, was fatally injured in a lab accident, and died at age 50. This is his only studio session, although ESP claims to have a live date from a Boston engagement in the can. He is accompanied by the stellar, and in this case sublime rhythm section of bassist Gary Peacock and drummer Milford Graves, and the result is a fascinating display of understated, purely improvised music that is eminently listenable, beautifully conceived, and flowing through past, present (circa 1965) and future resources. Of the five tracks — all consistently intriguing and well played — the opener "L" is deliciously exploratory but not dissonant, diffuse and fractured but scarcely scattered. You realize that Peacock and Graves utilize perfectly supportive, keen listening skills during the pensive and introspective "Stately 1." The slight visage of Cecil Taylor, or perhaps the dark brooding style of Mal Waldron crops up during the short cut "Dunce," nonplussed or bright and beautiful. In contrast, a thematic approach launches the lengthy "Ad Hoc" and "Strong Tears," the former a rumbling, rambling then a playful Tayloresque discourse with a bass solo from the always brilliant Peacock, the latter showing evocative restraint, never overplayed, with some calmed drama near the coda. What Lowell Davidson offers, aside from parallels to Paul Bley, is a sensible and free flowing approach to unconventional linear improvisation, and in many ways a lost art. Others like Valdo Williams, Burton Greene and Eric Watson were somehow lost in the shuffle like Lowell Davidson, but thankfully he has been given another chance to be discovered, and to revel in this unearthing of a brilliant musician is to be universally celebrated. Seek this distinguished document — it is a treasure."
12:28
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