(Free Jazz) konstruKt with Peter Brotzmann - Eklisia Sunday - 2013, FLAC (tracks+.cue), lossless

X Lossless Decoder version 20130407 (143.0)
XLD extraction logfile from 2013-05-19 01:48:03 +0400
Konstrukt, Peter Brötzmann / Eklisia Sunday
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        4  | 46:08:70 | 09:41:13 |    207670    |   251257
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TITLE "Eklisia Sunday"
PERFORMER "Konstrukt, Peter Brötzmann"
REM GENRE "Free Jazz"
REM DATE "2013"
REM DISCNUMBER 1
REM TOTALDISCS 1
REM DISCID 2E0D1604
REM REPLAYGAIN_ALBUM_GAIN -0.98 dB
REM REPLAYGAIN_ALBUM_PEAK 0.990723
FILE "01 - Part I.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Part I"
    PERFORMER "Konstrukt, Peter Brötzmann"
    REM REPLAYGAIN_TRACK_GAIN -0.26 dB
    REM REPLAYGAIN_TRACK_PEAK 0.967285
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Part II"
    PERFORMER "Konstrukt, Peter Brötzmann"
    REM REPLAYGAIN_TRACK_GAIN -2.52 dB
    REM REPLAYGAIN_TRACK_PEAK 0.990723
    INDEX 00 14:13:28
FILE "02 - Part II.flac" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Part III"
    PERFORMER "Konstrukt, Peter Brötzmann"
    REM REPLAYGAIN_TRACK_GAIN 0.12 dB
    REM REPLAYGAIN_TRACK_PEAK 0.989380
    INDEX 00 09:12:52
FILE "03 - Part III.flac" WAVE
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  TRACK 04 AUDIO
    TITLE "Part IV"
    PERFORMER "Konstrukt, Peter Brötzmann"
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    INDEX 00 22:36:65
FILE "04 - Part IV.flac" WAVE
    INDEX 01 00:00:00

The Turkish free jazz outfit konstruKt might be considered the most evolved improvisational band working in jazz today. Founded, not in the hotbeds of jazz, London, New York, Chicago, Wuppertal, or Krakow, their isolation is the key to their success. Well, isolation and observation.
Although this band was formed in 2008, their free jazz ears date back to the 1960s. The band has absorbed the lessons of John Coltrane's Interstellar Space (Impulse!, 1967), Peter Brotzmann's Machine Gun (FMP, 1968), and more recent works by Ivo Perelman, William Parker, and Joe McPhee. This live disc was recorded in May 2011 in Gümüşlük, Turkey, and reunites the quartet with Peter Brötzmann, their guest from a 2008 recording Dolunay (re:konstruKt, 2010). The quartet's basic lineup of Korhan Futaci (saxophone), Umut Çağlar (electric guitar), Özün Usta (bass), and Korhan Argüden (drums) is augmented here by an additional bassist, guitar, piano, and saxophone. That said this large-ish ensemble, to KonstruKt's credit, makes much more than noisy energy jazz. The music is presented in four lengthy parts, each with a nuggets (maybe blocks) of artful music making. The disc opens with a saxophone (I'm guessing it's Futaci) wandering among his quartet before Usta's djembe drum sets the pulse. While the large ensemble slowly joins in, the structure of the piece remains. A coherent groove and consistent energy is sustained, as the piece burns itself into exhaustion, some gentle guitar notes are played over delicate reed work. The longest piece, "Part III" (22:36) is a nomadic opus. The piece sustains a shamanistic energy through percussion, bells, double electric guitars, and ever-spiraling- upward saxophones. The rhapsodic vibe throughout organizes and highlights this excellent date. ~ mark corroto, allaboutjazz.com, april 8, 2013

Peter Brötzmann - tenor saxophone, alto saxophone, clarinet
Hüseyin Ertunç - acoustic piano, küstüfon, gong
Doğan Doğusel - double bass, küstüfon
Barlas Tan Özemek - electric guitar
Korhan Futaci - tenor saxophone,soprano saxophone
Umut Çağlar - electric guitar
Özün Usta - double bass, djembe, gong, bells
Korhan Argüden - drums, old k zildjian cymbals