(Free Jazz, Free Improvisation) [CD] The Ivo Perelman Quartet (Dominic Duval, Tomas Ulrich, Jay Rosen) - Sieiro - 1999, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 24. April 2015, 11:15
The Ivo Perelman Quartet / Sieiro
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==== Log checksum 1D00540BE56C6D7350994A1A8DECBE38B87173777FC3A244FCB773CEF6748E80 ====

REM GENRE Jazz
REM DATE 1999
REM DISCID 4F0D2F07
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 0000000000000
PERFORMER "The Ivo Perelman Quartet"
TITLE "Sieiro"
FILE "01 Sieiro.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Sieiro"
    PERFORMER "The Ivo Perelman Quartet"
    FLAGS DCP
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Rush Hour"
    PERFORMER "The Ivo Perelman Quartet"
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    INDEX 00 06:14:22
FILE "02 Rush Hour.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Santana"
    PERFORMER "The Ivo Perelman Quartet"
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    INDEX 00 10:28:45
FILE "03 Santana.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Arcos"
    PERFORMER "The Ivo Perelman Quartet"
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    PERFORMER "The Ivo Perelman Quartet"
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FILE "06 The Vermicello.wav" WAVE
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  TRACK 07 AUDIO
    TITLE "Assimptotica"
    PERFORMER "The Ivo Perelman Quartet"
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FILE "07 Assimptotica.wav" WAVE
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Ivo Perelman once again displays his striking ability to make a tenor saxophone sound like a string instrument. There are moments on this disc when a single note issues from the upper register and for a moment it's not clear: is it Perelman? Or Tomas Ulrich's cello? Or even the astounding Dominic Duval on bass?
But more often it's perfectly clear, because Perelman is at full throttle, with all the tremendous power and emotional impact of his tenor. What's most noteworthy at those moments is how exceptionally well his full tenor sound is complemented by this trio of cello, bass, and drums. At the beginning of "Rush Hour" Perelman darts up to the heights and the strings imitate him. They're perfectly in sync. The string instruments give him a lot of room to roam, without getting in his way, but they underscore his effects whether he's raging flat-out or whispering mournfully. The call-and-response of "Santana" offers an opportunity to hear how marvelously compatible this quartet really is. Another great moment comes on "Arcos," as Perelman insinuates himself into the strings' conversation.
The opening track, "Sieiro," is one of the best on a great disc. Perelman's sound is simply a wonder: part Ayler, part Ornette, part Booker Ervin - all Perelman. His cry is heart-rending and his power enormous. He takes this track to the heights and back again into a statement of sweeping grandeur and wounded melodic beauty.
The disc closes with "Assimptotica," featuring Perelman on tenor trombivo, a trombone played with a saxophone mouthpiece. It's a crashing, pealing thing of some interest, but his tenor playing is so strong throughout this disc that it's a shame he put that instrument down even for a moment. Nonetheless, this is another great disc from the tenor man, who seems to get better every time out.

Bass – Dominic Duval
Cello – Tomas Ulrich
Drums – Jay Rosen
Tenor Saxophone, Trombone [Tenor Trombivo] – Ivo Perelman