(Free Jazz, Contemporary Jazz, Free Improvisation) [CD] Howard Riley - The Day Will Come - 1970 (1999), FLAC (tracks+.cue), lossless
![(Free Jazz, Contemporary Jazz, Free Improvisation) [CD] Howard Riley - The Day Will Come - 1970 (1999), FLAC (tracks+.cue), lossless](/upload/000/u2/e8/ed/free-jazz-contemporary-jazz-free-improvisation-cd-howard-r.jpg "(Free Jazz, Contemporary Jazz, Free Improvisation) [CD] Howard Riley - The Day Will Come - 1970 (1999), FLAC (tracks+.cue), lossless")
Треклист:
Howard Riley - The Day Will Come
Жанр: Free Jazz, Contemporary Jazz, Free Improvisation
Носитель: CD
Страна-производитель диска (релиза): Великобритания
Год издания: 1970 (1999)
Издатель (лейбл): Columbia/Sony
Номер по каталогу: 494434 2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 58:31
Источник (релизер): beatledennis (what)
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. Sphere (Riley) - 1:56
02. Sad Was the Song (Guy) - 3:45
03. Winter (Riley) - 4:22
04. Dawn Vision (Guy) - 5:39
05. Funeral Song (Riley) - 8:29
06. Playtime (Guy) - 6:05
07. Eclipse (Riley) - 6:05
08. Deeper (Riley) - 5:09
09. Games (Guy) - 5:10
10. Score (Riley) - 2:24
11. High (Guy) - 5:39
12. The Day Will Come (Guy) - 3:48
Состав:
Howard Riley - piano
Barry Guy - double bass
Alan Jackson - drums
Recorded in London on March 1 and April 17, 1970.
Жанр: Free Jazz, Contemporary Jazz, Free Improvisation
Носитель: CD
Страна-производитель диска (релиза): Великобритания
Год издания: 1970 (1999)
Издатель (лейбл): Columbia/Sony
Номер по каталогу: 494434 2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 58:31
Источник (релизер): beatledennis (what)
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. Sphere (Riley) - 1:56
02. Sad Was the Song (Guy) - 3:45
03. Winter (Riley) - 4:22
04. Dawn Vision (Guy) - 5:39
05. Funeral Song (Riley) - 8:29
06. Playtime (Guy) - 6:05
07. Eclipse (Riley) - 6:05
08. Deeper (Riley) - 5:09
09. Games (Guy) - 5:10
10. Score (Riley) - 2:24
11. High (Guy) - 5:39
12. The Day Will Come (Guy) - 3:48
Состав:
Howard Riley - piano
Barry Guy - double bass
Alan Jackson - drums
Recorded in London on March 1 and April 17, 1970.
Лог создания рипа
X Lossless Decoder version 20131102 (145.0)
XLD extraction logfile from 2014-01-27 20:52:44 +0200
Howard Riley Trio / The Day Will Come
Used drive : MATSHITA DVD-R UJ-898 (revision HC10)
Media type : Pressed CD
Ripper mode : CDParanoia III 10.2
Disable audio cache : OK for the drive with a cache less than 2750KiB
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Read offset correction : 102
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Gap status : Analyzed, Appended
TOC of the extracted CD
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---------------------------------------------------------
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2 | 01:56:32 | 03:45:25 | 8732 | 25631
3 | 05:41:57 | 04:22:10 | 25632 | 45291
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7 | 30:16:60 | 06:04:40 | 136260 | 163599
8 | 36:21:25 | 05:09:37 | 163600 | 186811
9 | 41:30:62 | 05:09:58 | 186812 | 210044
10 | 46:40:45 | 02:24:15 | 210045 | 220859
11 | 49:04:60 | 05:38:52 | 220860 | 246261
12 | 54:43:37 | 03:47:63 | 246262 | 263349
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Track 04 : OK (v1, confidence 3/3)
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Track 06 : OK (v1, confidence 3/3)
Track 07 : OK (v1, confidence 3/3)
Track 08 : OK (v1, confidence 3/3)
Track 09 : OK (v1, confidence 3/3)
Track 10 : OK (v1, confidence 3/3)
Track 11 : OK (v1, confidence 3/3)
Track 12 : OK (v1, confidence 3/3)
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Содержание индексной карты (.CUE)
TITLE "The Day Will Come"
PERFORMER "Howard Riley"
REM GENRE "Jazz"
REM DATE "1970"
REM DISCID A30DB70C
REM REPLAYGAIN_ALBUM_GAIN -1.08 dB
REM REPLAYGAIN_ALBUM_PEAK 0.950043
FILE "01 - Sphere.flac" WAVE
TRACK 01 AUDIO
TITLE "Sphere"
REM REPLAYGAIN_TRACK_GAIN -2.09 dB
REM REPLAYGAIN_TRACK_PEAK 0.875397
INDEX 01 00:00:00
FILE "02 - Sad Was the Song.flac" WAVE
TRACK 02 AUDIO
TITLE "Sad Was the Song"
REM REPLAYGAIN_TRACK_GAIN 2.79 dB
REM REPLAYGAIN_TRACK_PEAK 0.657318
INDEX 01 00:00:00
FILE "03 - Winter.flac" WAVE
TRACK 03 AUDIO
TITLE "Winter"
REM REPLAYGAIN_TRACK_GAIN -0.80 dB
REM REPLAYGAIN_TRACK_PEAK 0.735931
INDEX 01 00:00:00
FILE "04 - Dawn Vision.flac" WAVE
TRACK 04 AUDIO
TITLE "Dawn Vision"
REM REPLAYGAIN_TRACK_GAIN -1.01 dB
REM REPLAYGAIN_TRACK_PEAK 0.814117
INDEX 01 00:00:00
FILE "05 - Funeral Song.flac" WAVE
TRACK 05 AUDIO
TITLE "Funeral Song"
REM REPLAYGAIN_TRACK_GAIN 1.93 dB
REM REPLAYGAIN_TRACK_PEAK 0.668457
INDEX 01 00:00:00
FILE "06 - Playtime.flac" WAVE
TRACK 06 AUDIO
TITLE "Playtime"
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INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Eclipse"
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INDEX 00 05:59:50
FILE "07 - Eclipse.flac" WAVE
INDEX 01 00:00:00
FILE "08 - Deeper.flac" WAVE
TRACK 08 AUDIO
TITLE "Deeper"
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FILE "09 - Games.flac" WAVE
TRACK 09 AUDIO
TITLE "Games"
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FILE "10 - Score.flac" WAVE
TRACK 10 AUDIO
TITLE "Score"
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INDEX 01 00:00:00
FILE "11 - High.flac" WAVE
TRACK 11 AUDIO
TITLE "High"
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INDEX 01 00:00:00
FILE "12 - The Day Will Come.flac" WAVE
TRACK 12 AUDIO
TITLE "The Day Will Come"
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INDEX 01 00:00:00
Отчет CUETools
[CUETools log; Date: 08.02.2015 23:28:02; Version: 2.1.5]
[CTDB TOCID: eMr5OS.zwjoDfkb93LjqsjXlqj8-] found.
Track | CTDB Status
1 | (3/3) Accurately ripped
2 | (3/3) Accurately ripped
3 | (3/3) Accurately ripped
4 | (3/3) Accurately ripped
5 | (3/3) Accurately ripped
6 | (3/3) Accurately ripped
7 | (3/3) Accurately ripped
8 | (3/3) Accurately ripped
9 | (3/3) Accurately ripped
10 | (3/3) Accurately ripped
11 | (3/3) Accurately ripped
12 | (3/3) Accurately ripped
[AccurateRip ID: 0019bb87-00f63250-a30db70c] found.
Track [ CRC | V2 ] Status
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Track Peak [ CRC32 ] [W/O NULL]
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Об альбоме (сборнике)
An occupational hazard of jazz musicians is prolixity, the urge to play on and on even when inspiration begins drying up. Performers with a hard grounding in classical disciplines— especially compositional disciplines—tend to avoid this, which may be why the music on this LP is so splendidly concise and pithy. For both Howard Riley and his bass player, Barry Guy, are practising ‘ straight ’ composers as well as jazz musicians. This shows in their work, not in the sense of classical devices being grafted on uneasily, but in the way they think about their music. Eclipse, mixing common and triple time, provides an easily grasped example, especially Riley ’ s piano solo, which instead of improvising on the chords or shape of the theme sets about developing certain elements of it. All the compositions are by either Howard Riley or Barry Guy, and each has a genuine identity of its own. One of the best is Winter, in nicely contrasting 9/4 and 8/4, its open intervals suggesting the chilliness of the title, although Riley did not set out with any intention of being programmatic. Sad Was The Song, slow and elegant, is a duet for bass and piano; Sphere and Score are brisk, brief and stick to the point; High, mostly in drawn-out 10/4, has an attractive interior buoyancy; Funeral Song involves sounds as such, with bass strings scraped, piano wires plucked and drum skins rubbed instead of struck, yet has a ripe, much more romantic middle section; Games is eruptive, Dawn Vision fairly loose, the solos stretching out for once, while The Day Will Come has a gospel feel, popinfluenced drumming and—as Riley ’ s sleevenote takes care to point out—a faintly ironic stance. Barry Guy ’ s bass playing is superb throughout the LP but at its most brilliant, perhaps, in Playtime, a real tour-de-force. This is, in fact, an outstandingly good record, and as well as composing and playing by Riley and Guy there is exceptionally intelligent and sensitive drumming from Alan Jackson. Fanciers of the older-established sorts of piano-bass- drums trios may find the music a bit cryptic to start with but familiarity should breed enjoyment.
-- By C.F. (Gramophon, January 1971, Page 135)
-- By C.F. (Gramophon, January 1971, Page 135)