(Free Jazz) Cecil Taylor Quartet (Harri Sjostrom, Dominic Duval, Jackson Krall) - Qu'a: Live at the Iridium Vol. 1 - 1998, APE (image+.cue) lossless

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 16. May 2011, 15:56
Cecil Taylor Quartet / Qu'a
Used drive  : ATAPI   DVD A  DH16A1L   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 62:25.38 |         0    |   280912
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     Filename C:\avaxhome\Cecil Taylor Quartet - Qu'a.wav
     Peak level 92.2 %
     Range quality 100.0 %
     Copy CRC 63FDF74B
     Copy OK
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AccurateRip summary
Track  1  cannot be verified as accurate (confidence 1)  [B740F7E2], AccurateRip returned [FCBD80A2]
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REM DATE 1998
REM DISCID 020EA101
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Cecil Taylor Quartet"
TITLE "Qu'a"
FILE "Cecil Taylor Quartet - Qu'a.APE" WAVE
  TRACK 01 AUDIO
    TITLE "Qu'a"
    PERFORMER "Cecil Taylor Quartet"
    INDEX 01 00:00:00

Qu'a: Live at the Tridium Volume 1 contains one long performance during which Taylor plays unaccompanied as well as improvising collectively with his 1998 quartet, including Harri Sjostrom, soprano sax, Dominic Duval, bass and Jackson Krall, drums. Sjostrom turns in angular, unpredictably fragmented lines, which is to be expected of any saxophonist who's with Cecil, an in-your-face player who stays in the front line during other people's solos. Dig at the beginning of the CD Cecil's fine sense of motivic variation. He begins with restraint, then builds to a fever pitch, which is where the band stays during most of the piece. Duval and Krall perform with discipline and intelligence; they deserve credit for what they don't as well as do play. Cecil's on fire, bursting with ideas, and happily Krall allows him to stretch and be heard.
By Harvey Pekar