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(Free Jazz) [CD] Charles Gayle Trio (Larry Roland, Michael TA Thompson) - Streets - 2012, FLAC (tracks+.cue), lossless

(Free Jazz) [CD] Charles Gayle Trio (Larry Roland, Michael TA Thompson) - Streets - 2012, FLAC (tracks+.cue), lossless
Треклист:
Charles Gayle Trio / Streets
Жанр: Free Jazz
Носитель: CD
Страна-производитель диска (релиза): US
Год издания: 2012
Издатель (лейбл): Northern Spy
Номер по каталогу: NSCD 018
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 60:30
Источник (релизер): cd
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Compassion I (5:16)
2. Compassion II (6:43)
3. Glory & Jesus (9:12)
4. Streets (10:34)
5. March Of April (9:25)
6. Doxology (10:47)
7. Tribulations (8:32)
 
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 17. February 2015, 11:22
Charles Gayle Trio / Streets
Used drive : ASUS DRW-24F1ST a Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Programs\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 5:16.14 | 0 | 23713
2 | 5:16.14 | 6:43.16 | 23714 | 53954
3 | 11:59.30 | 9:12.34 | 53955 | 95388
4 | 21:11.64 | 10:34.35 | 95389 | 142973
5 | 31:46.24 | 9:24.46 | 142974 | 185319
6 | 41:10.70 | 10:46.62 | 185320 | 233831
7 | 51:57.57 | 8:32.20 | 233832 | 272251
Track 1
Filename D:\EAC\01 Compassion I.wav
Pre-gap length 0:00:02.00
Peak level 97.7 %
Extraction speed 4.8 X
Track quality 100.0 %
Test CRC D1FE4C64
Copy CRC D1FE4C64
Copy OK
Track 2
Filename D:\EAC\02 Compassion II.wav
Peak level 97.7 %
Extraction speed 5.6 X
Track quality 100.0 %
Test CRC D5367752
Copy CRC D5367752
Copy OK
Track 3
Filename D:\EAC\03 Glory & Jesus.wav
Peak level 97.7 %
Extraction speed 6.2 X
Track quality 99.9 %
Test CRC 1FE0163E
Copy CRC 1FE0163E
Copy OK
Track 4
Filename D:\EAC\04 Streets.wav
Peak level 97.7 %
Extraction speed 7.1 X
Track quality 99.9 %
Test CRC 9A9BD636
Copy CRC 9A9BD636
Copy OK
Track 5
Filename D:\EAC\05 March of April.wav
Peak level 97.7 %
Extraction speed 8.2 X
Track quality 100.0 %
Test CRC 2840FD47
Copy CRC 2840FD47
Copy OK
Track 6
Filename D:\EAC\06 Doxology.wav
Peak level 97.7 %
Extraction speed 8.9 X
Track quality 100.0 %
Test CRC DA09EFC9
Copy CRC DA09EFC9
Copy OK
Track 7
Filename D:\EAC\07 Tribulations.wav
Peak level 97.7 %
Extraction speed 8.7 X
Track quality 99.9 %
Test CRC 70A9EEAC
Copy CRC 70A9EEAC
Copy OK
No errors occurred
End of status report
==== Log checksum 6C72603CA8A24634FEA1DF7C5A761AB00A44ABEAD1B2F67203D15C8F76500B58 ====
 
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2011
REM DISCID 540E2E07
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Charles Gayle Trio"
TITLE "Streets"
FILE "01 Compassion I.wav" WAVE
TRACK 01 AUDIO
TITLE "Compassion I"
PERFORMER "Charles Gayle Trio"
ISRC USWEX1200005
FLAGS DCP
INDEX 01 00:00:00
FILE "02 Compassion II.wav" WAVE
TRACK 02 AUDIO
TITLE "Compassion II"
PERFORMER "Charles Gayle Trio"
ISRC USWEX1200006
FLAGS DCP
INDEX 01 00:00:00
FILE "03 Glory & Jesus.wav" WAVE
TRACK 03 AUDIO
TITLE "Glory & Jesus"
PERFORMER "Charles Gayle Trio"
ISRC USWEX1200007
FLAGS DCP
INDEX 01 00:00:00
FILE "04 Streets.wav" WAVE
TRACK 04 AUDIO
TITLE "Streets"
PERFORMER "Charles Gayle Trio"
ISRC USWEX1200008
FLAGS DCP
INDEX 01 00:00:00
FILE "05 March of April.wav" WAVE
TRACK 05 AUDIO
TITLE "March of April"
PERFORMER "Charles Gayle Trio"
ISRC USWEX1200009
FLAGS DCP
INDEX 01 00:00:00
FILE "06 Doxology.wav" WAVE
TRACK 06 AUDIO
TITLE "Doxology"
PERFORMER "Charles Gayle Trio"
ISRC USWEX1200010
FLAGS DCP
INDEX 01 00:00:00
FILE "07 Tribulations.wav" WAVE
TRACK 07 AUDIO
TITLE "Tribulations"
PERFORMER "Charles Gayle Trio"
ISRC USWEX1200011
FLAGS DCP
INDEX 01 00:00:00
Доп. информация: Recorded May 2011 at Seizures Palace Recording.
 
Об альбоме (сборнике)
The title of the new Charles Gayle studio record, Streets, doesn't refer to the asphalt roadways on which Gayle used to play his saxophone; it refers to the clown-mime persona Gayle sometimes adopts in performance. Of course, by way of immediate association, the figure of Streets also reminds us of the streets where this persona was born: Streets the Clown, a near-homeless performer (as indeed Gayle was before he was “discovered”) living in the concrete jungle of New York, turning his sadness, pain, and perseverance into art. There's Gayle as Streets on the cover, looking forlorn, but staring right at us.
How are we to respond to this gesture? The album’s Christian-themed titles suggest “Compassion” might be appropriate. But there’s always the sense that such humility will come to nothing. Indeed, the movement of the record is from alternating versions of “Compassion” to the final “Tribulations,” the noisiest and unruliest of the bunch. This might be Gayle’s narrative: humble compassion will inevitably have to confront an apocalyptic upheaval. In this context, the performer is none other than a clown who attempts to bring joy, but in a world faced with constant travail must resign himself to being overlooked or forgotten. His melancholy-turned-(out)rage is the plight of the outsider artist—the free jazz musician in a nutshell.
Gayle is now in his 70s, but he is as intense as ever. His choice of trio and the exclusive use of the tenor may remind listeners of his most well-known record, Touchin' on Trane. And yet, surely in part due to the different rhythm section, Gayle does not repeat himself here: the Ayler-infused Coltrane sound of that album is not as prominent. Gayle trades those lengthy, lyrical lines for halting, disjointed outbursts. On this record his playing is much closer to the tortured, jagged wails that can be found on the extraordinary More Live album that was recorded in New York the year Touchin' on Trane was released—19 years ago.
The rhythm section on Streets is superb. Larry Roland plays the upright bass, and Michael TA Thompson is on drums. Both of them are accomplished musicians, and both are given ample time to show that. Each player has a solo on all but one track, and, most importantly, both of them are recorded extremely well. The subtleties of their interactions with each other and with Gayle are clearly distinguished in the mix, making it even more of a delight to listen to them.
The record is about an hour long, and features seven tracks ranging 5-10 minutes in length. Some pieces are more forceful and blustering; others ruminative yet still afflicted. Gayle’s overblown squeals often sound like he’s holding something back, that the high-pitched yelps are the symptoms of restraint, as if always about to explode into deeper, more violent attacks. And these outbursts come, sometimes ratcheting up the trio’s intensity to a peaking point. The ten-minute title track is especially effective, with Roland bowing his instrument (as he does on only one other piece) and featuring a musical theme that sounds like a lament. "March of April" begins with military-style syncopation on the drums, with the bass soon following 'in step.' Gayle enters and at first follows this lock-step rhythm, but in a few minutes it's clear the roles have been reversed: Thompson and Roland are now following Gayle's lead as he pulls the rhythm section away from any regulated beat and into a free textured flow. At the end the trio settles back into the military march for the final minute. This frame works beautifully and powerfully showcases Gayle's musical range. It's a fantastic piece, maybe the best on the record.
 
Состав
Bass – Larry Roland
Drums – Michael TA Thompson
Tenor Saxophone – Charles Gayle
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