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(Free Jazz, Avant-Garde Jazz) [CD] Alfred 23 Harth Quasar Quartet (w/ Simon Nabatov, Vladimir Tarasov, Vitold Rek) - POPendingEYE - 1993, FLAC (tracks+.cue), lossless

(Free Jazz, Avant-Garde Jazz) [CD] Alfred 23 Harth Quasar Quartet (w/ Simon Nabatov, Vladimir Tarasov, Vitold Rek) - POPendingEYE - 1993, FLAC (tracks+.cue), lossless
Треклист:
Alfred 23 Harth Quasar Quartet / POPendingEYE
Жанр: Free Jazz, Avant-Garde Jazz
Носитель: CD
Страна-производитель диска: Germany
Год издания: 1993
Издатель (лейбл): Free Flow Music Production
Номер по каталогу: ffm 0493
Страна: Germany
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 59:01
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. 1st2nd3rd&4th 29:18
2. BukzokWestWostokSude 29:38
 
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 7. March 2014, 23:06
Alfred 23 Harth Quasar Quartet / POPendingEYE
Used drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 29:22.55 | 0 | 132204
2 | 29:22.55 | 29:38.20 | 132205 | 265574
Track 1
Filename D:\zzz\01 - 1st2nd3rd&4th.wav
Pre-gap length 0:00:02.00
Peak level 100.0 %
Extraction speed 6.0 X
Track quality 100.0 %
Test CRC 51AFFACF
Copy CRC 51AFFACF
Accurately ripped (confidence 1) [67B10181] (AR v1)
Copy OK
Track 2
Filename D:\zzz\02 - BukzokWestWostokSude.wav
Pre-gap length 0:00:04.53
Peak level 76.4 %
Extraction speed 8.4 X
Track quality 100.0 %
Test CRC 55334C35
Copy CRC 55334C35
Accurately ripped (confidence 1) [57CB85E5] (AR v1)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 1731FF6A892C64E15C23F1329B818B3EE009F19C93016B3C3975FF3A898E7D70 ====
 
Содержание индексной карты (.CUE)
REM GENRE "Avant-Garde Jazz"
REM DATE 1993
REM DISCID 140DD502
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Alfred 23 Harth Quasar Quartet"
TITLE "POPendingEYE"
FILE "01 - 1st2nd3rd&4th.wav" WAVE
TRACK 01 AUDIO
TITLE "1st2nd3rd&4th"
PERFORMER "Alfred 23 Harth Quasar Quartet"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "BukzokWestWostokSude"
PERFORMER "Alfred 23 Harth Quasar Quartet"
INDEX 00 29:18:02
FILE "02 - BukzokWestWostokSude.wav" WAVE
INDEX 01 00:00:00
 
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. 1st2nd3rd&4th.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. BukzokWestWostokSude.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Доп. информация:
 
Album Info & Review
All compositions: Alfred 23 Harth, Simon Nabatov, Vitold Rek, Vladimir Tarasov
Thanks to: Uwe-Karsten Koch, Dr. Olshausen, Gallustheater, Musik-Glier
Vitold Rek plays Corelli strings
Live-Mitschnitt aus dem Hindemith-Saal der Alten Oper Frankfurt, 5. Dezember 1992
Ton: T. Raisig
Production: S. Siebenlist
Design by F. Simmel at Studio Schneider, Frankfurt
Alfred 23 Harth photo: Soon Joo Lee
"I want more POPEYE", writes Alfred Harth. "Possessing uncompromising moral standards and resorting to force when threatened". He also refers to "my artist's way through postmodernism", which at the beginning of the 90s brought him to grow tired of "all those mixes, remixes, postmodernisms and pop" that he had gone through during the previous decade: he was ready to return to a "pure" approach, essentially based on real players and real instruments. Enter Russian drummer Vladimir Tarasov from the Ganelin Trio, a long-time admirer of Harth, met for the first time in 1992 when Mr.23 was invited by Moscow TV for a program about him; the next character after his portrait would be none other that Popeye the Sailor (hence the album's title, a word game with the ironical "end" of the "pop phase" of Alfred's career). Tarasov had imported all the early Harth albums in the USSR, contributing to make him a Michael Jackson-like star in the Northern area of the country; playing together became a necessary consequence. The QuasarQuartet, formed by the saxophonist in the same year, sees Harth on tenor sax and bass clarinet and Tarasov on drums and percussion, plus the fabulous pianist Simon Nabatov and the excellent Vitold Rek on bass. "POPendingEYE" features two half-hour tracks in which everything (Coltrane-derived ascensions, logical freedom, contaminations of marching band rhythms, folk melodies, pyrotechnical pianism, sadly pensive reed lines) obeys to a logic that's inspired by Harth's idea of "opening to the East": in fact, besides this new musical situation, he met his current partner - South Korea's visual artist Soonjoo Lee - right at that time (hers is Alfred's photo gracing the digipak). Even the track titles, "1st2nd3rd&4th" and "BukzokWestWostokSude", respectively refer to the world's divisions ("...we know what the 3rd world is, but which would be the 1st?" says Harth) and to a mixture of Korean and English language to describe directions. And many directions this music points at, with a stimulating alternance of high-charge improvisations and melodic crystals that doesn't remind us about the players' originary lands, but it rather stands as a primary example of reciprocal instant comprehension: no language is a barrier when the instruments are the ones doing the talking. "POPendingEYE" - a meaningful record in the free music scene of the early 90s - has remained pretty obscure despite its quality; but it sure helped Alfred Harth to be "strong to the finish", as the Sailor himself would have it. The fact is, his creativity shined then and it still does. What finish, then? And what's your favourite brand of spinach, Alf?
 
Состав
Alfred 23 Harth: tenorsax, bassclarinet
Simon Nabatov: piano
Vitold Rek: bass
Vladimir Tarasov: drums & percussion
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