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(Free Jazz,Avant-Garde) Archie Shepp - Mama Too Tight(remaster) - 1998, FLAC (image+.cue), lossless

(Free Jazz,Avant-Garde) Archie Shepp - Mama Too Tight(remaster) - 1998, FLAC (image+.cue), lossless
Треклист:
Archie Shepp - Mama Too Tight(remaster)
Жанр: Free Jazz,Avant-Garde
Год выпуска диска: 1998
Год записи диска: 1966
Производитель диска: EU
Аудио кодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 38,23
Трэклист:
1. A Portrait of Robert Thompson (As a Young Man) (Archie Shepp) 18:57
2. Mama Too Tight (Archie Shepp) 5:25
3. Theme for Ernie (Fred Lacey) 3:21
4. Basheer (Archie Shepp) 10:38
Доп. информация:
 
EAC Log
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 6. January 2010, 10:27
Archie Shepp / Mama Too Tight
Used drive : _NEC DVD_RW ND-3500AG Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.32 | 18:57.55 | 32 | 85361
2 | 18:58.12 | 5:25.53 | 85362 | 109789
3 | 24:23.65 | 3:21.67 | 109790 | 124931
4 | 27:45.57 | 10:39.13 | 124932 | 172869
Range status and errors
Selected range
Filename J:\eMusic\Rip\Archie Shepp - Mama Too Tight.wav
Peak level 95.7 %
Range quality 100.0 %
Test CRC 2AEDE705
Copy CRC 2AEDE705
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [E58D0EBD]
Track 2 accurately ripped (confidence 3) [A780FCBB]
Track 3 accurately ripped (confidence 3) [0880235C]
Track 4 accurately ripped (confidence 3) [055FB06C]
All tracks accurately ripped
End of status report
 
auCDtect
-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.0.3 B1 build 1.0.3.0
Copyright (c) 2008, 2009 y-soft. All rights reserved
http://y-soft.110mb.com
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: Archie Shepp - Mama Too Tight.flac
Size: 250595817 Hash: EEC634F0AD06E69683773FACE704E07E Accuracy: -m0
Conclusion: CDDA 100%
Signature: C90AA0CCC247982A4019156086804345D10A0AAE
 
Personnel
Archie Shepp (Tenor Saxophone)
Perry Robinson (Clarinet)
Tommy Turrentine (Trumpet)
Grachan Moncur III (Trombone)
Roswell Rudd (Trombone)
Howard Johnson (Tuba)
Charlie Haden (Double Bass)
Beaver Harris (Drums)
 
Info
The octet Archie Shepp surrounded himself with in 1966 was filled with new and old faces. The twin trombones of Roswell Rudd and Grachan Moncur III embodied this, but so did bassist Charlie Haden and trumpeter Tommy Turrentine, while familiar figures like drummer Beaver Harris and tubaist Howard Johnson had been part of Shepp's regular band. There are four tracks on Mama Too Tight, all of them in some way acting as extensions of the opening three-part suite, "A Portrait of Robert Thomson (As a Young Man)." Shepp had hit his stride here compositionally. The track is, at first, a seeming free jazz blowout, but then traces the history of jazz, gospel, and blues through its three sections. Certainly there is plenty of atonality, but there is plenty of harmonic and rhythmic invention too. The piece, almost 19 minutes in length, has an intricate architecture that uses foreshadowing techniques and complex resolution methods. The title track is a post-bop blues swinger with a killer front-line riff turning in and out as the trombones go head to head. And finally, "Basheer," with its Eastern modality that transposes itself toward blues and folk music, becomes a statement on the transitional ties the '60s were ushering in musically. Here again, lots of free blowing, angry bursts of energy, and shouts of pure revelry are balanced with Ellingtonian elegance and restraint that was considerable enough to let the lyric line float through and encourage more improvisation. This is Shepp at his level best. - by Thom Yurek, AMG
Рип из другого ресурса.Все спасибо - Into09
 
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