(Free Jazz) another INTERface - Live at the BIM - 1997, FLAC (tracks+.cue) lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 17. October 2010, 20:39
another INTERface / Live at the BIM
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Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
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Quality                         : High
Add ID3 tag                     : No
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Additional command line options : -V -8 -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "TRACKNUMBER=%n" -T "GENRE=%m" %s
TOC of the extracted CD
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        1  |  0:00.00 |  7:10.62 |         0    |    32311
        2  |  7:10.62 | 10:20.48 |     32312    |    78859
        3  | 17:31.35 |  5:51.00 |     78860    |   105184
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        6  | 36:51.57 |  7:18.58 |    165882    |   198789
        7  | 44:10.40 |  5:42.52 |    198790    |   224491
        8  | 49:53.17 |  4:21.68 |    224492    |   244134
        9  | 54:15.10 |  5:00.02 |    244135    |   266636
       10  | 59:15.12 |  4:24.13 |    266637    |   286449
       11  | 63:39.25 |  3:43.45 |    286450    |   303219
       12  | 67:22.70 |  2:29.45 |    303220    |   314439
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Track  3
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Track  7
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Track  8
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Track  9
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Track 10
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Track 11
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Track 12
     Filename C:\! RUTRACKER\ru up\another INTERface\12 - The Man I Love.wav
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REM GENRE "Free Jazz"
REM DATE 1996
REM DISCID 9F10600C
REM COMMENT "ExactAudioCopy v0.99pb5"
CATALOG 0000000000000
PERFORMER "another INTERface"
TITLE "Live at the BIM"
FILE "01 - What if.wav" WAVE
  TRACK 01 AUDIO
    TITLE "What if"
    PERFORMER "another INTERface"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Proposition"
    PERFORMER "another INTERface"
    INDEX 00 07:05:52
FILE "02 - Proposition.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Fast as Heck (Rythamathing)"
    PERFORMER "another INTERface"
    INDEX 00 10:15:40
FILE "03 - Fast as Heck (Rythamathing).wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Mm Blues"
    PERFORMER "another INTERface"
    INDEX 00 05:45:30
FILE "04 - Mm Blues.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Amsterdam Polka"
    PERFORMER "another INTERface"
    INDEX 00 07:08:72
FILE "05 - Amsterdam Polka.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Foggy"
    PERFORMER "another INTERface"
    INDEX 00 06:09:18
FILE "06 - Foggy.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Tolls Fantasy"
    PERFORMER "another INTERface"
    INDEX 00 07:13:70
FILE "07 - Tolls Fantasy.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Fast as Heck # 2"
    PERFORMER "another INTERface"
    INDEX 00 05:38:40
FILE "08 - Fast as Heck # 2.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Jitterburg Waltz"
    PERFORMER "another INTERface"
    INDEX 00 04:18:53
FILE "09 - Jitterburg Waltz.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Deep Blue Lake"
    PERFORMER "another INTERface"
    INDEX 00 04:56:52
FILE "10 - Deep Blue Lake.wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "Don't Get Around Much Anymore"
    PERFORMER "another INTERface"
    INDEX 00 04:20:55
FILE "11 - Don't Get Around Much Anymore.wav" WAVE
    INDEX 01 00:00:00
  TRACK 12 AUDIO
    TITLE "The Man I Love"
    PERFORMER "another INTERface"
    INDEX 00 03:39:45
FILE "12 - The Man I Love.wav" WAVE
    INDEX 01 00:00:00

Recorded in 1996 in Amsterdam, this curious and mysterious solo and trio recording was apparently a one-off. Led by pianist John Fischer (who is a dead ringer for Albert Einstein), this set was recorded at the 20th anniversary of the Bimhuis in Amsterdam, where Fischer got his jazz start, and it features some of the pianist's best-known compositions and reinventions of others. The set opens with "What If?," a pointillistic piece that is both knotty and modal in its execution, and Arthur Blythe plays gorgeously in the intervallic shifts (Fischer has a compositional system called the Quad System where all interval relationships are broken down to four notes) by moving through with a series of thirds and ninths that blur the edges of the piano's angles. Next up is a near classical piece by Fischer performed solo, and deeply influenced by Ravel. The trio reengages with a radical reworking of Monk's "Rhythm-A-Ning" that is not unpleasant so much as it's far too afield to still be called Monk's. Why? Because it has no funk; it's an egghead version. Fischer also brings back "Mm Blues," with his four-note system that completely restructures an eight-bar blues and turns it into something Keith Jarrett might play. There are also readings of Fats Waller here that are faithful and lovely, as well as devastatingly original harmonic architectures in "Tolls Fantasy" and "Deep Blue Lake." The encores to these sets are surprising, though, in that they are very faithful readings of Ellington and Gershwin, a surprise for fans of Fischer's more outside work. They fit here, though, as this concert blends all of Fischer's influences, angles, inventions, and conceptions together into a startling whole, one that is original, vital, and demonstrably warm.

Arthur Blythe - alto sax
Wilber Morris - bass
John Fischer - piano