(Free Improvisation, Leo Records) Ramon Lopez - Drums Solo II – Swinging with Doors - 2007, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 12. June 2013, 17:31
Ramon Lopez / Drums Solo II - Swinging with Doors
Used drive  : SlimtypeeNAU508   5   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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       12  | 43:03.40 |  4:19.63 |    193765    |   213252
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==== Log checksum 80A2D7365C5FF0C5609B3E3CC170088CA2C99CAD0B74C2934DCD0B217F8FF43C ====

REM GENRE Jazz
REM DATE 2007
REM DISCID B00B1B0C
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Ramon Lopez"
TITLE "Drums Solo II - Swinging with Doors"
FILE "01 - Bismillah.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Bismillah"
    PERFORMER "Ramon Lopez"
    INDEX 01 00:00:00
FILE "02 - A Prayer in My Soul.wav" WAVE
  TRACK 02 AUDIO
    TITLE "A Prayer in My Soul"
    PERFORMER "Ramon Lopez"
    INDEX 01 00:00:00
FILE "03 - Monterrey.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Monterrey"
    PERFORMER "Ramon Lopez"
    INDEX 01 00:00:00
FILE "04 - The Beauty of Life.wav" WAVE
  TRACK 04 AUDIO
    TITLE "The Beauty of Life"
    PERFORMER "Ramon Lopez"
    INDEX 01 00:00:00
FILE "05 - The Godfather of Modern Drumming.wav" WAVE
  TRACK 05 AUDIO
    TITLE "The Godfather of Modern Drumming"
    PERFORMER "Ramon Lopez"
    INDEX 01 00:00:00
FILE "06 - Niños del agua.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Niños del agua"
    PERFORMER "Ramon Lopez"
    INDEX 01 00:00:00
FILE "07 - Riihimäki Ballad.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Riihimäki Ballad"
    PERFORMER "Ramon Lopez"
    INDEX 01 00:00:00
FILE "08 - The Moon Came to the Forge.wav" WAVE
  TRACK 08 AUDIO
    TITLE "The Moon Came to the Forge"
    PERFORMER "Ramon Lopez"
    INDEX 01 00:00:00
FILE "09 - The King of Shuffle.wav" WAVE
  TRACK 09 AUDIO
    TITLE "The King of Shuffle"
    PERFORMER "Ramon Lopez"
    INDEX 01 00:00:00
FILE "10 - Tanguillos del clavel.wav" WAVE
  TRACK 10 AUDIO
    TITLE "Tanguillos del clavel"
    PERFORMER "Ramon Lopez"
    INDEX 01 00:00:00
FILE "11 - Krishna.wav" WAVE
  TRACK 11 AUDIO
    TITLE "Krishna"
    PERFORMER "Ramon Lopez"
    INDEX 01 00:00:00
FILE "12 - Maldonado Street.wav" WAVE
  TRACK 12 AUDIO
    TITLE "Maldonado Street"
    PERFORMER "Ramon Lopez"
    INDEX 01 00:00:00

Lopez' new solo album, Drums Solo II: Swinging with Doors, shows the drummer in an entirely different scenario. To put it bluntly, he's improvising to a door. Well, many doors – kitchen doors, station doors, school doors, even sauna doors. The doors, played by Finnish bassist and composer Teppo Hauta-aho, produce long squeaks of varying pitch and tempo. Lopez reacts to the ambiance the doors create, hitting chimes, blowing horns, bowing a cymbal, rolling some curved, rubbery object against some stretched skin; the result is texturally extraordinary. Playful pattering offsets deep, rubbery, torturous tones. They elevate to a rumble before flowing into the hollow sounds of a hand drum on “The Beauty of Life”. The metallic, echoey shards created by cymbal hitting cymbal mingle with a quick, primitive patter on “The Godfather of Modern Drumming”.
Even without doors, Lopez solo merits a listen, but when that gargantuan rumble begins again, you sit up a little bit straighter. It's creepy, that constant, warbling when it slows sounds of a door in need of an oiling. Lopez' counter is downright cheerful in comparison. His method of focusing on a particular sound pattern before moving on results in the formation of a large collection of tiny characters. His narrative is vast and complex, but endearing and somehow, oddly familiar (Celeste Sunderland).