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(Free Improvisation, Electroacoustic, FMR) [CD] Philipp Wachsmann, Roger Curphy, Mark Wastell, Carol Ann Jackson, Trevor Taylor - Icarus - 1998, FLAC (tracks+.cue), lossless

(Free Improvisation, Electroacoustic, FMR) [CD] Philipp Wachsmann, Roger Curphy, Mark Wastell, Carol Ann Jackson, Trevor Taylor - Icarus - 1998, FLAC (tracks+.cue), lossless
Треклист:
Philipp Wachsmann, Roger Curphy, Mark Wastell, Carol Ann Jackson, Trevor Taylor / Icarus
Жанр: Free Improvisation, Electroacoustic, FMR
Носитель: CD
Страна-производитель диска: UK
Год издания: 1998
Издатель (лейбл): FMR Records
Номер по каталогу: FMR CD15-V1298
Страна: UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 74:26
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. Improvisation One 15:45
2. Improvisation Two 9:17
3. Improvisation Three 7:08
4. Improvisation Four 26:10
5. Improvisation Five 15:00
 
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 12. May 2014, 20:48
Philipp Wachsmann, Roger Curphy, Mark Wastell, Carol Ann Jackson, Trevor Taylor / Icarus
Used drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 16:02.53 | 0 | 72202
2 | 16:02.53 | 9:25.64 | 72203 | 114641
3 | 25:28.42 | 7:34.27 | 114642 | 148718
4 | 33:02.69 | 26:11.48 | 148719 | 266591
5 | 59:14.42 | 15:11.46 | 266592 | 334962
Track 1
Filename D:\zzz\01 - Improvisation One.wav
Pre-gap length 0:00:02.00
Peak level 50.8 %
Extraction speed 5.9 X
Track quality 100.0 %
Test CRC A6DCE667
Copy CRC A6DCE667
Accurately ripped (confidence 1) [C807F119] (AR v1)
Copy OK
Track 2
Filename D:\zzz\02 - Improvisation Two.wav
Peak level 69.7 %
Extraction speed 6.1 X
Track quality 99.9 %
Test CRC 86DD4A52
Copy CRC 86DD4A52
Accurately ripped (confidence 1) [543838A1] (AR v1)
Copy OK
Track 3
Filename D:\zzz\03 - Improvisation Three.wav
Peak level 20.6 %
Extraction speed 7.4 X
Track quality 100.0 %
Test CRC 6411333F
Copy CRC 6411333F
Accurately ripped (confidence 1) [E67071BE] (AR v1)
Copy OK
Track 4
Filename D:\zzz\04 - Improvisation Four.wav
Peak level 77.1 %
Extraction speed 8.9 X
Track quality 100.0 %
Test CRC 5B828C01
Copy CRC 5B828C01
Accurately ripped (confidence 1) [F9169987] (AR v1)
Copy OK
Track 5
Filename D:\zzz\05 - Improvisation Five.wav
Peak level 34.9 %
Extraction speed 9.9 X
Track quality 100.0 %
Test CRC 2C2ECF4B
Copy CRC 2C2ECF4B
Accurately ripped (confidence 1) [F444ADAF] (AR v1)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 11A87BF4977656D0E6DE783201B3D647147A109DA9A48B0F1EF50C54A974422A ====
 
Содержание индексной карты (.CUE)
REM GENRE "Free Improvisation"
REM DATE 1998
REM DISCID 47117205
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Philipp Wachsmann, Roger Curphy, Mark Wastell, Carol Ann Jackson, Trevor Taylor"
TITLE "Icarus"
FILE "01 - Improvisation One.wav" WAVE
TRACK 01 AUDIO
TITLE "Improvisation One"
PERFORMER "Philipp Wachsmann, Roger Curphy, Mark Wastell, Carol Ann Jackson, Trevor Taylor"
INDEX 01 00:00:00
FILE "02 - Improvisation Two.wav" WAVE
TRACK 02 AUDIO
TITLE "Improvisation Two"
PERFORMER "Philipp Wachsmann, Roger Curphy, Mark Wastell, Carol Ann Jackson, Trevor Taylor"
INDEX 01 00:00:00
FILE "03 - Improvisation Three.wav" WAVE
TRACK 03 AUDIO
TITLE "Improvisation Three"
PERFORMER "Philipp Wachsmann, Roger Curphy, Mark Wastell, Carol Ann Jackson, Trevor Taylor"
INDEX 01 00:00:00
FILE "04 - Improvisation Four.wav" WAVE
TRACK 04 AUDIO
TITLE "Improvisation Four"
PERFORMER "Philipp Wachsmann, Roger Curphy, Mark Wastell, Carol Ann Jackson, Trevor Taylor"
INDEX 01 00:00:00
FILE "05 - Improvisation Five.wav" WAVE
TRACK 05 AUDIO
TITLE "Improvisation Five"
PERFORMER "Philipp Wachsmann, Roger Curphy, Mark Wastell, Carol Ann Jackson, Trevor Taylor"
INDEX 01 00:00:00
 
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Improvisation One.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Improvisation Two.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. Improvisation Three.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. Improvisation Four.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. Improvisation Five.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Доп. информация:
 
Album Info & Brinkster.com Review
Recorded at the Whitehouse on 17th August 1995
All rights reserved by the artists
Painting by Kate Thomas
Design by Trevor Taylor & Ewan Rigg
Liner notes: Peter Stubley
Old-fashioned free-improv is what this disk, on one level, is all about. The use of bowed strings has always been a part of free jazz and free improvisation, but it seems to have had something of a resurgence in the last ten years, with musicians seeking to get some of the sustained, complex textures which are available to both composers of orchestral works and those who work exclusively with electronics. The sound on this disk is very much dominated by the trio of bass, cello and violin, and it would be easy to imagine that this is "just another free session" and leave it at that.
Disregarding, for a moment, the wisdom of writing anything off as "just another free session", this disk does rather undermine some of those expectations. This is ensemble music, yes, and, yes, it's all improvised. Sure, it has as many connections with Pierre Boulez as with Albert Ayler and, yes, it contains a whole gamut, a veritable smorgasbord of extended techniques and non-standard timbres.
Yet it also does some things which many dates like this don't do. Most significantly, it develops its ideas very slowly. Not for Icarus that typically restless approach which tends to pick up ideas and then drop them for fear of appearing -- heaven forbid -- to be repeating oneself or stuck in a rut, with the result that the music runs all over the place expending energy but going nowhere. Icarus prefer to develop textures slowly; the local details may change by the second, but the music has an overall movement, a momentum which carries it forward. I think this is in part due to the relatively (and I say "relatively") straight playing which the string players engage in here. Wastell, in particular, is known for his textural approach, but here sets it somewhat aside the better to integrate into the group. Likewise, the electronics are used very sparingly, something like light playing on the surface of water, giving the music light and definition but never obtruding into its progress. Taylor's percussion is understated and effective, although his can't-play-will-play guitar on track four is something we could have managed without.
The star of the show is Carol Ann Jackson. Far from acting as a lead instrument, as Pete Stubley's sleeve notes point out, she is very much submerged in the ensemble, but the thread which she weaves through it is wholly distinctive and completely captivating. Her voice seems to be always there but never obtrusively so; a perfect balance of dynamic. It would be nice to hear her working with texts, but her non-verbal vocalisations are fully as musical as any of the other contributions here.
I mentioned Boulez, not Stockhausen or Cage, because Boulez is what this disk most calls to mind; atonal and post-serialist and all the rest, but also incurably Romantic. Icarus aren't interested in formal abstraction so much as ravishing sound, sweeping harmonies (there are sweeping harmonies, I promise you) and a lyrical melodic sensibility. There are even some jazzy moments, mostly thanks to Curphy's pizzicato approach which is the closest thing in this group to that tradition; his indebtedness to Charlie Haden, again something Stubley notes, is enormous, and all the muscular power and accuracy that goes with it is an enormous benefit to this group.
A great chill-out record, this, as well as a quiet, unassuming grower; at first listen it might seem a little hard to grasp, but that's because, like certain tidal waters, its slow-moving exterior hides a mercurial imagination.
 
Состав
Philipp Wachsmann: violin, electronics
Roger Curphy: double bass
Mark Wastell: violoncello
Carol Ann Jackson: voice
Trevor Taylor: percussion, electronics
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