(Free Improvisation) [CD] Abdelhai Bennani Trio (Benjamin Duboc, Edward Perraud) - There Starts The Future - 2009, FLAC (tracks+.cue), lossless

(Free Improvisation) [CD] Abdelhai Bennani Trio (Benjamin Duboc, Edward Perraud) - There Starts The Future - 2009, FLAC (tracks+.cue), lossless
Abdelhaï Bennani Trio / There Starts The Future
Жанр: Free Improvisation
Носитель: CD
Страна-производитель диска (релиза): Sweden
Год издания: 2009
Издатель (лейбл): Ayler Records
Номер по каталогу: aylCD-083
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 61:33
Источник (релизер): cd
Наличие сканов в содержимом раздачи: нет
1. In The Beginning Was The Night (29:28)
2. I Had A Dream (32:03)
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 2. February 2015, 12:05
Abdelhai Bennani Trio / There Starts The Future
Used drive : ASUS DRW-24F1ST a Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Programs\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 29:30.14 | 0 | 132763
2 | 29:30.14 | 32:03.42 | 132764 | 277030
Track 1
Filename D:\EAC\01 In The Beginning Was The Night.wav
Pre-gap length 0:00:02.00
Peak level 98.8 %
Extraction speed 6.3 X
Track quality 99.9 %
Test CRC C39A6F4D
Copy CRC C39A6F4D
Copy OK
Track 2
Filename D:\EAC\02 I Had A Dream.wav
Pre-gap length 0:00:02.00
Peak level 98.8 %
Extraction speed 9.0 X
Track quality 100.0 %
Test CRC 2AB4EE95
Copy CRC 2AB4EE95
Copy OK
No errors occurred
End of status report
==== Log checksum E56540C67EE89CE2F3404844C3D50FA7B3EF0F75C56950B6E55D2D683AFC866B ====
Содержание индексной карты (.CUE)
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Abdelhai Bennani Trio"
TITLE "There Starts The Future"
FILE "01 In The Beginning Was The Night.wav" WAVE
TITLE "In The Beginning Was The Night"
PERFORMER "Abdelhai Bennani Trio"
INDEX 01 00:00:00
TITLE "I Had A Dream"
PERFORMER "Abdelhai Bennani Trio"
INDEX 00 29:28:14
FILE "02 I Had A Dream.wav" WAVE
INDEX 01 00:00:00
Доп. информация: Recorded on 6 June 2007 Les Instants Chavirés, Montreuil
Об альбоме (сборнике)
"Born in Fes in Morocco in 1950, Abdelhaï Bennani studied in Marseilles [..] then moved to Paris, when he has been affiliated with players as distinctive as bassist Alan Silva, guitarist Camel Zekri and drummer Makoto Sato.
[...] Bennani's drummer is Edward Perraud, part of the microtonal band Hubbub as well as backing such disparate saxophonists as Jean-Luc Guionnet and Arthur Doyle. Bassist Benjamin Duboc is even more versatile. His list of associates takes in Sato, Guionnet, trumpeter Roy Campbell and saxophonists Michel Doneda and Oliver Lake. [...] In turns discursive, distracted and distanced in his soloing [...] Bennani's mid-tempo performance is one of examination not assertion. Self-focused curvaceous trills, wispy breaths and strangled cries are his most common stratagems. Altissimo shrills, reed splintering and whistling are sometimes used for emphasis, but as abruptly as these explosions occur, they vanish - to be replaced by further plaintive mutterings and taut overtone ruminations.
Responding in an admirable fashion, Duboc and Perraud use almost every tactic available to the non-idiomatic instrumentalists to maintain rhythmic flow on the two overlong improvisations. Bennani's repetitive split tones and striated cries are met by double-stopping thumps and string scrapes from the bassist and ratcheting reverb plus beat fastening from the drummer. If the saxophonist confines himself to excavating timbres within his horn's body tube, cork and reed, Duboc enlivens those responses with harsh friction, sul ponticello runs and stops high up near the bass scroll. Meanwhile Perraud contributes paradiddles played with mallets on top of drum heads plus cymbal scratches and pings.
Rendering his parts with suppressed ferocity that suggest Edward Munch's "The Scream", the saxman's mercurial output occasionally initiates billowing, shredded reed tones as if Perraud's ratamacues and Duboc's power strokes threaten to reduce him to further silence. Nonetheless, the bassist's and drummer's self-discipline is commendable when they resort to hand slaps on drum tops and positioned taps on the bass's belly and ribs to enliven Bennani's indolent lowing without masking it. Miraculously tonal fragmentation is masticated into a recapping of the initial head by Bennani during the second tune's penultimate moments. Rounding the circle with Duboc's staccato rumbles and Perraud's rim-shot knocks, the piece concludes disconcertedly, when the saxman literally stops making sounds. [...]"- Ken Waxman, www.jazzword.com
Bass – Benjamin Duboc
Drums – Edward Perraud
Tenor Saxophone – Abdelhaï Bennani
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