(Free Improvisation, Avant-Garde Jazz, Soul Note, Electroacoustic) [CD] Nobu Stowe & Lee Pembleton Project (feat. Perry Robinson, Blaise Siwula, Ross Bonnadonna) - Hommage An Klaus Kinski - 2007, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 14. July 2014, 13:14
Nobu Stowe - Lee Pembleton Project / Hommage An Klaus Kinski
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  3:16.74 |         0    |    14773
        2  |  3:16.74 | 21:11.64 |     14774    |   110162
        3  | 24:28.63 |  5:01.49 |    110163    |   132786
        4  | 29:30.37 |  4:19.39 |    132787    |   152250
        5  | 33:50.01 |  5:29.16 |    152251    |   176941
        6  | 39:19.17 |  7:09.08 |    176942    |   209124
        7  | 46:28.25 | 12:55.03 |    209125    |   267252
        8  | 59:23.28 |  3:54.12 |    267253    |   284814
        9  | 63:17.40 |  5:05.10 |    284815    |   307699
       10  | 68:22.50 |  7:26.01 |    307700    |   341150
Track  1
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     Track quality 100.0 %
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     Copy CRC EDF6B05F
     Accurately ripped (confidence 1)  [5F9FDC73]  (AR v2)
     Copy OK
Track  2
     Filename D:\zzz\02 - Quintet III.wav
     Peak level 97.7 %
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     Track quality 99.9 %
     Test CRC 23CED3D5
     Copy CRC 23CED3D5
     Accurately ripped (confidence 1)  [A386FC42]  (AR v2)
     Copy OK
Track  3
     Filename D:\zzz\03 - Trio III-B.wav
     Peak level 79.9 %
     Extraction speed 4.2 X
     Track quality 100.0 %
     Test CRC EA1CB32F
     Copy CRC EA1CB32F
     Accurately ripped (confidence 1)  [AF99411B]  (AR v2)
     Copy OK
Track  4
     Filename D:\zzz\04 - Duo II-E.wav
     Peak level 97.7 %
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     Track quality 100.0 %
     Test CRC 74A81D9D
     Copy CRC 74A81D9D
     Accurately ripped (confidence 1)  [6090F31B]  (AR v2)
     Copy OK
Track  5
     Filename D:\zzz\05 - Quartet.wav
     Peak level 93.8 %
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     Test CRC 30E39D38
     Copy CRC 30E39D38
     Accurately ripped (confidence 1)  [7137EB0C]  (AR v2)
     Copy OK
Track  6
     Filename D:\zzz\06 - Trio II.wav
     Peak level 97.7 %
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     Track quality 100.0 %
     Test CRC 72BD2629
     Copy CRC 72BD2629
     Accurately ripped (confidence 1)  [48997140]  (AR v2)
     Copy OK
Track  7
     Filename D:\zzz\07 - Quintet I-D.wav
     Peak level 100.0 %
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     Track quality 100.0 %
     Test CRC 012CDE2C
     Copy CRC 012CDE2C
     Accurately ripped (confidence 1)  [29DA4692]  (AR v2)
     Copy OK
Track  8
     Filename D:\zzz\08 - Duo II-B.wav
     Peak level 97.7 %
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     Test CRC 5DA942FF
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     Accurately ripped (confidence 1)  [7887EBC7]  (AR v2)
     Copy OK
Track  9
     Filename D:\zzz\09 - Hommage An Klaus Kinski.wav
     Peak level 97.7 %
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     Track quality 99.9 %
     Test CRC F69050CF
     Copy CRC F69050CF
     Accurately ripped (confidence 1)  [D074E3B2]  (AR v2)
     Copy OK
Track 10
     Filename D:\zzz\10 - 'Round Midnight.wav
     Peak level 70.6 %
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     Track quality 100.0 %
     Test CRC 21E0A540
     Copy CRC 21E0A540
     Accurately ripped (confidence 1)  [2F2EF94E]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum C56ECA0288082980D4B286C1D5E8F145B2D490BF7BF404DB14B60A4C0CBCEB5C ====

REM GENRE "Avant-Garde Jazz"
REM DATE 2007
REM DISCID 8E11C40A
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Nobu Stowe - Lee Pembleton Project"
TITLE "Hommage An Klaus Kinski"
FILE "01 - Duo I-A.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Duo I-A"
    PERFORMER "Nobu Stowe - Lee Pembleton Project"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "02 - Quintet III.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Quintet III"
    PERFORMER "Nobu Stowe - Lee Pembleton Project"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "03 - Trio III-B.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Trio III-B"
    PERFORMER "Nobu Stowe - Lee Pembleton Project"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "04 - Duo II-E.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Duo II-E"
    PERFORMER "Nobu Stowe - Lee Pembleton Project"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "05 - Quartet.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Quartet"
    PERFORMER "Nobu Stowe - Lee Pembleton Project"
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    INDEX 01 00:00:00
FILE "06 - Trio II.wav" WAVE
  TRACK 06 AUDIO
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FILE "07 - Quintet I-D.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Quintet I-D"
    PERFORMER "Nobu Stowe - Lee Pembleton Project"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "08 - Duo II-B.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Duo II-B"
    PERFORMER "Nobu Stowe - Lee Pembleton Project"
    FLAGS DCP
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FILE "09 - Hommage An Klaus Kinski.wav" WAVE
  TRACK 09 AUDIO
    TITLE "Hommage An Klaus Kinski"
    PERFORMER "Nobu Stowe - Lee Pembleton Project"
    FLAGS DCP
    INDEX 01 00:00:00
FILE "10 - 'Round Midnight.wav" WAVE
  TRACK 10 AUDIO
    TITLE "'Round Midnight"
    PERFORMER "Nobu Stowe - Lee Pembleton Project"
    FLAGS DCP
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Duo I-A.wav]
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This track looks like CDDA with probability 42%
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Processing file: [02. Quintet III.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. Trio III-B.wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. Duo II-E.wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Quartet.wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. Trio II.wav]
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This track looks like CDDA with probability 100%
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Processing file: [07. Quintet I-D.wav]
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This track looks like CDDA with probability 62%
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Processing file: [08. Duo II-B.wav]
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This track looks like CDDA with probability 100%
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Processing file: [09. Hommage An Klaus Kinski.wav]
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This track looks like CDDA with probability 100%
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Processing file: [10. 'Round Midnight.wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

All music was spontaneously composed / improvised by N. Stowe/L. Pembleton with P. Robinson/B. Siwula/J. McLellan (quintets), with P. Robinson/B. Siwula (quartet), with R. Bonadonna (trios / Homage an K.K.)
No pre-composed material was used, except 10. composed by T. Monk/C. Williams
Recorded on May 20th - 21st, 2006 at Wombat Studio, Brooklyn - New York
Engineer: Ross Bonadonna
Mixed at Green Door Studio, San Francisco - CA
Engineer: Lee Pembleton
Mastered at Wizard Studio, Merlino - Milano
Engineer: Aldo Borrelli
Producers: Nobu Stowe & Lee Pembleton
Executive producer: Flavio Bonandrini
Front cover design: Honyo Ohte (Tako Production, Tsukuba, Japan)
Liner notes: Art Lange, Chicago, July 2007
Dedicated to Florian Fricke (1944-2001)
The evocative and haunting Hommage an Klaus Kinski has the subtitle Total-Improvisations on Sonic Canvas, which states the roles of the recording's two main protagonists: pianist Nobu Stowe and sound designer Lee Pembleton.
Stowe continues here with the kind of music represented on the Brooklyn Moments and New York Moments (both Konnex, 2006), where he desires his improvisations to be "spontaneous songs" with a tonality and a melody in the manner of his main influence, Keith Jarrett. Pembleton uses his electronics to create sounds (as opposed to discrete notes) which at many times evokes clear imagery while reacting to Stowe in real time.
The three duos ("I-A," "II-E" and "II-B") give the clearest idea about their individual sound and musical relationship. Stowe is a full-bodied player who knows how to make the percussive piano sing. He can move between styles, ranging from gospel feints to a very classically modern and atonal sound with ease. Even in the densest, most intricate passage, however, one can always hear a melodic phrase being worked out.
Pembleton is in complete control of his electronics, following Stowe as the emotional content of the music demands, although there are times when Stowe appears to follow him. At times, birds and rain can be heard; elsewhere, large space or chaotic whirls are created. Visual images also play a part with Pembleton and Stowe The fact that music by itself can create mental images does not preclude the use of Pembleton's non-musical sonics; however, the synergy between Stowe and Pembleton varies.
The trios ("III-B," "II," "Hommage an Klaus Kinski" and "'Round Midnight") add Ross Bonadonna (also the recording's engineer) playing bass clarinet, alto saxophone or guitar. His extra voice allows Stowe to play more of an accompaniment role to the lead voice, the pianist is so strong he ends up leading most of the time, while creating the piece's structure.
The title tune is special in its suggestion of a relationship between the music, filmmaker Werner Herzog and actor Klaus Kinski. The connection came to Stowe after the fact, but the floating style that emerges remains something special. Thelonious Monk's "'Round Midnight," is the only track built on pre-composed material, and its unique melodic structure is hinted at well before it is played outright, with Pembleton's supporting soundtrack adding another layer of mystery to this wonderful rendition.
The two quintets ("III" and "I-D") are the longest tracks, and include the saxophonist/clarinetist Blaise Siwula from Moments, clarinetist/ocarina player Perry Robinson from Soul In The Mist (Ictus Records, 2007), and drummer John McClellan. The sounds get very dense, especially when Stowe's left hand reaches to the piano's depths and merges with Pembleton's sonics. Siwula and Robinson are both strong players and Stowe can be heard responding more often.
While Hommage an Klaus Kinski is not the easiest music to gestalt, it is well worth the repeated effort.

Nobu Stowe: piano (Yamaha G-III)
Lee Pembleton: sound design
Perry Robinson: clarinet, micro-ocarina (2,5,7)
Blaise Siwula: tenor saxophone, alto clarinet (2,5,7)
John McLellan: drums (2,7)
Ross Bonadonna: bass clarinet, alto saxophone, guitar (3,6,9,10)