(Free Improvisation, Avant-Garde Jazz) [CD] AMM (Eddie Prevost & Lou Gare) - At The Roundhouse - 1972, FLAC (tracks+.cue), lossless

EAC extraction logfile from 21. April 2008, 10:01 for CD
AMM / At The Roundhouse
Used drive  : LITE-ON CD-ROM LTN-4891S   Adapter: 0  ID: 0
Read mode   : Secure with NO C2, accurate stream, disable cache
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Used output format : C:\Program Files\FLAC\flac.exe   (User Defined Encoder)
                     128 kBit/s
                     Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
Other options      :
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Native Win32 interface for Win NT & 2000
Track  1
     Filename C:\Documents and Settings\robert\My Documents\!!! ripped\AMM - At The Roundhouse (2003) [FLAC] {}\01 - The Sound of Indifference.wav
     Pre-gap length  0:00:02.00
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC 18DAA7EA
     Copy CRC 18DAA7EA
     Copy OK
No errors occured
End of status report

REM GENRE Rock
REM DATE 2003
REM DISCID 020AFC01
REM COMMENT "ExactAudioCopy v0.95b4"
PERFORMER "AMM"
TITLE "At The Roundhouse"
FILE "01 - The Sound of Indifference.wav" WAVE
  TRACK 01 AUDIO
    TITLE "The Sound of Indifference"
    PERFORMER "AMM"
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. The Sound of Indifference.wav]
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This track looks like CDDA with probability 99%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

Originally released in two brief extracts on the Incus 7" of the same name (Incus EP1).
Recorded live in quad-sound at the International Carnival of Experimental Sound, London, August of 1972 and never before released in its entirety. This CD is encoded with ProLogic to allow playback in four channels, but will also play on a normal CD player.
This scarce document appeared on Derek Bailey's Incus label in 1972 and remains highly regarded as a milestone in British improvised and avant-garde music. The pioneering experimental group is captured live at the legendary Roundhouse -- the London venue that hosted "swinging London" happenings (early Pink Floyd and Soft Machine made their names on the stage in the abandoned train station). While remaining obscure but influential, it is rumored that during this period AMM had fans in Syd Barrett, Paul McCartney, and John Lennon, who related to the group's abstract sound art and free improvisation. The AMM approach stemmed from a hybrid of post-John Cage concepts in sound liberation and the free jazz of Cecil Taylor and Ornette Coleman. Much later in the group's progression, the members of AMM came to be understood as the forefathers who forged some of the earliest experiments in noise music. This recording is an extremely rare LP that contains of the more abstract noise recordings of their career, with the reduced lineup of Eddie Prevost on drums and Lou Gare on saxophone -- the sound is no less challenging than their work with the extraordinary "prepared" guitarist Keith Rowe. - Skip Jansen, AMG

Drums – Eddie Prevost
Tenor Saxophone – Lou Gare