(Experimental Jazz, Free Improvisation) [WEB] Pauline Oliveros, Roscoe Mitchell, John Tilbury, Wadada Leo Smith - Nessuno - 2016, FLAC (tracks), lossless

(Experimental Jazz, Free Improvisation) [WEB] Pauline Oliveros, Roscoe Mitchell, John Tilbury, Wadada Leo Smith - Nessuno - 2016, FLAC (tracks), lossless
Pauline Oliveros, Roscoe Mitchell, John Tilbury, Wadada Leo Smith / Nessuno
Жанр: Experimental Jazz, Free Improvisation
Страна-производитель диска (релиза): Italy
Год издания: 2016
Издатель (лейбл): i dischi di angelica
Номер по каталогу: ida 035
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 01:16:00
Источник (релизер): WEB
Наличие сканов в содержимом раздачи: нет
01. Part........ I 30:50
02. Part........II 39:44
03. Part........III 05:24
Released August 16, 2016
Music by Pauline Oliveros, Roscoe Mitchell, John Tilbury, Wadada Leo Smith
Recorded by Roberto Monari at Centro di Ricerca Musicale - Teatro San Leonardo, Bologna, during AngelicA, Festival Internazionale di Musica. May 8, 2011
Pauline Oliveros V-accordion
Roscoe Mitchell alto saxophone, soprano saxophone, flute
John Tilbury piano
Wadada Leo Smith trumpet
Pauline Oliveros/Roscoe Mitchell/John Tilbury/Wadada Leo Smith: Nessuno ****
December 30, 2016
In 1991 the label I Dischi Di Angelica was founded solely for the purpose of documenting the performances of its namesake music festival in Italy. The non-profit label has grown—but only marginally—releasing a compact catalog of global music, typically related to artists that have some association with the annual event. Fortunately for fans of creative music, producer Massimo Simonini captured this unique event at AngelicA Festival in Teatro San Leonardo, Italy in 2011 and rendered here as Nessuno.
The experimentalist Pauline Oliveros (who very recently passed away) is joined by multi-reedist Roscoe Mitchell, with whom she had collaborated in the past, Wadada Leo Smith and pianist John Tilbury. Tilbury—the lesser known of this quartet—has impressed with his interpretations of modern composers such as John Cage and Morton Feldman. He is also a noted author, having written a biography of experimental composer (and his colleague), Cornelius Cardew. The unlikely group had played a three-day engagement at the festival from which these recordings were taken.
"Part I" and "Part II" each run over one-half hour and initiate with measured movements that precede the more open improvisations. Individual contributions sometimes work in tandem or break off entirely. There are moments of melody, harmony and abstraction that come together in a coherent manner. "Part II" is more juxtaposed with the upper registers of Mitchell and Tilbury setting the stage for a busy, but never jarring, interplay with the group. The shortest piece, "Part III" is the most abstract of the set but in some ways the most engaging as it brings previous elements together with a final surge of energy.
Nessuno is an unusual album on multiple levels; the group personnel is not a configuration that would readily spring to mind yet the dynamics work perfectly. The very long form of the pieces, in the hands of four diverse and virtuosic artists, makes for a challenging dialog but, again, these masters of their craft are beautifully synergized. Whether the group is working in a minimal vein or richly textured levels, the result is an unanticipated contemporary gem.
Track Listing: Part I; Part II; Part III.
Personnel: Pauline Oliveros: Roland V accordion; Roscoe Mitchell: alto saxophone, soprano saxophone, flute; John Tilbury: piano; Wadada Leo Smith: trumpet.
Year Released: 2016 | Record Label: I Dischi Di Angelica | Style: Modern Jazz
Лог проверки качества
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Conclusion: CDDA 100%
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