(ethnic jazz) [SACD] Marc Vallée (Vallee) Trio - Hamadryade - 2003, FLAC (image+.cue), lossless
![(ethnic jazz) [SACD] Marc Vallée (Vallee) Trio - Hamadryade - 2003, FLAC (image+.cue), lossless](/upload/000/u2/10/0e/ethnic-jazz-sacd-marc-vall-e-vallee-trio-hamadryade-20.jpg "(ethnic jazz) [SACD] Marc Vallée (Vallee) Trio - Hamadryade - 2003, FLAC (image+.cue), lossless")
Marc Vallée Trio / Hamadryade
Жанр: ethnic jazz
Носитель: SACD hybrid (CD слой)
Страна-производитель диска (релиза):
Год издания: 2003
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:53:02
Источник (релизер): internet
Наличие сканов в содержимом раздачи: нет
Треклист:
1
Tandara Marc Vallee Trio 6:28
2
Lights of Barcelona Marc Vallee Trio 7:31
3
Hamadryade Marc Vallee Trio 4:42
4
Cameleon Marc Vallee Trio 5:19
5
Harmattan Marc Vallee Trio 6:14
6
Telescope Marc Vallee Trio 5:20
7
Marcheurs D'espoir Marc Vallee Trio 6:42
8
I Still Haven't Found What I'm Looking For Marc Vallee Trio 6:27
9
Mariposa De Noche Marc Vallee Trio 3:53
Доп. информация: https://www.youtube.com/watch?v=qui-GGc44bg
Performer: David Hughes, Marc Vallée, Christian Paré .
Только для ознакомления! Приобретайте легальный контент.
Жанр: ethnic jazz
Носитель: SACD hybrid (CD слой)
Страна-производитель диска (релиза):
Год издания: 2003
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:53:02
Источник (релизер): internet
Наличие сканов в содержимом раздачи: нет
Треклист:
1
Tandara Marc Vallee Trio 6:28
2
Lights of Barcelona Marc Vallee Trio 7:31
3
Hamadryade Marc Vallee Trio 4:42
4
Cameleon Marc Vallee Trio 5:19
5
Harmattan Marc Vallee Trio 6:14
6
Telescope Marc Vallee Trio 5:20
7
Marcheurs D'espoir Marc Vallee Trio 6:42
8
I Still Haven't Found What I'm Looking For Marc Vallee Trio 6:27
9
Mariposa De Noche Marc Vallee Trio 3:53
скрытый текст
MARC VALLÉE TRIO
This somewhat unusual trio has broken away from the traditional guitar/bass/drum formation. Gravitating around Marc Vallée's acoustic guitar, it has assembled a repertoire of original compositions coloured only by its various experiences: folk, jazz, improvisations, etc. Each of this trio’s musicians has at least 20 years’ experience in various musical contexts.
Marc Vallée was the founder, main composer and lead guitarist of the Contrevent group that hit the road for a solid 15 years from 1979 to 1994. Contrevent has performed in a number of jazz festivals throughout North America and Europe, namely, in Vancouver and Montreal. Marc has accompanied numerous European and Quebec artists such as Julos Beaucarne, Jacques Haurogné, Anne Sylvestre, Claire Gignac, Maurane, Claire Pelletier, Sylvie Tremblay, Daniel Lavoie and Luc de Larochelière. Marc performed as the solo guitarist with the Quebec Symphony Orchestra at a concert commemorating the Beatles. The OSQ was conducted by the Beatles producer himself, Sir George Martin. In December 2000, Marc also participated in a Japan tour for Steve Barakatt. Marc has composed over 60 musical pieces for the theatre, movies and multimedia projects. His music has been heard in many European countries as well as in Canada and the United States.
Christian Paré has studied and played a variety of music styles, including Indian (with Zakir Hussain of Shakti and Ali Akbar Khan), Balinese, and Native American Indian, American Latino, Brazilian and African music. Christian has accompanied numerous artists such as Sarah McLachlan, Karen Young, André-Philippe Gagnon, Harvey Mandell, Sal Bernardi, Big Moose Walker, Karl Perazzo and Billy Johnson from Santana’s group, Claire Pelletier, Richard Séguin, Richard Desjardins, Michel Rivard, Daniel Bélanger, Bet.e. & Stef, and many more. He was the percussionist for the Cirque du Soleil’s “Alegria” show. He has also toured Japan and Taiwan three times for Steve Barakatt.
At the opening show of Bruno Pelletier’s Quebec tour, David Hughes fascinated the public by playing the didgeridoo, a large trumpet of the Australian Aborigines. David also developed the technique for playing the 10-string bass guitar known as the Stick, which he played with Mario Chénart at the Montreal Francofolies. He has also played with numerous singers and groups, namely, Claire Vézina and Shower Team.
This somewhat unusual trio has broken away from the traditional guitar/bass/drum formation. Gravitating around Marc Vallée's acoustic guitar, it has assembled a repertoire of original compositions coloured only by its various experiences: folk, jazz, improvisations, etc. Each of this trio’s musicians has at least 20 years’ experience in various musical contexts.
Marc Vallée was the founder, main composer and lead guitarist of the Contrevent group that hit the road for a solid 15 years from 1979 to 1994. Contrevent has performed in a number of jazz festivals throughout North America and Europe, namely, in Vancouver and Montreal. Marc has accompanied numerous European and Quebec artists such as Julos Beaucarne, Jacques Haurogné, Anne Sylvestre, Claire Gignac, Maurane, Claire Pelletier, Sylvie Tremblay, Daniel Lavoie and Luc de Larochelière. Marc performed as the solo guitarist with the Quebec Symphony Orchestra at a concert commemorating the Beatles. The OSQ was conducted by the Beatles producer himself, Sir George Martin. In December 2000, Marc also participated in a Japan tour for Steve Barakatt. Marc has composed over 60 musical pieces for the theatre, movies and multimedia projects. His music has been heard in many European countries as well as in Canada and the United States.
Christian Paré has studied and played a variety of music styles, including Indian (with Zakir Hussain of Shakti and Ali Akbar Khan), Balinese, and Native American Indian, American Latino, Brazilian and African music. Christian has accompanied numerous artists such as Sarah McLachlan, Karen Young, André-Philippe Gagnon, Harvey Mandell, Sal Bernardi, Big Moose Walker, Karl Perazzo and Billy Johnson from Santana’s group, Claire Pelletier, Richard Séguin, Richard Desjardins, Michel Rivard, Daniel Bélanger, Bet.e. & Stef, and many more. He was the percussionist for the Cirque du Soleil’s “Alegria” show. He has also toured Japan and Taiwan three times for Steve Barakatt.
At the opening show of Bruno Pelletier’s Quebec tour, David Hughes fascinated the public by playing the didgeridoo, a large trumpet of the Australian Aborigines. David also developed the technique for playing the 10-string bass guitar known as the Stick, which he played with Mario Chénart at the Montreal Francofolies. He has also played with numerous singers and groups, namely, Claire Vézina and Shower Team.
скрытый текст
The disc review
Hamadryade - Marc Vallée Trio
SOUNDSTAGE
From : Marc Vallee Trio - Hamadryade
Fidelio Audio FACD010
Released 2003 by John Crossett
www.soundstage.com/music
Music Performance 4.5 / 5,
Recording quality 4.5 / 5,
Overall Enjoyment 5 / 5
June 2003
Driving home from the Montreal Son & Image show this year, I reflected on the varied talents of Fidelio Audio’s Rene LaFlamme -- recording executive, A&R director, and sound engineer. Very few people can juggle just two of these roles successfully, much less all three, yet LaFlamme seems to manage very, very well. I’ve had the pleasure of reviewing three of his previous efforts (A Tribute to Julie London, Shadows, and The Seven Last Words of Christ -- all available at www.fidelioaudio.com), each of which I’ve fallen for hard. LaFlamme's latest effort continues that trend.
Hamadryade (in Greek mythology, a deity of the woods) is a savvy, spicy mixture of musical styles -- everything from jazz improvisation and world music to folk and new age. Played by three simpatico musicians -- Marc Vallee on acoustic guitar, David Hughes on stick and didgeridoo, and Christian Pare on tablas and percussion -- the music demonstrates how easily they can meld multiple styles while still remaining totally enjoyable.
The disc begins with the Vallee-penned tune “Tandara,” a mixture of the Middle East, India and Appalachia. While Vallee’s guitar holds down the melody, it’s Pare on percussion who anchors the tune with a dizzying array of sounds. From that launching point, the trio travels onto the farther reaches of our planet for its inspirations. For instance, to those of you unfamiliar with the Australian didgeridoo, skip to “Harmattan.” What a most interesting sound and a track that you’ll have to hear for yourselves, as it’s difficult to describe accurately. Vallee, who wrote all the music on this disc with the exception of “I Still Haven’t Found What I’m Looking For” (which serves as a wonderful point of musical reference, as most listeners will be familiar with the U2 song) has allowed plenty of room in his compositions for Hughes and Pare to add their own ideas to the sonic landscape, thereby expanding them from a specific point of view into an almost jazz-like improvisational experience.
Hamadryade marks Fidelio Audio’s initial venture into the world of SACD. And just as their CDs have offered state-of-the-art sonics, so too does this disc -- in fact, it’s their best-sounding effort to date. From the body of Vallee’s acoustic guitar, to the sound of Pare’s various percussion instruments, to the unique sonic signature of Hughes’ aboriginal trumpet-like didgeridoo and ten-string bass stick (guitar), this is a demo-quality disc. LaFlamme uses two of Fidelio’s custom-built vacuum-tube microphones (there’s a picture of one in liner notes) together with a Neumann U-47 to capture every nuance of the sounds of the instruments. For a quick demonstration of this disc’s sonics, pull up “Lights of Barcelona.” Listen to how clearly you can hear the buildup of the initial taps that lead to the ringing transient of the opening gong and to how detailed those harmonics are as they float off into the recording acoustic. You get a real feel for the instrument’s composition, size and power.
And if you’re still a CD-only listener, don’t feel left out. The sonics of the Redbook layer are very, very good too. They’re just not up there with those of the SACD. See, now you’ll have a reason to upgrade! Wasn’t that thoughtful of the good folks at Fidelio?
Hamadryade slakes a thirst I wasn’t even aware I had. I’ve never been a big fan of much that passes for world music, but this album transcends that term and passes straight into the realm of good music, period. It isn’t just a collection of type as much as a melding of style. Once again Rene LaFlamme mixes a heady brew of talent and sound into a disc that should satisfy the taste buds of audiophiles and music lovers. Its musical mixture combined with its great sonics make Hamadryade the proper sampler for anyone not yet familiar with Fidelio Audio.
Hamadryade - Marc Vallée Trio
SOUNDSTAGE
From : Marc Vallee Trio - Hamadryade
Fidelio Audio FACD010
Released 2003 by John Crossett
www.soundstage.com/music
Music Performance 4.5 / 5,
Recording quality 4.5 / 5,
Overall Enjoyment 5 / 5
June 2003
Driving home from the Montreal Son & Image show this year, I reflected on the varied talents of Fidelio Audio’s Rene LaFlamme -- recording executive, A&R director, and sound engineer. Very few people can juggle just two of these roles successfully, much less all three, yet LaFlamme seems to manage very, very well. I’ve had the pleasure of reviewing three of his previous efforts (A Tribute to Julie London, Shadows, and The Seven Last Words of Christ -- all available at www.fidelioaudio.com), each of which I’ve fallen for hard. LaFlamme's latest effort continues that trend.
Hamadryade (in Greek mythology, a deity of the woods) is a savvy, spicy mixture of musical styles -- everything from jazz improvisation and world music to folk and new age. Played by three simpatico musicians -- Marc Vallee on acoustic guitar, David Hughes on stick and didgeridoo, and Christian Pare on tablas and percussion -- the music demonstrates how easily they can meld multiple styles while still remaining totally enjoyable.
The disc begins with the Vallee-penned tune “Tandara,” a mixture of the Middle East, India and Appalachia. While Vallee’s guitar holds down the melody, it’s Pare on percussion who anchors the tune with a dizzying array of sounds. From that launching point, the trio travels onto the farther reaches of our planet for its inspirations. For instance, to those of you unfamiliar with the Australian didgeridoo, skip to “Harmattan.” What a most interesting sound and a track that you’ll have to hear for yourselves, as it’s difficult to describe accurately. Vallee, who wrote all the music on this disc with the exception of “I Still Haven’t Found What I’m Looking For” (which serves as a wonderful point of musical reference, as most listeners will be familiar with the U2 song) has allowed plenty of room in his compositions for Hughes and Pare to add their own ideas to the sonic landscape, thereby expanding them from a specific point of view into an almost jazz-like improvisational experience.
Hamadryade marks Fidelio Audio’s initial venture into the world of SACD. And just as their CDs have offered state-of-the-art sonics, so too does this disc -- in fact, it’s their best-sounding effort to date. From the body of Vallee’s acoustic guitar, to the sound of Pare’s various percussion instruments, to the unique sonic signature of Hughes’ aboriginal trumpet-like didgeridoo and ten-string bass stick (guitar), this is a demo-quality disc. LaFlamme uses two of Fidelio’s custom-built vacuum-tube microphones (there’s a picture of one in liner notes) together with a Neumann U-47 to capture every nuance of the sounds of the instruments. For a quick demonstration of this disc’s sonics, pull up “Lights of Barcelona.” Listen to how clearly you can hear the buildup of the initial taps that lead to the ringing transient of the opening gong and to how detailed those harmonics are as they float off into the recording acoustic. You get a real feel for the instrument’s composition, size and power.
And if you’re still a CD-only listener, don’t feel left out. The sonics of the Redbook layer are very, very good too. They’re just not up there with those of the SACD. See, now you’ll have a reason to upgrade! Wasn’t that thoughtful of the good folks at Fidelio?
Hamadryade slakes a thirst I wasn’t even aware I had. I’ve never been a big fan of much that passes for world music, but this album transcends that term and passes straight into the realm of good music, period. It isn’t just a collection of type as much as a melding of style. Once again Rene LaFlamme mixes a heady brew of talent and sound into a disc that should satisfy the taste buds of audiophiles and music lovers. Its musical mixture combined with its great sonics make Hamadryade the proper sampler for anyone not yet familiar with Fidelio Audio.
Лог создания рипа
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
Отчёт EAC об извлечении, выполненном 21. октября 2012, 19:04
Marc Vallйe Trio / Hamadryade
Дисковод: TSSTcorpCDDVDW SH-222AB Adapter: 1 ID: 1
Режим чтения : Скоростной
Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
---------------------------------------------------------------------
1 | 0:00.00 | 6:29.27 | 0 | 29201
2 | 6:29.27 | 7:34.27 | 29202 | 63278
3 | 14:03.54 | 4:45.41 | 63279 | 84694
4 | 18:49.20 | 5:22.14 | 84695 | 108858
5 | 24:11.34 | 6:17.03 | 108859 | 137136
6 | 30:28.37 | 5:24.56 | 137137 | 161492
7 | 35:53.18 | 6:44.27 | 161493 | 191819
8 | 42:37.45 | 6:31.21 | 191820 | 221165
9 | 49:08.66 | 3:53.27 | 221166 | 238667
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла C:\Documents and Settings\Victor\Рабочий стол\Marc Vallйe Trio - Hamadryade.wav
Проблемы синхронизации 0:00:30
Пиковый уровень 83.2 %
CRC копии 31623396
Копирование завершено
Ошибок не произошло
AccurateRip: сводка
Трек 1 точное извлечение (доверие 6) [31A5DEA9]
Трек 2 точное извлечение (доверие 6) [7A168689]
Трек 3 точное извлечение (доверие 6) [F29A0264]
Трек 4 точное извлечение (доверие 6) [8DAF2398]
Трек 5 точное извлечение (доверие 6) [3704498A]
Трек 6 точное извлечение (доверие 6) [83191FDE]
Трек 7 точное извлечение (доверие 6) [D68B4983]
Трек 8 точное извлечение (доверие 6) [8860D30C]
Трек 9 точное извлечение (доверие 6) [8656C057]
Все треки извлечены точно
Конец отчёта
Performer: David Hughes, Marc Vallée, Christian Paré .
Только для ознакомления! Приобретайте легальный контент.