(ecm, experimental, avant-garde) Dans Les Arbres - Canopee - 2012, FLAC (tracks+.cue), lossless
Треклист:
Dans Les Arbres - Canopee
Жанр: ecm, experimental, avant-garde
Год издания: 2012
Издатель (лейбл): ecm
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:49:24
Источник (релизер): jlgt
Наличие сканов в содержимом раздачи: да
Треклист:
01. La Fumée
02. L’Émanation
03. La Vapeur
04. La Buée
05. L’Éther
06. Le Vertige
07. L’Immatériel
08. Les Cimes
09. La Brume
10. La Transparence
All music by Dans les Arbres
Xavier Charles: clarinet, harmonica
Ivar Grydeland: acoustic guitar, banjo, scruti box
Christian Wallumrød: prepared piano, harmonium
Ingar Zach: gran cassa, percussion
ecm player
Жанр: ecm, experimental, avant-garde
Год издания: 2012
Издатель (лейбл): ecm
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:49:24
Источник (релизер): jlgt
Наличие сканов в содержимом раздачи: да
Треклист:
01. La Fumée
02. L’Émanation
03. La Vapeur
04. La Buée
05. L’Éther
06. Le Vertige
07. L’Immatériel
08. Les Cimes
09. La Brume
10. La Transparence
All music by Dans les Arbres
Xavier Charles: clarinet, harmonica
Ivar Grydeland: acoustic guitar, banjo, scruti box
Christian Wallumrød: prepared piano, harmonium
Ingar Zach: gran cassa, percussion
Лог создания рипа
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 13. July 2012, 19:29
Dans Les Arbres / Canopee
Used drive : PLEXTOR DVDR PX-L890SA Adapter: 2 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 256 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 5:14.61 | 0 | 23610
2 | 5:14.61 | 3:52.07 | 23611 | 41017
3 | 9:06.68 | 7:10.46 | 41018 | 73313
4 | 16:17.39 | 1:58.13 | 73314 | 82176
5 | 18:15.52 | 4:24.38 | 82177 | 102014
6 | 22:40.15 | 1:54.57 | 102015 | 110621
7 | 24:34.72 | 9:22.54 | 110622 | 152825
8 | 33:57.51 | 7:56.15 | 152826 | 188540
9 | 41:53.66 | 1:20.03 | 188541 | 194543
10 | 43:13.69 | 6:10.53 | 194544 | 222346
Track 1
Filename F:\Flac Rips\01 - La Fumee.wav
Pre-gap length 0:00:02.00
Peak level 74.3 %
Extraction speed 3.7 X
Track quality 100.0 %
Test CRC 1433B462
Copy CRC 1433B462
Track not present in AccurateRip database
Copy OK
Track 2
Filename F:\Flac Rips\02 - L'Emanation.wav
Pre-gap length 0:00:03.61
Peak level 63.0 %
Extraction speed 3.2 X
Track quality 99.9 %
Test CRC 0870B1F7
Copy CRC 0870B1F7
Track not present in AccurateRip database
Copy OK
Track 3
Filename F:\Flac Rips\03 - La Vapeur.wav
Pre-gap length 0:00:02.71
Peak level 76.7 %
Extraction speed 4.2 X
Track quality 99.9 %
Test CRC 6AA00391
Copy CRC 6AA00391
Track not present in AccurateRip database
Copy OK
Track 4
Filename F:\Flac Rips\04 - La Buee.wav
Pre-gap length 0:00:02.46
Peak level 96.6 %
Extraction speed 2.9 X
Track quality 99.9 %
Test CRC 525A7F43
Copy CRC 525A7F43
Track not present in AccurateRip database
Copy OK
Track 5
Filename F:\Flac Rips\05 - L'Ether.wav
Pre-gap length 0:00:01.34
Peak level 77.0 %
Extraction speed 5.1 X
Track quality 100.0 %
Test CRC 1384C93D
Copy CRC 1384C93D
Track not present in AccurateRip database
Copy OK
Track 6
Filename F:\Flac Rips\06 - Le Vertige.wav
Pre-gap length 0:00:05.32
Peak level 72.8 %
Extraction speed 4.5 X
Track quality 100.0 %
Test CRC 7F31E8A8
Copy CRC 7F31E8A8
Track not present in AccurateRip database
Copy OK
Track 7
Filename F:\Flac Rips\07 - L'Immateriel.wav
Pre-gap length 0:00:03.65
Peak level 72.7 %
Extraction speed 5.4 X
Track quality 99.9 %
Test CRC EEE0A63F
Copy CRC EEE0A63F
Track not present in AccurateRip database
Copy OK
Track 8
Filename F:\Flac Rips\08 - Les Cimes.wav
Pre-gap length 0:00:02.36
Peak level 75.1 %
Extraction speed 6.5 X
Track quality 100.0 %
Test CRC 3AB9716E
Copy CRC 3AB9716E
Track not present in AccurateRip database
Copy OK
Track 9
Filename F:\Flac Rips\09 - La Brume.wav
Pre-gap length 0:00:03.10
Peak level 39.9 %
Extraction speed 3.0 X
Track quality 99.8 %
Test CRC 72D6711D
Copy CRC 72D6711D
Track not present in AccurateRip database
Copy OK
Track 10
Filename F:\Flac Rips\10 - La Transparence.wav
Pre-gap length 0:00:02.19
Peak level 74.5 %
Extraction speed 6.8 X
Track quality 100.0 %
Test CRC 96B4E065
Copy CRC 96B4E065
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum EC4B501B8ECF0B74B05012AA13B5A7ADE8D1784DEE1E317CAE1D3FD7F5B9E559 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2012
REM DISCID 950B940A
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Dans Les Arbres"
TITLE "Canopee"
FILE "01 - La Fumee.wav" WAVE
TRACK 01 AUDIO
TITLE "La Fumee"
PERFORMER "Dans Les Arbres"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "L'Emanation"
PERFORMER "Dans Les Arbres"
INDEX 00 05:11:00
FILE "02 - L'Emanation.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "La Vapeur"
PERFORMER "Dans Les Arbres"
INDEX 00 03:49:11
FILE "03 - La Vapeur.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "La Buee"
PERFORMER "Dans Les Arbres"
INDEX 00 07:08:00
FILE "04 - La Buee.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "L'Ether"
PERFORMER "Dans Les Arbres"
INDEX 00 01:56:54
FILE "05 - L'Ether.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Le Vertige"
PERFORMER "Dans Les Arbres"
INDEX 00 04:19:06
FILE "06 - Le Vertige.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "L'Immateriel"
PERFORMER "Dans Les Arbres"
INDEX 00 01:50:67
FILE "07 - L'Immateriel.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Les Cimes"
PERFORMER "Dans Les Arbres"
INDEX 00 09:20:18
FILE "08 - Les Cimes.wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "La Brume"
PERFORMER "Dans Les Arbres"
INDEX 00 07:53:05
FILE "09 - La Brume.wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "La Transparence"
PERFORMER "Dans Les Arbres"
INDEX 00 01:17:59
FILE "10 - La Transparence.wav" WAVE
INDEX 01 00:00:00
Об альбоме (сборнике)
***Comment fromhttp://www.ecmrecords.com/:
Dans les arbres – the unique improvising quartet comprising three Norwegians and a Frenchman – continues to fine-tune its artistic concept, patiently traversing its luminous planes of sound with a rare sense of accord, and shared responsibilities. The combination of its unorthodox sound sources, including Charles’s clarinet harmonics, Wallumrød’s prepared piano, Grydeland’s bowed banjo, and Zach’s differentiated gran casa playing has led to free playing and spontaneous group-composing in a class of its own. The group’s ECM debut generated many rave reviews, with England’s The Wire declaring “There’s no end to the delights of this quite magical disc.” The magic is intact on “Canopée”, recorded in June 2010 and April 2011 in Oslo.
Project
On this second album by the unorthodox quartet comprised of Norwegians Grydeland, Wallumrød and Zach, and Frenchman Charles, the music continues to unfold with poetic logic and unhurried pace. To paraphrase La Monte Young, Dans les arbres draws a straight line and follows it. Their music moves gently but steadily ahead on broad planes of sound, the textural scenery changing as DLA harnesses its wealth of unorthodox extended techniques. Including but not limited to: Charles’ extraordinary control of harmonics, the prepared piano of Wallumrød perfectly matched by the prepared banjo of Grydeland and by Zach’s unprecedented use of the gran cassa, the horizontal orchestral bass drum, augmented here by metal percussion and ceramic bells. Small movements precipitate gradual sonic transformations. Sounds are carefully nurtured and encouraged to glow. Responsibilities are very equally shared as textures are blended.
All four musicians are skilled improvisers, but no one is claiming or struggling for solo space. There seems, rather, to be a group mind at work, with strong compositional instincts. Where DLA’s debut album was all-acoustic, this time Grydeland has brought his electric guitar into the sound picture. If it thickens the plot, it is never permitted to overpower the delicate sonic palette.
The group has been working as Dans les arbres since 2006 but there have been other and earlier collaborations between the members, including extensive duo work by Ingar Zach and Ivar Grydeland. Both musicians had worked in the zones between free improvising and contemporary composition – collaborating with some of the pioneers of abstract free play (including Derek Bailey, Tony Oxley, Phil Wachsmann) in recordings for their own SOFA label, made while they were still studying Chamber Music at the Norwegian Academy of Music. On hearing Christian Wallumrød’s ECM “Sofienberg Variations” album they sensed a kindred spirit and asked the pianist to join them “to see where the combination might lead. We were recording material and playing concerts before Xavier Charles was in the picture, but as soon as we invited him, already at the first rehearsal we felt it would be great to develop the music as a quartet.” (Ingar Zach to All About Jazz).
The group’s ECM debut, called just “Dans les arbres” (ECM 2058), received much critical praise, with UK magazine The Wire writing, “A first listen revealed that this disc clearly belongs in the ‘unclassified’ category. With a second listen, it was obvious that it’s a most extraordinary and compelling achievement. … Two features mark it as contemporary Improv: all-acoustic exploration of sonorities and textures that often sound electronic, and the affinities of its sound-world with those of contemporary composition. … There’s no end to the delights of this quite magical disc. The finest composition, like improvisation, ultimately relies on intuition, and these players seem to have an innate grasp of the right combination of sounds and textures. Dans les arbres must be one of the finest ECM Improv releases – indeed, releases from any label – in recent years”.
Since the first ECM disc, the group has toured the world, often overturning expectations: “The field drum, which looked like it would blow us out of the room, emitted the gentlest of sounds,” wrote John Diliberto of the ensemble’s Philadelphia concert. “Ingar Zach stroked the skin with fingertips, brushed it with a blanket and spun objects across the head. He was only slightly louder than Xavier Charles, who blew low whines, breathy questions and ghost overtones through his clarinet. No one played their instruments in a conventional fashion. There were virtually no timbres that sounded like they emanated from the actual instruments. Grydeland scraped the banjo head, stroked below the bridge, riffed on muted plucks. Wallumrød’s piano sounded like a Balinese gamelan.” So it goes when the members of Dans les arbres convene.
Artists
Each of the players maintains or is involved in other projects. Ingar Zach, for instance, has recorded for ECM with Jon Balke’s Magnetic North and Batagraf ensembles. He and Ivar Grydeland play, furthermore, in the trio Huntsville. Grydeland also has another trio, Electric Pansori, with Wallumrød and drummer Per Oddvar Johansen. Xavier Charles plays with improvisers John Butcher and Axel Dörner in the group Contest of Pleasures. And Christian Wallumrød leads his own ensembles with a number of albums issued on ECM including “No Birch”, “Sofienberg Variations”, “A Year From Easter”, “The Zoo Is Far”, and “Fabula Suite Lugano”.
Dans les arbres – the unique improvising quartet comprising three Norwegians and a Frenchman – continues to fine-tune its artistic concept, patiently traversing its luminous planes of sound with a rare sense of accord, and shared responsibilities. The combination of its unorthodox sound sources, including Charles’s clarinet harmonics, Wallumrød’s prepared piano, Grydeland’s bowed banjo, and Zach’s differentiated gran casa playing has led to free playing and spontaneous group-composing in a class of its own. The group’s ECM debut generated many rave reviews, with England’s The Wire declaring “There’s no end to the delights of this quite magical disc.” The magic is intact on “Canopée”, recorded in June 2010 and April 2011 in Oslo.
Project
On this second album by the unorthodox quartet comprised of Norwegians Grydeland, Wallumrød and Zach, and Frenchman Charles, the music continues to unfold with poetic logic and unhurried pace. To paraphrase La Monte Young, Dans les arbres draws a straight line and follows it. Their music moves gently but steadily ahead on broad planes of sound, the textural scenery changing as DLA harnesses its wealth of unorthodox extended techniques. Including but not limited to: Charles’ extraordinary control of harmonics, the prepared piano of Wallumrød perfectly matched by the prepared banjo of Grydeland and by Zach’s unprecedented use of the gran cassa, the horizontal orchestral bass drum, augmented here by metal percussion and ceramic bells. Small movements precipitate gradual sonic transformations. Sounds are carefully nurtured and encouraged to glow. Responsibilities are very equally shared as textures are blended.
All four musicians are skilled improvisers, but no one is claiming or struggling for solo space. There seems, rather, to be a group mind at work, with strong compositional instincts. Where DLA’s debut album was all-acoustic, this time Grydeland has brought his electric guitar into the sound picture. If it thickens the plot, it is never permitted to overpower the delicate sonic palette.
The group has been working as Dans les arbres since 2006 but there have been other and earlier collaborations between the members, including extensive duo work by Ingar Zach and Ivar Grydeland. Both musicians had worked in the zones between free improvising and contemporary composition – collaborating with some of the pioneers of abstract free play (including Derek Bailey, Tony Oxley, Phil Wachsmann) in recordings for their own SOFA label, made while they were still studying Chamber Music at the Norwegian Academy of Music. On hearing Christian Wallumrød’s ECM “Sofienberg Variations” album they sensed a kindred spirit and asked the pianist to join them “to see where the combination might lead. We were recording material and playing concerts before Xavier Charles was in the picture, but as soon as we invited him, already at the first rehearsal we felt it would be great to develop the music as a quartet.” (Ingar Zach to All About Jazz).
The group’s ECM debut, called just “Dans les arbres” (ECM 2058), received much critical praise, with UK magazine The Wire writing, “A first listen revealed that this disc clearly belongs in the ‘unclassified’ category. With a second listen, it was obvious that it’s a most extraordinary and compelling achievement. … Two features mark it as contemporary Improv: all-acoustic exploration of sonorities and textures that often sound electronic, and the affinities of its sound-world with those of contemporary composition. … There’s no end to the delights of this quite magical disc. The finest composition, like improvisation, ultimately relies on intuition, and these players seem to have an innate grasp of the right combination of sounds and textures. Dans les arbres must be one of the finest ECM Improv releases – indeed, releases from any label – in recent years”.
Since the first ECM disc, the group has toured the world, often overturning expectations: “The field drum, which looked like it would blow us out of the room, emitted the gentlest of sounds,” wrote John Diliberto of the ensemble’s Philadelphia concert. “Ingar Zach stroked the skin with fingertips, brushed it with a blanket and spun objects across the head. He was only slightly louder than Xavier Charles, who blew low whines, breathy questions and ghost overtones through his clarinet. No one played their instruments in a conventional fashion. There were virtually no timbres that sounded like they emanated from the actual instruments. Grydeland scraped the banjo head, stroked below the bridge, riffed on muted plucks. Wallumrød’s piano sounded like a Balinese gamelan.” So it goes when the members of Dans les arbres convene.
Artists
Each of the players maintains or is involved in other projects. Ingar Zach, for instance, has recorded for ECM with Jon Balke’s Magnetic North and Batagraf ensembles. He and Ivar Grydeland play, furthermore, in the trio Huntsville. Grydeland also has another trio, Electric Pansori, with Wallumrød and drummer Per Oddvar Johansen. Xavier Charles plays with improvisers John Butcher and Axel Dörner in the group Contest of Pleasures. And Christian Wallumrød leads his own ensembles with a number of albums issued on ECM including “No Birch”, “Sofienberg Variations”, “A Year From Easter”, “The Zoo Is Far”, and “Fabula Suite Lugano”.