(Contemporary Jazz, World Fusion) Ibrahim Maalouf (with Frank Woeste, Mark Turner, Larry Grenadier, Clarence Penn) - Wind - 2012, FLAC (tracks+.cue), lossless
IBRAHIM MAALOUF
W!ND
Жанр: Contemporary Jazz, World Fusion
Страна-производитель диска: France
Год издания: November 06, 2012
Издатель (лейбл): Mi'ster Productions
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 62:31
Источник (релизер): tdelyon
Наличие сканов в содержимом раздачи: да
Треклист:
01. Doubts
02. Suspicions
03. Waiting
04. Questions & Answers
05. Waiting 2
06. Excitement
07. Certainly
08. Sensuality
09. Issues
10. Surprises
11. Doubts 2
12. Mistery
Хочется выразить огромную благодарность tdelyon, который является автором рипа и предоставил материал для этой раздачи. А альбом шикарный!
W!ND
Жанр: Contemporary Jazz, World Fusion
Страна-производитель диска: France
Год издания: November 06, 2012
Издатель (лейбл): Mi'ster Productions
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 62:31
Источник (релизер): tdelyon
Наличие сканов в содержимом раздачи: да
Треклист:
01. Doubts
02. Suspicions
03. Waiting
04. Questions & Answers
05. Waiting 2
06. Excitement
07. Certainly
08. Sensuality
09. Issues
10. Surprises
11. Doubts 2
12. Mistery
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 6. November 2012, 12:03
Ibrahim Maalouf / Wind
Used drive : PHILIPS SPD3400CC Adapter: 3 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUM ARTIST=%albumartist%" -T "ALBUMARTIST=%albumartist%" -T "COMMENT=EAC V1.0 beta 3, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 3:31.20 | 0 | 15844
2 | 3:31.20 | 7:10.24 | 15845 | 48118
3 | 10:41.44 | 4:50.43 | 48119 | 69911
4 | 15:32.12 | 4:38.30 | 69912 | 90791
5 | 20:10.42 | 0:55.08 | 90792 | 94924
6 | 21:05.50 | 6:45.28 | 94925 | 125327
7 | 27:51.03 | 6:08.43 | 125328 | 152970
8 | 33:59.46 | 7:41.44 | 152971 | 187589
9 | 41:41.15 | 6:03.21 | 187590 | 214835
10 | 47:44.36 | 6:27.55 | 214836 | 243915
11 | 54:12.16 | 4:54.44 | 243916 | 266009
12 | 59:06.60 | 3:25.07 | 266010 | 281391
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Track 2
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Track 3
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Track 4
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Track 5
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Track 6
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Track 7
Filename C:\Rips\07 Certainty.wav
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Track 8
Filename C:\Rips\08 Sensuality.wav
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Track 9
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Track 10
Filename C:\Rips\10 Surprises.wav
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Track 11
Filename C:\Rips\11 Doubts 2.wav
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Track 12
Filename C:\Rips\12 Mystery.wav
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End of status report
==== Log checksum C1873C349E440B2F516C4879112E0A92145887175B8D6D5F4624184B7B834A88 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2012
REM DISCID 950EA70C
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Ibrahim Maalouf"
TITLE "Wind"
FILE "01 Doubts.wav" WAVE
TRACK 01 AUDIO
TITLE "Doubts"
PERFORMER "Ibrahim Maalouf"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Suspicions"
PERFORMER "Ibrahim Maalouf"
INDEX 00 03:29:20
FILE "02 Suspicions.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Waiting"
PERFORMER "Ibrahim Maalouf"
INDEX 00 07:08:24
FILE "03 Waiting.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Questions & Answers"
PERFORMER "Ibrahim Maalouf"
INDEX 00 04:48:43
FILE "04 Questions & Answers.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Waiting 2"
PERFORMER "Ibrahim Maalouf"
INDEX 00 04:36:30
FILE "05 Waiting 2.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Excitement"
PERFORMER "Ibrahim Maalouf"
INDEX 00 00:53:08
FILE "06 Excitement.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Certainty"
PERFORMER "Ibrahim Maalouf"
INDEX 00 06:43:28
FILE "07 Certainty.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Sensuality"
PERFORMER "Ibrahim Maalouf"
INDEX 00 06:06:43
FILE "08 Sensuality.wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "Issues"
PERFORMER "Ibrahim Maalouf"
INDEX 00 07:39:44
FILE "09 Issues.wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "Surprises"
PERFORMER "Ibrahim Maalouf"
INDEX 00 06:01:21
FILE "10 Surprises.wav" WAVE
INDEX 01 00:00:00
FILE "11 Doubts 2.wav" WAVE
TRACK 11 AUDIO
TITLE "Doubts 2"
PERFORMER "Ibrahim Maalouf"
INDEX 01 00:00:00
TRACK 12 AUDIO
TITLE "Mystery"
PERFORMER "Ibrahim Maalouf"
INDEX 00 04:52:44
FILE "12 Mystery.wav" WAVE
INDEX 01 00:00:00
Об исполнителе
Биография (на русском)
Это четвертый (последний на сегодня) диск французского трубача.
Diasporas (2007)
Diachronism (2009)
Diagnostic (2011)
Это четвертый (последний на сегодня) диск французского трубача.
Diasporas (2007)
Diachronism (2009)
Diagnostic (2011)
Об альбоме
Ibrahim Maalouf’s fourth album, Wind, originated from a commission to write a soundtrack for René Clair’s 1927 silent film The Prey of the Wind.
But it was directly inspired by another soundtrack long admired by the Beirut-born, now Paris-based trumpeter: Miles Davis’ iconic score for Louis Malle’s 1958 noir classic, Ascenseur Pour L’échafaud.
On pieces like the Doubts, the influence is absolutely unmistakable: a laconic blues with Maalouf blowing sweet and melancholy, with more than a hint of the young Miles’ haunted vulnerability.
It’s lent further nocturnal mystery by the effortlessly laidback accompaniment of the crack team of New York sidemen assembled for the album: bassist Larry Grenadier, saxophonist Mark Turner and drummer Clarence Penn, as well as Maalouf’s longstanding collaborator, pianist and co-arranger, Frank Woeste. They form an acoustic quintet dripping with mid-20th century insouciance. Yet there’s more to this project than merely recreating 1950s black and white cool. Maalouf’s instrument of choice is the quartertone trumpet, which features an extra, fourth valve, enabling him to incorporate microtonal intervals more commonly heard in Middle Eastern music.
Thus, the smouldering, offbeat groove of Suspicions carries a heavily spiced hook, played by Maalouf and Turner in tight unison, transforming it into a street dance in the Arab Quarter. Elsewhere, Questions & Answers feels like a Balkan-flavoured take on the tumbling circularity of The Jazz Messengers’ Wheel Within a Wheel. Excitement features a stumbling rhythm and Maalouf’s melodramatic exclamations come across like a parody of Charles Mingus’ satirical swipe, Fables of Faubus.
But it’s on some of the slower, more spacious pieces that Maalouf’s artistry with the quartertone really cuts through. On Waiting, a minimalist background of drizzling brushes and a stark, two-note bass riff provides the context for delicate, upward-arching vocal inflections, like an Arabesque crooner singing with seductively gentle control.
And on Certainly, a loose and lush contemporary ballad setting – featuring some beautifully paced piano comping from Woeste – lets Maalouf ease off on the Arabic dialect and play with a soft, sighing accent, like a homesick visitor on the streets of New York.
It all adds up to a very satisfying cultural exchange.
(Daniel Spicer, BBC)
As Ibrahim himself tells it: "I wanted to reproduce that mysteriously melancholic atmosphere, dripping with suspense, contributing a discreet yet powerful arabic hue, blended into the typical jazz quintet played for many years by Miles' mythical quintet.
The album was recorded in New York City in half a day. Each piece was recorded in a single sitting. There are no post production tricks. The mixing was carried out the following day in the same studio. I also chose to work with jazz musicians able to flirt with my arabic sounds, without being destabilized.
The New York team is a trio composed of Larry Grenadier (bass), Clarence Penn (drums) and Mark Turner (saxophone). These musicians are greatly respected both in traditional and avant-garde jazz circles for their openness of mind, their creativity and their musicality. I also wanted to involve the pianist Frank Woeste, for the arrangements, so as to be as «accurate» as possible in my musical approach. Frank is also an excellent arranger and jazz composer."
But it was directly inspired by another soundtrack long admired by the Beirut-born, now Paris-based trumpeter: Miles Davis’ iconic score for Louis Malle’s 1958 noir classic, Ascenseur Pour L’échafaud.
On pieces like the Doubts, the influence is absolutely unmistakable: a laconic blues with Maalouf blowing sweet and melancholy, with more than a hint of the young Miles’ haunted vulnerability.
It’s lent further nocturnal mystery by the effortlessly laidback accompaniment of the crack team of New York sidemen assembled for the album: bassist Larry Grenadier, saxophonist Mark Turner and drummer Clarence Penn, as well as Maalouf’s longstanding collaborator, pianist and co-arranger, Frank Woeste. They form an acoustic quintet dripping with mid-20th century insouciance. Yet there’s more to this project than merely recreating 1950s black and white cool. Maalouf’s instrument of choice is the quartertone trumpet, which features an extra, fourth valve, enabling him to incorporate microtonal intervals more commonly heard in Middle Eastern music.
Thus, the smouldering, offbeat groove of Suspicions carries a heavily spiced hook, played by Maalouf and Turner in tight unison, transforming it into a street dance in the Arab Quarter. Elsewhere, Questions & Answers feels like a Balkan-flavoured take on the tumbling circularity of The Jazz Messengers’ Wheel Within a Wheel. Excitement features a stumbling rhythm and Maalouf’s melodramatic exclamations come across like a parody of Charles Mingus’ satirical swipe, Fables of Faubus.
But it’s on some of the slower, more spacious pieces that Maalouf’s artistry with the quartertone really cuts through. On Waiting, a minimalist background of drizzling brushes and a stark, two-note bass riff provides the context for delicate, upward-arching vocal inflections, like an Arabesque crooner singing with seductively gentle control.
And on Certainly, a loose and lush contemporary ballad setting – featuring some beautifully paced piano comping from Woeste – lets Maalouf ease off on the Arabic dialect and play with a soft, sighing accent, like a homesick visitor on the streets of New York.
It all adds up to a very satisfying cultural exchange.
(Daniel Spicer, BBC)
As Ibrahim himself tells it: "I wanted to reproduce that mysteriously melancholic atmosphere, dripping with suspense, contributing a discreet yet powerful arabic hue, blended into the typical jazz quintet played for many years by Miles' mythical quintet.
The album was recorded in New York City in half a day. Each piece was recorded in a single sitting. There are no post production tricks. The mixing was carried out the following day in the same studio. I also chose to work with jazz musicians able to flirt with my arabic sounds, without being destabilized.
The New York team is a trio composed of Larry Grenadier (bass), Clarence Penn (drums) and Mark Turner (saxophone). These musicians are greatly respected both in traditional and avant-garde jazz circles for their openness of mind, their creativity and their musicality. I also wanted to involve the pianist Frank Woeste, for the arrangements, so as to be as «accurate» as possible in my musical approach. Frank is also an excellent arranger and jazz composer."
Состав
Ibrahim Maalouf - quarter tone trumpet
Frank Woeste - piano
Mark Turner - saxophone
Larry Grenadier - double bass
Clarence Penn - drums
Frank Woeste - piano
Mark Turner - saxophone
Larry Grenadier - double bass
Clarence Penn - drums
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777