(Contemporary Jazz, Progressive Folk) Bill Frisell - Big Sur - 2013, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 7. June 2013, 20:12
Bill Frisell / Big Sur [OKeh Records 88883717382]
Used drive  : PIONEER DVD-RW  DVR-111D   Adapter: 5  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 256 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Archivos de programa\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
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        1  |  0:00.00 |  3:45.68 |         0    |    16942
        2  |  3:45.68 |  4:21.39 |     16943    |    36556
        3  |  8:07.32 |  0:52.53 |     36557    |    40509
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        5  | 12:17.01 |  2:43.41 |     55276    |    67541
        6  | 15:00.42 |  1:31.50 |     67542    |    74416
        7  | 16:32.17 |  5:31.36 |     74417    |    99277
        8  | 22:03.53 |  3:17.54 |     99278    |   114106
        9  | 25:21.32 |  1:39.36 |    114107    |   121567
       10  | 27:00.68 |  4:51.10 |    121568    |   143402
       11  | 31:52.03 |  4:04.65 |    143403    |   161767
       12  | 35:56.68 |  4:40.26 |    161768    |   182793
       13  | 40:37.19 |  1:39.12 |    182794    |   190230
       14  | 42:16.31 |  3:05.22 |    190231    |   204127
       15  | 45:21.53 |  2:01.29 |    204128    |   213231
       16  | 47:23.07 |  4:11.25 |    213232    |   232081
       17  | 51:34.32 |  4:10.24 |    232082    |   250855
       18  | 55:44.56 |  4:14.12 |    250856    |   269917
       19  | 59:58.68 |  4:35.48 |    269918    |   290590
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Track  2
     Filename D:\flac rips\02 - Sing Together Like a Family.wav
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Track  3
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Track  4
     Filename D:\flac rips\04 - Going to California.wav
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Track  5
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Track  6
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Track  7
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Track  8
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Track  9
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Track 10
     Filename D:\flac rips\10 - Highway 1.wav
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Track 11
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Track 12
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Track 13
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Track 14
     Filename D:\flac rips\14 - Big Sur.wav
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Track 15
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Track 16
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Track 17
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Track 18
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Track 19
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum 2C696D2F8671D24BC0FD32EB4452612AEBC53FF6E5B0CAE3C1C1273C38D698F5 ====

REM GENRE Jazz
REM DATE 2013
REM DISCID 120F2213
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Bill Frisell"
TITLE "Big Sur [OKeh Records 88883717382]"
FILE "01 - The Music of Glen Deven Ranch.wav" WAVE
  TRACK 01 AUDIO
    TITLE "The Music of Glen Deven Ranch"
    PERFORMER "Bill Frisell"
    INDEX 01 00:00:00
FILE "02 - Sing Together Like a Family.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Sing Together Like a Family"
    PERFORMER "Bill Frisell"
    INDEX 01 00:00:00
FILE "03 - A Good Spot.wav" WAVE
  TRACK 03 AUDIO
    TITLE "A Good Spot"
    PERFORMER "Bill Frisell"
    INDEX 01 00:00:00
FILE "04 - Going to California.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Going to California"
    PERFORMER "Bill Frisell"
    INDEX 01 00:00:00
FILE "05 - The Big One.wav" WAVE
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    PERFORMER "Bill Frisell"
    INDEX 01 00:00:00
FILE "06 - Somewhere.wav" WAVE
  TRACK 06 AUDIO
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    INDEX 01 00:00:00
FILE "07 - Gather Good Things.wav" WAVE
  TRACK 07 AUDIO
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    PERFORMER "Bill Frisell"
    INDEX 01 00:00:00
FILE "08 - Cry Alone.wav" WAVE
  TRACK 08 AUDIO
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    PERFORMER "Bill Frisell"
    INDEX 01 00:00:00
  TRACK 09 AUDIO
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    PERFORMER "Bill Frisell"
    INDEX 00 03:15:39
FILE "09 - The Animals.wav" WAVE
    INDEX 01 00:00:00
FILE "10 - Highway 1.wav" WAVE
  TRACK 10 AUDIO
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FILE "11 - A Beautiful View.wav" WAVE
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FILE "12 - Hawks.wav" WAVE
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    INDEX 00 04:39:26
FILE "13 - We All Love Neil Young.wav" WAVE
    INDEX 01 00:00:00
  TRACK 14 AUDIO
    TITLE "Big Sur"
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FILE "14 - Big Sur.wav" WAVE
    INDEX 01 00:00:00
FILE "15 - On the Outlook.wav" WAVE
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FILE "16 - Shacked Up.wav" WAVE
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FILE "17 - Walking Stick (for Jim Cox).wav" WAVE
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FILE "18 - Song for Lana Weeks.wav" WAVE
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  TRACK 19 AUDIO
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FILE "19 - Far Away.wav" WAVE
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[CUETools log; Date: 11.06.2013 13:34:19; Version: 2.1.4]
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Throughout his career, Bill Frisell has captured moments, places and themes as one of the most personal and profound storytellers to ever play guitar. On 1992’s Have A Little Faith, he presented a sweeping masterpiece of American music from Aaron Copland to Bob Dylan to John Hiatt. In 1997, Frisell offered Nashville, perhaps the best recording about country music that wasn’t a country-music album. In 2011, he delivered a love letter to the music of John Lennon on All We Are Saying. And now on Big Sur, his first recording for the newly rekindled OKeh label, Frisell captures the majesty and power of Northern California’s rugged coastal terrain. The 19 tracks on Big Sur were commissioned by the Monterey Jazz Festival in 2012. Along with the commission came a residency at Glen Deven Ranch, an 860-acre stretch that was bequeathed to the Big Sur Land Trust. Frisell used the time to truly get inside the feel of Big Sur and the rhythms of this landscape, where the Pacific Ocean meets the Santa Lucia Mountains. Frisell is joined by violinist Jenny Scheinman, violist Eyvind Kang, cellist Hank Roberts and drummer Rudy Royston, giving Big Sur a sense of grand Americana with classical overtones. The album’s opening track, “The Music Of Glen Deven Ranch,” has a loping sensibility, creating a thoughtful heartbeat for the music to come. “The Big One” offers Frisell’s take on surf guitar backed by Royston’s rockin’ backbeat, and somewhere Dick Dale is smiling. On “Highway 1” you can feel Frisell’s slightly ominous twists and turns along this famous serpentine thoroughfare. “Song For Lana Weeks” is a lovely ballad dedicated to the director of community stewardship for the Big Sur Trust. Throughout the set, Frisell and company display an amazing ability to paint sound-portraits that let listeners almost see what they are hearing. “Hawks” sweeps and soars. “Gather Good Things” conveys the pride of a good day’s work. On “Cry Alone,” you can almost see someone looking over the Pacific Ocean, with Royston’s well-placed cymbal crashes ushering in waves against the shore. “A Beautiful View” is a beautiful listening experience. And “We All Love Neil Young” is one minute and 40 seconds of Frisell and Scheinman saying just that on their instruments. (The melody here later comes back to inform “Lana Weeks.”) Big Sur is more than just a musical recording. It’s a sonic novel—instrumental storytelling of the highest caliber delivered by an amazing storyteller. It’s Bill Frisell at his best. The guitarist is scheduled to perform with the Charles Lloyd Quartet at the Chicago Jazz Festival (Aug. 30) and at the Detroit Jazz Festival (Aug. 31), where he’ll also lead his own band in a tribute to Lennon on Sept. 1.