(Contemporary Jazz, Post-Bop) Antonio Sanchez (with Donny McCaslin, David Binney, John Escreet, Matt Brewer) - New Life - 2013 [CAM Jazz], FLAC (tracks+.cue), lossless
![(Contemporary Jazz, Post-Bop) Antonio Sanchez (with Donny McCaslin, David Binney, John Escreet, Matt Brewer) - New Life - 2013 [CAM Jazz], FLAC (tracks+.cue), lossless](/upload/000/u2/53/3d/contemporary-jazz-post-bop-antonio-sanchez-with-donny-mccasl.jpg "(Contemporary Jazz, Post-Bop) Antonio Sanchez (with Donny McCaslin, David Binney, John Escreet, Matt Brewer) - New Life - 2013 [CAM Jazz], FLAC (tracks+.cue), lossless")
Издатель (лейбл):
Треклист:
ANTONIO SANCHEZ
NEW LIFE Жанр: Contemporary Jazz, Post-Bop
Страна-производитель диска: Italy
Год издания: 2013
Издатель (лейбл): CAM Jazz
Номер по каталогу: CAMJ 7856-2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 72:29
Источник (релизер): tdelyon
Наличие сканов в содержимом раздачи: да
Треклист:
1. Uprising and Revolutions
2. Minotauro
3. New Life
4. Nighttime Story
5. Medusa
6. The Real McDaddy
7. Air
8. Family Ties
Да не оскудеет рука дающего 
- да не кончатся слова нашей благодарности tdelyon'у за очередной превосходный рип!
NEW LIFE Жанр: Contemporary Jazz, Post-Bop
Страна-производитель диска: Italy
Год издания: 2013
Издатель (лейбл): CAM Jazz
Номер по каталогу: CAMJ 7856-2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 72:29
Источник (релизер): tdelyon
Наличие сканов в содержимом раздачи: да
Треклист:
1. Uprising and Revolutions
2. Minotauro
3. New Life
4. Nighttime Story
5. Medusa
6. The Real McDaddy
7. Air
8. Family Ties
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 28. February 2013, 17:46
Antonio Sanchéz / New Life
Used drive : PHILIPS SPD3400CC Adapter: 3 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUM ARTIST=%albumartist%" -T "ALBUMARTIST=%albumartist%" -T "COMMENT=EAC V1.0 beta 3, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 8:51.49 | 0 | 39873
2 | 8:51.49 | 8:53.10 | 39874 | 79858
3 | 17:44.59 | 14:23.26 | 79859 | 144609
4 | 32:08.10 | 6:39.25 | 144610 | 174559
5 | 38:47.35 | 8:24.21 | 174560 | 212380
6 | 47:11.56 | 8:52.38 | 212381 | 252318
7 | 56:04.19 | 7:39.30 | 252319 | 286773
8 | 63:43.49 | 8:45.70 | 286774 | 326218
Track 1
Filename C:\Rips\01 Uprisings And Revolutions.wav
Pre-gap length 0:00:02.00
Peak level 95.5 %
Extraction speed 2.3 X
Track quality 100.0 %
Test CRC F3DD7FFC
Copy CRC F3DD7FFC
Track not present in AccurateRip database
Copy OK
Track 2
Filename C:\Rips\02 Minotauro.wav
Pre-gap length 0:00:03.37
Peak level 96.9 %
Extraction speed 2.7 X
Track quality 100.0 %
Test CRC F2F500FF
Copy CRC F2F500FF
Track not present in AccurateRip database
Copy OK
Track 3
Filename C:\Rips\03 New Life.wav
Pre-gap length 0:00:04.29
Peak level 100.0 %
Extraction speed 3.3 X
Track quality 100.0 %
Test CRC CC5A2760
Copy CRC CC5A2760
Track not present in AccurateRip database
Copy OK
Track 4
Filename C:\Rips\04 Nighttime Story.wav
Pre-gap length 0:00:04.00
Peak level 93.9 %
Extraction speed 3.5 X
Track quality 100.0 %
Test CRC F48F127E
Copy CRC F48F127E
Track not present in AccurateRip database
Copy OK
Track 5
Filename C:\Rips\05 Medusa.wav
Pre-gap length 0:00:03.45
Peak level 95.2 %
Extraction speed 3.3 X
Track quality 99.9 %
Test CRC 2C784FB5
Copy CRC 2C784FB5
Track not present in AccurateRip database
Copy OK
Track 6
Filename C:\Rips\06 The Real Mcdaddy.wav
Pre-gap length 0:00:03.00
Peak level 95.3 %
Extraction speed 3.5 X
Track quality 99.9 %
Test CRC 2716B4A3
Copy CRC 2716B4A3
Track not present in AccurateRip database
Copy OK
Track 7
Filename C:\Rips\07 Air.wav
Pre-gap length 0:00:04.44
Peak level 93.8 %
Extraction speed 4.3 X
Track quality 100.0 %
Test CRC DA230600
Copy CRC DA230600
Track not present in AccurateRip database
Copy OK
Track 8
Filename C:\Rips\08 Family Ties.wav
Pre-gap length 0:00:03.00
Peak level 95.4 %
Extraction speed 4.5 X
Track quality 100.0 %
Test CRC 634D4E35
Copy CRC 634D4E35
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum F1E7E1BD4B1999180BF938A9A101291D92E6DE0FE4C28A08A34047AD8C6E0610 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2013
REM DISCID 6B10FD08
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Antonio Sanchйz"
TITLE "New Life"
FILE "01 Uprisings And Revolutions.wav" WAVE
TRACK 01 AUDIO
TITLE "Uprisings And Revolutions"
PERFORMER "Antonio Sanchйz"
FLAGS DCP
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Minotauro"
PERFORMER "Antonio Sanchйz"
FLAGS DCP
INDEX 00 08:48:12
FILE "02 Minotauro.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "New Life"
PERFORMER "Antonio Sanchйz"
FLAGS DCP
INDEX 00 08:48:56
FILE "03 New Life.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Nighttime Story"
PERFORMER "Antonio Sanchйz"
FLAGS DCP
INDEX 00 14:19:26
FILE "04 Nighttime Story.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Medusa"
PERFORMER "Antonio Sanchйz"
FLAGS DCP
INDEX 00 06:35:55
FILE "05 Medusa.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "The Real Mcdaddy"
PERFORMER "Antonio Sanchйz"
FLAGS DCP
INDEX 00 08:21:21
FILE "06 The Real Mcdaddy.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Air"
PERFORMER "Antonio Sanchйz"
FLAGS DCP
INDEX 00 08:47:69
FILE "07 Air.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Family Ties"
PERFORMER "Antonio Sanchйz"
FLAGS DCP
INDEX 00 07:36:30
FILE "08 Family Ties.wav" WAVE
INDEX 01 00:00:00
Об альбоме
Critical Jazz
Antonio Sanchez is one of the most respected drummers working today. Sanchez transcends genre with the ability to literally play and adapt to any situation with virtually any ensemble. Sanchez will release New Life on 02/26/13.
Having spent significant time with Gary Burton and roughly 13 years with Pat Metheny, Sanchez establishes his own unique voice as a drummer that while "lyrical" has the innate gift of moving from controlled sonic fury to deceptively subtle nuances that add but another layer of texture to some tunes with complex rhythmic patterns, odd time signatures but never lacking in melody and most importantly groove. While musical comparisons are inherently unfair think early Jack DeJohnette. Aside from the incredible musicianship on display from Sanchez and his top flight ensemble, the diversity in composition gives an organic life and a new dimension to the Sanchez sound most listeners are familiar with from his work with Burton and Metheny. This is different. Different is good!
Opening with "Uprisings and Revolutions" which was intended to start as a more placid ballad morphed into a new realm of harmonic dimension with the inspiration of Arab Spring. A captivating dynamic tension builds yet never leaving the land of rhythm and groove Sanchez so carefully lays down. "Nightime Story" is somewhat of a Wayne Shorter inspired ballad as is "Air" while lyrically beautiful there is a dynamic tension created where Sanchez seems intent on taking the ballad road less traveled. Taking the inspiration of a Wayne Shorter and doing your own composition riff on such an iconic figure while establishing your own lyrical path is indeed a beautiful thing. "Family Ties" is a personal favorite and for Sanchez is an attempt to capture the family drama we all go through at times but without forgetting the unity that binds a family together. A buoyant and happy tune that fits in perfectly with the at times eclectic mix but consistent ebb and flow of this stellar release. An interesting side note being vocalist Thana Alexa recently became the fiancee of Antonio Sanchez so congratulations to both. While the band is first rate across the board, Alexa's soaring vocals are spot on and a brilliant addition to the ensemble cast.
For the passive listener this is a most impressive outing, for drummers New Life is a master class in composition, dynamics and the mastery of subtle nuances needed to make a good release a great release!
Having spent significant time with Gary Burton and roughly 13 years with Pat Metheny, Sanchez establishes his own unique voice as a drummer that while "lyrical" has the innate gift of moving from controlled sonic fury to deceptively subtle nuances that add but another layer of texture to some tunes with complex rhythmic patterns, odd time signatures but never lacking in melody and most importantly groove. While musical comparisons are inherently unfair think early Jack DeJohnette. Aside from the incredible musicianship on display from Sanchez and his top flight ensemble, the diversity in composition gives an organic life and a new dimension to the Sanchez sound most listeners are familiar with from his work with Burton and Metheny. This is different. Different is good!
Opening with "Uprisings and Revolutions" which was intended to start as a more placid ballad morphed into a new realm of harmonic dimension with the inspiration of Arab Spring. A captivating dynamic tension builds yet never leaving the land of rhythm and groove Sanchez so carefully lays down. "Nightime Story" is somewhat of a Wayne Shorter inspired ballad as is "Air" while lyrically beautiful there is a dynamic tension created where Sanchez seems intent on taking the ballad road less traveled. Taking the inspiration of a Wayne Shorter and doing your own composition riff on such an iconic figure while establishing your own lyrical path is indeed a beautiful thing. "Family Ties" is a personal favorite and for Sanchez is an attempt to capture the family drama we all go through at times but without forgetting the unity that binds a family together. A buoyant and happy tune that fits in perfectly with the at times eclectic mix but consistent ebb and flow of this stellar release. An interesting side note being vocalist Thana Alexa recently became the fiancee of Antonio Sanchez so congratulations to both. While the band is first rate across the board, Alexa's soaring vocals are spot on and a brilliant addition to the ensemble cast.
For the passive listener this is a most impressive outing, for drummers New Life is a master class in composition, dynamics and the mastery of subtle nuances needed to make a good release a great release!
The New York City Jazz Record
Antonio Sanchez, Pat Metheny’s drummer of choice, is steadily building his presence as a leader and up to now he’s made clear his taste for two-saxophone lineups sans chordal instrument. His debut Migration featured tenor saxophonists Chris Potter and David Sanchez; his two-disc follow-up Live In New York paired Sanchez with alto saxophonist Miguel Zenón. On New Life, the roster shifts to Donny McCaslin on tenor and David Binney on alto. All of the above are formidable leaders in their own right.
Part of what makes New Life new is the inclusion of a pianist, the budding master John Escreet, who plays on all eight tracks of an all-original program. The harmony flows and shifts and expands, whether it’s the pastoral waltz feel of “Nighttime Story” (with a deft McCaslin quote of “Blues on the Corner”), the churning 7/4 minor modal flavor of the opening “Uprisings and Revolutions” or the more elusive Rhodes sonority of “Minotauro” and “The Real McDaddy”. Singing melodies, big statements, deceptive endings, an urge toward more development and variation: this is Sanchez’ writing voice, buoyed in every way by his approach as a drummer, complex and yet flawlessly in the pocket.
“Medusa” and “Family Ties” stand out as widely contrasting and beautifully played. “Air”, a dark and mystical ballad with soprano sax (though no soprano credit appears on the sleeve), is one of Escreet’s key moments - not just his rubato introduction but his dramatic impact with the sparest and most ambiguous whole-note chords.
Sanchez is after something altogether different with the title track, a 14-minute opus with marked emphasis on the layered wordless vocals of Thana Alexa (the leader’s fiancée). His experience in the Pat Metheny Group, widely known for its wordless vocal textures and soaring sonic expanses, has to be relevant here, but the drummer is fresh and not imitative in his approach. Even if the result has its indulgent side, it still showcases the band’s emotional power and unified purpose. (David R. Adler)
Part of what makes New Life new is the inclusion of a pianist, the budding master John Escreet, who plays on all eight tracks of an all-original program. The harmony flows and shifts and expands, whether it’s the pastoral waltz feel of “Nighttime Story” (with a deft McCaslin quote of “Blues on the Corner”), the churning 7/4 minor modal flavor of the opening “Uprisings and Revolutions” or the more elusive Rhodes sonority of “Minotauro” and “The Real McDaddy”. Singing melodies, big statements, deceptive endings, an urge toward more development and variation: this is Sanchez’ writing voice, buoyed in every way by his approach as a drummer, complex and yet flawlessly in the pocket.
“Medusa” and “Family Ties” stand out as widely contrasting and beautifully played. “Air”, a dark and mystical ballad with soprano sax (though no soprano credit appears on the sleeve), is one of Escreet’s key moments - not just his rubato introduction but his dramatic impact with the sparest and most ambiguous whole-note chords.
Sanchez is after something altogether different with the title track, a 14-minute opus with marked emphasis on the layered wordless vocals of Thana Alexa (the leader’s fiancée). His experience in the Pat Metheny Group, widely known for its wordless vocal textures and soaring sonic expanses, has to be relevant here, but the drummer is fresh and not imitative in his approach. Even if the result has its indulgent side, it still showcases the band’s emotional power and unified purpose. (David R. Adler)
Состав
Antonio Sanchez - drums
Donny McCaslin - tenor saxophone
David Binney - alto saxophone
John Escreet - piano
Matt Brewer - acoustic & electric bass
& guest
Thana Alexa - voice (3)
Donny McCaslin - tenor saxophone
David Binney - alto saxophone
John Escreet - piano
Matt Brewer - acoustic & electric bass
& guest
Thana Alexa - voice (3)
- да не кончатся слова нашей благодарности tdelyon'у за очередной превосходный рип!