(Brazilian Jazz) Paulo Moura - Confusao Urbana, Suburbana e Rural {BMG / RCA CD 10055, Brazil} - 1989, APE (image+.cue) lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 15. February 2011, 21:05
Paulo Moura / Confusгo Urbana, Suburbana e Rural
Used drive  : TSSTcorpDVD+-RW TS-U633A   Adapter: 0  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:00.32 |  2:38.23 |        32    |    11904
        2  |  2:38.55 |  2:23.60 |     11905    |    22689
        3  |  5:02.40 |  7:03.32 |     22690    |    54446
        4  | 12:05.72 |  2:20.43 |     54447    |    64989
        5  | 14:26.40 |  4:04.50 |     64990    |    83339
        6  | 18:31.15 |  4:02.17 |     83340    |   101506
        7  | 22:33.32 |  3:03.40 |    101507    |   115271
        8  | 25:36.72 |  3:21.30 |    115272    |   130376
        9  | 28:58.27 |  3:15.40 |    130377    |   145041
       10  | 32:13.67 |  1:58.00 |    145042    |   153891
       11  | 34:11.67 |  2:32.53 |    153892    |   165344
Range status and errors
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     Filename C:\_Arc\EAC_Out\Paulo Moura - Confusгo Urbana, Suburbana e Rural\Paulo Moura - Confusгo Urbana, Suburbana e Rural.wav
     Peak level 81.7 %
     Range quality 100.0 %
     Copy CRC 86B6EAD2
     Copy OK
No errors occurred
AccurateRip summary
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Track 11  accurately ripped (confidence 1)  [DD55D2E5]
All tracks accurately ripped
End of status report

REM GENRE MPB
REM DATE 1976
REM DISCID 83089C0B
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Paulo Moura"
TITLE "Confusao Urbana, Suburbana e Rural"
FILE "Paulo Moura - Confusao Urbana, Suburbana e Rural.ape" WAVE
  TRACK 01 AUDIO
    TITLE "Espinha de bacalhau"
    PERFORMER "Paulo Moura"
    INDEX 00 00:00:00
    INDEX 01 00:00:32
  TRACK 02 AUDIO
    TITLE "Noticia"
    PERFORMER "Paulo Moura"
    INDEX 00 02:36:67
    INDEX 01 02:38:55
  TRACK 03 AUDIO
    TITLE "Bicho Papao / Tema do Zeca da Cuica"
    PERFORMER "Paulo Moura"
    INDEX 00 05:00:62
    INDEX 01 05:02:40
  TRACK 04 AUDIO
    TITLE "Carimbo do Moura"
    PERFORMER "Paulo Moura"
    INDEX 00 12:04:37
    INDEX 01 12:05:72
  TRACK 05 AUDIO
    TITLE "Se algum dia"
    PERFORMER "Paulo Moura"
    INDEX 00 14:24:50
    INDEX 01 14:26:40
  TRACK 06 AUDIO
    TITLE "Peguei a reta"
    PERFORMER "Paulo Moura"
    INDEX 00 18:29:50
    INDEX 01 18:31:15
  TRACK 07 AUDIO
    TITLE "Amor proibido"
    PERFORMER "Paulo Moura"
    INDEX 00 22:31:50
    INDEX 01 22:33:32
  TRACK 08 AUDIO
    TITLE "Dois sem vergonha"
    PERFORMER "Paulo Moura"
    INDEX 00 25:35:37
    INDEX 01 25:36:72
  TRACK 09 AUDIO
    TITLE "Eu quero e sossego"
    PERFORMER "Paulo Moura"
    INDEX 00 28:57:12
    INDEX 01 28:58:27
  TRACK 10 AUDIO
    TITLE "Dia de comicio"
    PERFORMER "Paulo Moura"
    INDEX 00 32:12:50
    INDEX 01 32:13:67
  TRACK 11 AUDIO
    TITLE "Pedra da lua"
    PERFORMER "Paulo Moura"
    INDEX 00 34:11:00
    INDEX 01 34:11:67

"One of Brazil's best proponents and keepers of the gafieira tradition (popular ballrooms historically linked to the Carioca folklore tradition of highly artistic and swinging dancing and playing) and one of the best choro players, Paulo Moura is an internationally awarded musician whose high standards make it easy for him to cross boundaries between classical and popular music, both performing and arranging in small ensembles or large symphonic orchestras. As a conductor, orchestrator, and arranger for famous Brazilian singers, he includes in his resumé works for Elis Regina, Fagner, Taiguara, Milton Nascimento, and Marisa Monte.
Moura was born in a musical family. His father, Pedro Moura, was an amateur bandleader and clarinetist himself, but was a carpenter by profession. Paulo's brothers, José and Alberico, are trumpet players and Valdemar, a trombonist. At nine, Paulo started to study the piano and at 13, was already playing in his father's band at parties and balls. Moving to Rio with his family, at 18 he began his studies at the National College of Music. Completing the seven-year course in only two years, he continued his studies of theory, harmony, and counterpoint with the famous master Paulo Silva. He also studied harmony, counterpoint, and fugue with fundamental Brazilian composer/orchestrator/conductor Guerra Peixe. On the popular side, he took arrangement lessons with internationally acclaimed Brazilian saxophonist/composer/arranger Moacir Santos and with saxophonist/composer/arranger Maestro Cipó. In 1951, Moura joined Osvaldo Borba's orchestra. Later, he also joined Zacarias e Sua Orquestra. His first recording gig, the song 'Palhaço' (Nelson Cavaquinho), was as sideman for the extremely popular singer Dalva de Oliveira. At 19, he debuted as a soloist, playing Weber's 'Concertino for Clarinet and Orchestra,' accompanied by the Orquestra Sinfônica Nacional. Hired by the Orquestra Ary Barroso, he toured Mexico in 1953. Soon after, he joined the group of great trombonist Maciel. Hired by Rádio Tupi, he played there with the Orquestra Cipó. In 1954, he joined the Conjunto Guio de Morais, which was a regular act at the famous Régine's nightclub. His first album as soloist (a 78 rpm for Columbia) was recorded in 1956: Paganini's Moto Perpetuo. In 1957, he organized his first gafieira orchestra, performing with it at the gafieira Brasil Danças. In that same year, he recorded Paulo Moura e Sua Orquestra Para Bailes (Sinter). In 1958, Moura was hired by Rádio Nacional as an orchestrator and arranger, working there for two years. Also in 1958, he recorded the LP Paulo Moura Interpreta Radamés Gnatalli (Continental), accompanied by the Radamés Gnatalli Quartet, and became the musical director for Brazilian all-stars Dolores Durán, Nora Ney, Jorge Goulart, Maria Helena Raposo, and the Conjunto Farroupilha. Touring through Soviet Union and other countries, he conducted the Symphonic Orchestra of Moscow. In 1959, he was hired as first clarinetist for the Orquestra do Teatro Nacional, working for 17 years in that position. In 1960, he joined popular conductor Severino Araújo's orchestra, touring Argentina, and recorded for Chantecler the LP Tangos e Boleros. In 1962, he recorded with Brazilian violão master Baden Powell, performed at the historic jazz/bossa nova nightclubs of Rio's Beco das Garrafas and, as an altoist, he joined Sérgio Mendes' Conjunto Bossa-Rio, performing at the historic Carnegie Hall Bossa Nova Festival. In 1964, Moura accompanied as saxophonist the great drummer Edson Machado's LP for CBS, Edson Machado é Samba Novo. In 1968, he recorded for Equipe the LP Paulo Moura Hepteto; the next year, Paulo Moura Quarteto; and in 1971, Fibra, also for Equipe. In that year, Moura toured Greece with his quartet. In 1975, he recorded in the U.S. with Brazilian guitarist Tiago de Melo. In the next year, he recorded his classic masterpiece Confusão Urbana, Suburbana e Rural, which granted him an extremely popular two-month tour throughout Japan with full press coverage. In the '80s, he recorded his classic album Mistura e Manda (Kuarup) and with the Brazilian violão master Raphael Rabello, he recorded the album Dois Irmãos, which was bent toward the choro side while also including Raphael's flamenco-influenced guitar style and bossa nova themes. He also recorded several modern erudite albums with Brazilian classical pianist Clara Sverner. In 1981 came another classic LP, ConSertão, an ecumenic production with internationally awarded classical pianist Artur Moreira Lima, Brazilian jazz guitarist Heraldo do Monte, and folksinger/composer Elomar.
Following this, he formed a trio with internationally renowned classical violonista (acoustic guitar player) Turíbio Santos and Artur Moreira Lima. As a soloist, he performed at New York's Lincoln Center, appeared at the Music Festival of Guadalupe in Mexico, and created the first saxophone orchestra. He also soloed concerts with the Orquestra Sinfônica Brasileira and Orquestra Sinfônica do Estado de São Paulo. In 1985, his choro trio performed at the Brazil Festival, at Juan-les-Pins (Antibes, France), and his gafieira orchestra opened the France-Brazil Cultural Interchange at the Zenith Theatre, in Paris, France. In 1988, Moura conducted the Orquestra Sinfônica de Brasília, performing his own piece for percussion and orchestra commemorating the centennial of the abolition of slavery in Brazil. Since then, he has been guest conductor at a series of concerts in Porto Alegre, Salvador, and Espirito Santo. In 1992, he wrote the piece 'Suíte Carioca' for jazz rhythm section, symphonic orchestra, and children's choir. Also in that year, he was awarded as Best Soloist at Moscow's Mozart Festival. In 1996, he arranged all of the music and performed the clarinet and saxes at the Os Batutas' show Pixinguinha at Teatro Carlos Gomes (Rio). An all-star choro group, Os Batutas takes his name from Pixinguinha's seminal group and is formed by Jorge Simas (violão), Márcio (cavaquinho), Jorginho (pandeiro), Jovi (percussion), Marçal (percussion), Zé da Velha (trombone), and Joel do Nascimento (bandolim). The show was recorded live and released the next year on the Velas CD Pixinguinha. It won Brazil's Prêmio Sharp for Best Instrumental CD and Best Instrumental Group in 1997. The CD presents 16 tracks of classic choro music by one of Brazil's most important composers of all time, Alfredo da Rocha Viana Júnior, Pixinguinha. In 1996, he was also awarded with the Prêmio Sharp as Best Popular Instrumentalist. Other awards received by him include Prêmio José Sarney, Villa-Lobos, Brahma Extra Prizes, and Honorary Citizenship in Rio de Janeiro. Four years later, he was awarded a Grammy for Best Brazilian Roots/Regional Album for Pixinguinha at the first Latin Grammy Awards and the sizzling album Tempos Felizes was released in early 2001."