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(Avant-Garde Jazz) [WEB] Ideal Bread (Josh Sinton, Kirk Knuffke, Tomas Fujiwara, Adam Hopkins) - Beating The Teens: Songs Of Steve Lacy - 2014 [Cuneiform Records] {2 CD}, FLAC (tracks), lossless

(Avant-Garde Jazz) [WEB] Ideal Bread (Josh Sinton, Kirk Knuffke, Tomas Fujiwara, Adam Hopkins) - Beating The Teens: Songs Of Steve Lacy - 2014 [Cuneiform Records] {2 CD}, FLAC (tracks), lossless
Треклист:
IDEAL BREAD
beating THE teens
Songs Of Steve Lacy
Жанр: Avant-Garde Jazz
Год издания: 2014
Издатель (лейбл): Cuneiform Records
Номер по каталогу: Rune 386-387
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 60:20 + 61:53
Источник (релизер): WEB (спасибо dizzy101)
Наличие сканов: booklet.pdf front
Треклист:
CD1
1. Three Pieces From Tao - I
2. Obituary
3. The Precipitation Suite (I Feel a Draft/Cloudy/Rain)
4. Wish
5. Lesson
6. The Wire
7. Paris Rip-off
8. Cryptosphere(s)
9. Scraps
10. The Highway
11. The Wane
12. Dreams
13. Somebody Special
14. Name
15. Three Pieces from Tao - II
CD2
1. Three Pieces from Tao - III
2. The Owl
3. Spell
4. Crops
5. Pearl Street
6. Ladies
7. Blinks
8. Cryptosphere
9. Lapis
10. The Uh Uh Uh
11. Torments
12. The Oil
13. Notre Vie
14. Roba
15. Three Pieces from Tao - IV
 
Лог проверки качества
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DON'T MODIFY THIS FILE
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PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 15 - Three Pieces from Tao – II.flac
Size: 9631728 Hash: A2E5E1C25ECACE0472C9DC6548817E42 Accuracy: -m0
Conclusion: CDDA 100%
Signature: A04164BD9FA838AC8A44F3C8F7B8F18E8DE61F2E
FILE: 14 - Name.flac
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Conclusion: CDDA 100%
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FILE: 13 - Somebody Special.flac
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Conclusion: CDDA 100%
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FILE: 12 - Dreams.flac
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Conclusion: CDDA 85%
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FILE: 11 - The Wane.flac
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FILE: 10 - The Highway.flac
Size: 21039433 Hash: CF31F698736E4531843283046A73D2D0 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 71BA1891B370B937C52938DF9DF5D15F5EC89BB7
FILE: 09 - Scraps.flac
Size: 31720766 Hash: 2F2782A39649C73A849F425A53761A45 Accuracy: -m0
Conclusion: CDDA 87%
Signature: ABDB0AD45065421CF08ED47904CA877BE80C84F3
FILE: 08 - Cryptosphere(s).flac
Size: 13105437 Hash: 0FCE6B93D80CA893585C9D3F68355B94 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 9885B47B1C686B86C95D92948951F567E3F990E9
FILE: 07 - Paris Rip-off.flac
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FILE: 06 - The Wire.flac
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Conclusion: CDDA 100%
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FILE: 05 - Lesson.flac
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FILE: 04 - Wish.flac
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Conclusion: CDDA 86%
Signature: 010EE54C559A0A54CCDE0570B5BD669D74FDD024
FILE: 03 - The Precipitation Suite [I Feel a DraftCloudyRain].flac
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Conclusion: MPEG 89%
Signature: F7A63DC8571EF0B7A8516D387EA41DDA105DA2E9
FILE: 02 - Obituary.flac
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Conclusion: CDDA 100%
Signature: E67379BDB454EFAFEAB8F5B7853CBF8EAA22B450
FILE: 01 - Three Pieces From Tao – I.flac
Size: 13411661 Hash: CBD49507B032EA53770393455AED8D00 Accuracy: -m0
Conclusion: CDDA 100%
Signature: B13E10072D3C80EE1AFA7E453DD6E739E8ABCEDA


-----------------------
DON'T MODIFY THIS FILE
-----------------------
PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright (c) 2008-2010 y-soft. All rights reserved
http://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
FILE: 15 - Three Pieces from Tao - IV.flac
Size: 7347149 Hash: 2E7582E344F61ED162D377CDACD814FC Accuracy: -m0
Conclusion: CDDA 100%
Signature: F5EF200F3CB14EB71025BFD7346DD26096AC4820
FILE: 14 - Roba.flac
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Conclusion: CDDA 54%
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FILE: 13 - Notre Vie.flac
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Conclusion: CDDA 100%
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FILE: 12 - The Oil.flac
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Conclusion: CDDA 92%
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FILE: 11 - Torments.flac
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Conclusion: CDDA 99%
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FILE: 10 - The Uh Uh Uh.flac
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FILE: 09 - Lapis.flac
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Conclusion: CDDA 100%
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FILE: 08 - Cryptosphere.flac
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Conclusion: CDDA 100%
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FILE: 07 - Blinks.flac
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Conclusion: CDDA 100%
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FILE: 06 - Ladies.flac
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Conclusion: CDDA 100%
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FILE: 05 - Pearl Street.flac
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Conclusion: CDDA 100%
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FILE: 04 - Crops.flac
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Conclusion: CDDA 58%
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FILE: 03 - Spell.flac
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Conclusion: CDDA 100%
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FILE: 02 - The Owl.flac
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Conclusion: CDDA 42%
Signature: E8EB8DE4654453D87EB3C5B5F1F7987E1ECDFD5A
FILE: 01 - Three Pieces from Tao – III.flac
Size: 9514965 Hash: 72B8438A67BBC41E86A5FFBB150E1F53 Accuracy: -m0
Conclusion: CDDA 100%
Signature: A5948E4B0EA95443437C312265BC307E0A9FB6C3
 
Скриншот спектра частот
 
Об альбоме
With Beating the Teens, Ideal Bread’s leader and baritone saxophonist Josh Sinton decided to radically question and deconstruct the notion of a repertory band. Since the release of their first album, The Ideal Bread, in 2007, the group has existed with only two rules: 1.) Ideal Bread would be a band in the traditional sense, the same members for every album and every show 2.) Ideal Bread would play exclusively the music of iconoclastic saxophonist-composer Steve Lacy.
And with this album, their third, Ideal Bread continue to uphold these rules, but with a change of emphasis. As Sinton puts it, “In the beginning we were a Steve Lacy-repertory band that happened to be composed of four gifted improvisers, but along the way we’ve become a band of four gifted improvisers who happen to play the music of Steve Lacy. And the new album had to reflect that shift.”
Acting on this new reality, Sinton set out laying the groundwork for this new work. Using his concept of the musical object as a “flexible container” for the performer’s ideas and personalities, he looked around for a container large enough to hold all the idiosyncrasies and sonic facets of his longtime band-mates Kirk Knuffke (cornet) and Tomas Fujiwara (drums) as well as their newfound member Adam Hopkins (bass).
He found what he was looking for in Scratching the Seventies/Dreams, the 3-CD box set that collects all five LP’s Steve Lacy recorded for the Saravah label from 1971 – 1977. In these recordings, some of the earliest of Lacy’s compositions and therefore almost embryonic, Sinton found, “There was enough room for us to be ourselves in this music.”
Sinton transcribed all the compositions on Scratching the Seventies. But when in the past he would have left off at this point and been content to repeat these transcriptions, in this case he decided he would take the additional step of re-arranging all the pieces. In this he was guided by three considerations: 1.) He would use a compositional device no more than three times; so he would have to find unique ways of structuring the materials. 2.) He would make sure that each member had agency by insuring they had unique contexts for sounding their voices. 3.) Where possible, he would write the drum parts because as Sinton puts it, “Many of my favorite composers (Threadgill, Argue, Iyer, Braxton) can write for drums. It’s about time I learned to do the same.”
Following these prescriptions has led to an album that unselfconsciously embraces the sounds of Iggy Pop, musique concrète, Mos Def, Art Ensemble of Chicago, Morphine, 17th-century Baroque and Brooklyn’s current creative music scene among many others. “I kept each new arrangement only if I could affirmatively answer the question, ‘Is this who we are?” says Sinton. Beating the Teens is a record that could only be made by young improvisers in the 21st century, representing as it does the conflation of sounds and influences that is a trademark of this generation of artists.
Josh Sinton began writing the material in January of 2012 and the band began regularly rehearsing and performing it around New York City in July of that year. One year later, they felt ready to record the material. To make such an ambitious recording (26 pieces, some recorded in multiple realizations), the band reached out to their friends and fans. They successfully raised the funds needed for tracking the album via the crowdfunding website, Kickstarter and ensconced themselves for four days at Vibromonk Studios (a studio more often associated with singer-songwriters like Joan as Policewoman or the punk band World Inferno Friendship Society) in Williamsburg, Brooklyn.
Like Vibromonk, their engineer Tyler Wood is often associated with leading rock bands like Glass Ghost and Luke Temple, but is also well known for his work with jazz musicians like Jeremy Udden. “I asked Tyler to be my co-producer on this because I knew he would understand where I was coming from. I didn’t want to make a traditional ‘cinema verite’ type of jazz record. So when I brought in the pile of records I was using for sonic reference material, he was excited,” says Sinton. The album was mixed by Wood and Sinton in exacting detail and mastered at Sterling Sound by Randy Merrill whom Sinton had worked with on his previous recording Pine Barren. The result is a lushly mutlti-faceted record that seamlessly moves from resonantly stark solo pieces to busy soundscapes to tightly-organized rhythmic engines.
With Beating the Teens, Ideal Bread breaks new ground both for themselves and for the creative music world. The album poses questions for musicians (“What can we do next?”) and for the audience (“What is a repertory band?”). And while the answers are varied, the methods used to ask and potentially answer these questions make for fascinating and captivating music.
 
Состав

Josh Sinton – baritone saxophone, arrangements
Kirk Knuffke – cornet
Adam Hopkins – bass
Tomas Fujiwara – drums
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