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(Avant-Garde Jazz, Post-Bop) Andrew Hill - Point of Departure - 1964 (1989), FLAC (tracks+.cue), lossless

(Avant-Garde Jazz, Post-Bop) Andrew Hill - Point of Departure - 1964 (1989), FLAC (tracks+.cue), lossless
Треклист:
Andrew Hill - Point of Departure
Жанр: Avant-Garde Jazz, Post-Bop
Страна-производитель диска: США
Год издания: 1989
Издатель (лейбл): Blue Note
Номер по каталогу: CDP 7 84167 2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 50:59
Источник (релизер): gravy63 (what)
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Refuge (Hill) - 12:18
02. New Monastery (Hill) - 7:05
03. Spectrum (Hill) - 9:49
04. Flight 19 (Hill) - 4:13
05. Flight 19 (alternate take) (Hill) - 3:50
06. Dedication (Hill) - 6:43
07. Dedication (alternate take) (Hill) - 7:01
Состав:
Kenny Dorham - trumpet
Eric Dolphy - alto saxophone, flute, bass clarinet
Joe Henderson - tenor saxophone
Andrew Hill - piano
Richard Davis - bass
Tony Williams - drums
Recorded at the Van Gelder Studio, Englewood Cliffs, NJ on March 21, 1964.
Remastered by Ron McMaster.
 
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 6. October 2012, 16:27
Andrew Hill / Point of Departure
Used drive : TSSTcorpCDDVDW SH-S203B Adapter: 1 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.32 | 12:18.08 | 32 | 55389
2 | 12:18.40 | 7:05.10 | 55390 | 87274
3 | 19:23.50 | 9:49.00 | 87275 | 131449
4 | 29:12.50 | 4:12.40 | 131450 | 150389
5 | 33:25.15 | 3:49.40 | 150390 | 167604
6 | 37:14.55 | 6:43.22 | 167605 | 197851
7 | 43:58.02 | 7:01.25 | 197852 | 229451
Track 1
Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\01 - Refuge.wav
Pre-gap length 0:00:02.42
Peak level 98.5 %
Extraction speed 5.6 X
Track quality 100.0 %
Test CRC 3D41F76B
Copy CRC 3D41F76B
Accurately ripped (confidence 8) [2E638D6E] (AR v1)
Copy OK
Track 2
Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\02 - New Monastery.wav
Pre-gap length 0:00:03.04
Peak level 99.3 %
Extraction speed 6.5 X
Track quality 100.0 %
Test CRC 49E80CC1
Copy CRC 49E80CC1
Accurately ripped (confidence 8) [175AF576] (AR v1)
Copy OK
Track 3
Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\03 - Spectrum.wav
Pre-gap length 0:00:02.90
Peak level 99.4 %
Extraction speed 7.4 X
Track quality 100.0 %
Test CRC E2CADF83
Copy CRC E2CADF83
Accurately ripped (confidence 8) [921523DD] (AR v1)
Copy OK
Track 4
Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\04 - Flight 19.wav
Pre-gap length 0:00:02.97
Peak level 87.9 %
Extraction speed 7.4 X
Track quality 100.0 %
Test CRC 06F288F1
Copy CRC 06F288F1
Accurately ripped (confidence 8) [8977FA7E] (AR v1)
Copy OK
Track 5
Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\05 - Flight 19 - alternate take.wav
Pre-gap length 0:00:02.86
Peak level 84.3 %
Extraction speed 7.5 X
Track quality 100.0 %
Test CRC 5A444DF6
Copy CRC 5A444DF6
Accurately ripped (confidence 8) [7DF4F44D] (AR v1)
Copy OK
Track 6
Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\06 - Dedication.wav
Pre-gap length 0:00:02.93
Peak level 72.5 %
Extraction speed 8.4 X
Track quality 100.0 %
Test CRC 46F685E8
Copy CRC 46F685E8
Accurately ripped (confidence 8) [E0648DC2] (AR v1)
Copy OK
Track 7
Filename D:\EAC\Anrew Hill - Point of Departure (1964) - FLAC\07 - Dedication - alternate take.wav
Pre-gap length 0:00:02.46
Peak level 84.4 %
Extraction speed 7.7 X
Track quality 99.9 %
Test CRC 3D1EF9FE
Copy CRC 3D1EF9FE
Accurately ripped (confidence 8) [B7182862] (AR v1)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum E8D599996E937F97D34C217AD915D593EFC0BB57AAEA91CAB1FCA4110F8FC998 ====
 
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 1964
REM DISCID 4D0BF307
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Andrew Hill"
TITLE "Point of Departure"
FILE "01 - Refuge.wav" WAVE
TRACK 01 AUDIO
TITLE "Refuge"
PERFORMER "Andrew Hill"
PREGAP 00:00:32
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "New Monastery"
PERFORMER "Andrew Hill"
INDEX 00 12:15:05
FILE "02 - New Monastery.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Spectrum"
PERFORMER "Andrew Hill"
INDEX 00 07:02:17
FILE "03 - Spectrum.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Flight 19"
PERFORMER "Andrew Hill"
INDEX 00 09:46:02
FILE "04 - Flight 19.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Flight 19 - alternate take"
PERFORMER "Andrew Hill"
INDEX 00 04:09:50
FILE "05 - Flight 19 - alternate take.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Dedication"
PERFORMER "Andrew Hill"
INDEX 00 03:46:45
FILE "06 - Dedication.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Dedication - alternate take"
PERFORMER "Andrew Hill"
INDEX 00 06:40:62
FILE "07 - Dedication - alternate take.wav" WAVE
INDEX 01 00:00:00
 
Отчет CUETools
[CUETools log; Date: 14.01.2013 20:42:45; Version: 2.1.4]
Pregap length 00:00:32.
[CTDB TOCID: xWPKHnST9hhoeFtlv53I.1R0wEI-] disk not present in database.
[AccurateRip ID: 000f8e36-0059ab75-4d0bf307] found.
Track [ CRC | V2 ] Status
01 [2e638d6e|243167d1] (8+0/8) Accurately ripped
02 [175af576|291ef222] (8+0/8) Accurately ripped
03 [921523dd|1c4795be] (8+0/8) Accurately ripped
04 [8977fa7e|8e60e293] (8+0/8) Accurately ripped
05 [7df4f44d|3dc54cdc] (8+0/8) Accurately ripped
06 [e0648dc2|34295a00] (8+0/8) Accurately ripped
07 [b7182862|689b40ae] (8+0/8) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
-- 99,4 [D1F07B5E] [C4143465]
01 98,5 [3D41F76B] [04E6F51A] CRC32
02 99,3 [49E80CC1] [0D5D8F6B] CRC32
03 99,4 [E2CADF83] [B062899A] CRC32
04 87,9 [06F288F1] [ACE41068] CRC32
05 84,3 [5A444DF6] [BB6EC193] CRC32
06 72,5 [46F685E8] [B7567BA2] CRC32
07 84,4 [3D1EF9FE] [04A7F7F6] CRC32
 
Review by Thom Jurek
Pianist and composer Andrew Hill is perhaps known more for this date than any other in his catalogue -- and with good reason. Hill's complex compositions straddled many lines in the early to mid-1960s and crossed over many. Point of Departure, with its all-star lineup (even then), took jazz and wrote a new book on it, excluding nothing. With Eric Dolphy and Joe Henderson on saxophones (Dolphy also played clarinet, bass clarinet, and flute), Richard Davis on bass, Tony Williams on drums, and Kenny Dorham on trumpet, this was a cast created for a jazz fire dance. From the opening moments of "Refuge," with its complex minor mode intro that moves headlong via Hill's large, open chords that flat sevenths, ninths, and even 11ths in their striding to move through the mode, into a wellspring of angular hard bop and minor-key blues. Hill's solo is first and it cooks along in the upper middle register, almost all right hand ministrations, creating with his left a virtual counterpoint for Davis and a skittering wash of notes for Williams. The horn solos in are all from the hard bop book, but Dolphy cuts his close to the bone with an edgy tone. "New Monastery," which some mistake for an avant-garde tune, is actually a rewrite of bop minimalism extended by a diminished minor mode and an intervallic sequence that, while clipped, moves very quickly. Dorham solos to connect the dots of the knotty frontline melody and, in his wake, leaves the space open for Dolphy, who blows edgy, blue, and true into the center, as Hill jumps to create a maelstrom by vamping with augmented and suspended chords. Hill chills it out with gorgeous legato phrasing and a left-hand ostinato that cuts through the murk in the harmony. When Henderson takes his break, he just glides into the chromatically elegant space created by Hill, and it's suddenly a new tune. This disc is full of moments like this. In Hill's compositional world, everything is up for grabs. It just has to be taken a piece at a time, and not by leaving your fingerprints all over everything. In "Dedication," where he takes the piano solo further out melodically than on the rest of the album combined, he does so gradually. You cannot remember his starting point, only that there has been a transformation. This is a stellar date, essential for any representative jazz collection, and a record that, in the 21st century, still points the way to the future for jazz.
06:47
521
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