(Avant-Garde Jazz, Modern Creative) [CD] Tyshawn Sorey (with Cory Smythe & Christopher Tordini) - Alloy - 2014, FLAC (tracks+.cue), lossless
![(Avant-Garde Jazz, Modern Creative) [CD] Tyshawn Sorey (with Cory Smythe & Christopher Tordini) - Alloy - 2014, FLAC (tracks+.cue), lossless](/upload/000/u2/73/b4/avant-garde-jazz-modern-creative-cd-tyshawn-sorey-with-cor.jpg "(Avant-Garde Jazz, Modern Creative) [CD] Tyshawn Sorey (with Cory Smythe & Christopher Tordini) - Alloy - 2014, FLAC (tracks+.cue), lossless")
Треклист:
TYSHAWN SOREY
ALLOY
Жанр: Avant-Garde Jazz, Modern Creative
Страна-производитель диска (релиза): USA
Год издания: 2014
Издатель (лейбл): Pi Recordings
Номер по каталогу: PI 56
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 66:02
Источник (релизер): спасибо bemsha
Наличие сканов в содержимом раздачи: да
Треклист:
1. Returns
2. Movement
3. Template
4. A Love Song
Tyshawn Sorey - drums
Cory Smythe - piano
Christopher Tordini - bass
Жанр: Avant-Garde Jazz, Modern Creative
Страна-производитель диска (релиза): USA
Год издания: 2014
Издатель (лейбл): Pi Recordings
Номер по каталогу: PI 56
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 66:02
Источник (релизер): спасибо bemsha
Наличие сканов в содержимом раздачи: да
Треклист:
1. Returns
2. Movement
3. Template
4. A Love Song
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 3. December 2014, 8:59
Tyshawn Sorey / Alloy
Used drive : SONY DVD RW DRU-810A Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 618
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 7:58.40 | 0 | 35889
2 | 7:58.40 | 19:51.61 | 35890 | 125275
3 | 27:50.26 | 7:18.74 | 125276 | 158199
4 | 35:09.25 | 30:52.65 | 158200 | 297164
Track 1
Filename F:\New Rips\Tyshawn Sorey - Alloy (2014) [FLAC]\01 - Returns.wav
Pre-gap length 0:00:02.00
Peak level 89.5 %
Extraction speed 5.0 X
Track quality 100.0 %
Test CRC 4E89236A
Copy CRC 4E89236A
Track not present in AccurateRip database
Copy OK
Track 2
Filename F:\New Rips\Tyshawn Sorey - Alloy (2014) [FLAC]\02 - Movement.wav
Peak level 88.7 %
Extraction speed 6.6 X
Track quality 100.0 %
Test CRC A0FC0FA0
Copy CRC A0FC0FA0
Track not present in AccurateRip database
Copy OK
Track 3
Filename F:\New Rips\Tyshawn Sorey - Alloy (2014) [FLAC]\03 - Template.wav
Peak level 100.0 %
Extraction speed 7.4 X
Track quality 100.0 %
Test CRC 9A9FB432
Copy CRC 9A9FB432
Track not present in AccurateRip database
Copy OK
Track 4
Filename F:\New Rips\Tyshawn Sorey - Alloy (2014) [FLAC]\04 - A Love Song.wav
Peak level 88.8 %
Extraction speed 9.2 X
Track quality 100.0 %
Test CRC 66ABE8BB
Copy CRC 66ABE8BB
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.3
[CTDB TOCID: N557KuiPRjO1DXc..NpNSoDwUlU-] disk not present in database, Submit result: N557KuiPRjO1DXc..NpNSoDwUlU- has been uploaded
==== Log checksum A5FAB5E28C763A8024A6857F027AFDF5CC87C191BB542A8A545499CB929AE153 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2014
REM DISCID 230F7A04
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Tyshawn Sorey"
TITLE "Alloy"
FILE "01 - Returns.wav" WAVE
TRACK 01 AUDIO
TITLE "Returns"
PERFORMER "Tyshawn Sorey"
INDEX 01 00:00:00
FILE "02 - Movement.wav" WAVE
TRACK 02 AUDIO
TITLE "Movement"
PERFORMER "Tyshawn Sorey"
FLAGS DCP
INDEX 01 00:00:00
FILE "03 - Template.wav" WAVE
TRACK 03 AUDIO
TITLE "Template"
PERFORMER "Tyshawn Sorey"
FLAGS DCP
INDEX 01 00:00:00
FILE "04 - A Love Song.wav" WAVE
TRACK 04 AUDIO
TITLE "A Love Song"
PERFORMER "Tyshawn Sorey"
FLAGS DCP
INDEX 01 00:00:00
Об альбоме
AllAboutJazz / 5 stars
From an early age composer/drummer/educator Tyshawn Sorey has found creative outlets in not just music but in painting and literature as well. Never one to compartmentalize his own imagination, he has enthusiastically explored blues, gospel, classical and music for dance so it seems quite natural that his current music defies categories. Whether listening or writing, he takes a non-judgmental approach to the way he engages with music, preferring possibilities over prescription. Sorey has recorded or performed with a veritable who's-who of modern music including trumpeters Wadada Leo Smith and Dave Douglas, saxophonists Anthony Braxton, John Zorn and Tim Berne, and pianists Muhal Richard Abrams, Vijay Iyer to name just a few.
Following Sorey's highly acclaimed Oblique—I (PI Recordings, 2011), the four long compositions that make up Alloy represent something of a shift in focus to a coexistence of established structures and improvisations where melodies are fleeting but dramatically impactful. Sorey is joined by the superb pianist Corey Smythe who has travelled in similar musical circles as well as performing to outstanding reviews with classical violinist Hilary Hahn at the Kennedy Center. Bassist Christopher Tordini rounds out the trio after being part of Sorey's quintet on Oblique—I. No stranger to cutting-edge drummers, Tordini has worked with Jim Black, saxophonists Greg Osby and Steve Lehman and a number of prominent regulars on the New York downtown scene.
Alloy is a democratic endeavor though Smythe is often at the audible center of these works all of which have the feel of improvised tonal experiments. "Returns" begins in near silence but quickly becomes a free form exercise before returning to a minimalist setting. Melody doesn't so much develop as it does layer on subtle texture without diverting from the core pattern; the drive is always subtle with only enough tension to give pause to the possibility of a more volatile reaction. The energetic flow of "Movement" adds a bit more texture from Smythe before the melody unravels in a brief microburst of trio participation. The polyrythmic "Template" launches somewhere between ambience and furtive scratches and squeaks later joined by an ominous piano. There is the sporadic and deeply resonant bass lead before Smythe takes a more rhythmic turn. Sorey does a masterful job of starting, stopping and directing, carefully filling in the open spaces without over-controlling them. "Love Song"—with its lullaby opening—is dominated by single notes, clusters of notes and broken chords more often hinting at a melody than fully developing one. The extended piece unfolds patiently and with child-like simplicity.
The enigma of Sorey's compositions is that reiteration of notes, patterns and silences is a key part of these pieces and yet each ends with a complete sense of being uniquely unrepeatable; it is a feeling that this was a once in a lifetime experience. Like the lesser requirements of expressing true emotion and passion Alloy is full of moments that quietly and patiently search for just the right emphasis for these occasions while occasionally being punctuated with provocative twists and turns. This is an astounding recording that has the clean, primal quality of being inside the creative process; it is intelligent, visceral, melodic and essential. (Karl Ackermann)
Following Sorey's highly acclaimed Oblique—I (PI Recordings, 2011), the four long compositions that make up Alloy represent something of a shift in focus to a coexistence of established structures and improvisations where melodies are fleeting but dramatically impactful. Sorey is joined by the superb pianist Corey Smythe who has travelled in similar musical circles as well as performing to outstanding reviews with classical violinist Hilary Hahn at the Kennedy Center. Bassist Christopher Tordini rounds out the trio after being part of Sorey's quintet on Oblique—I. No stranger to cutting-edge drummers, Tordini has worked with Jim Black, saxophonists Greg Osby and Steve Lehman and a number of prominent regulars on the New York downtown scene.
Alloy is a democratic endeavor though Smythe is often at the audible center of these works all of which have the feel of improvised tonal experiments. "Returns" begins in near silence but quickly becomes a free form exercise before returning to a minimalist setting. Melody doesn't so much develop as it does layer on subtle texture without diverting from the core pattern; the drive is always subtle with only enough tension to give pause to the possibility of a more volatile reaction. The energetic flow of "Movement" adds a bit more texture from Smythe before the melody unravels in a brief microburst of trio participation. The polyrythmic "Template" launches somewhere between ambience and furtive scratches and squeaks later joined by an ominous piano. There is the sporadic and deeply resonant bass lead before Smythe takes a more rhythmic turn. Sorey does a masterful job of starting, stopping and directing, carefully filling in the open spaces without over-controlling them. "Love Song"—with its lullaby opening—is dominated by single notes, clusters of notes and broken chords more often hinting at a melody than fully developing one. The extended piece unfolds patiently and with child-like simplicity.
The enigma of Sorey's compositions is that reiteration of notes, patterns and silences is a key part of these pieces and yet each ends with a complete sense of being uniquely unrepeatable; it is a feeling that this was a once in a lifetime experience. Like the lesser requirements of expressing true emotion and passion Alloy is full of moments that quietly and patiently search for just the right emphasis for these occasions while occasionally being punctuated with provocative twists and turns. This is an astounding recording that has the clean, primal quality of being inside the creative process; it is intelligent, visceral, melodic and essential. (Karl Ackermann)
freejazzblog.org / 5 stars
Tyshawn Sorey has consistently released albums about every two years. With the every album he has changed the configuration of his lineups. His latest is Alloy, released on the Pi Recordings label, is a traditional piano trio configuration with Corey Smythe on piano, who also appeared on Sorey’s That/Not, and Christopher Tordini on bass, who previously appeared on Oblique-I. Anyone familiar with Sorey’s work will undoubtedly hear his fingerprints all over the music. For the unfamiliar, Sorey’s compositions tend to focus as much on space and touch, leaving you in a space of reflection and thought. Probably due to the lack of a brass or wind instrument on this album, Alloy reminds me most of his 2009 release, and one of my all-time favorite albums, Koan.
Given Sorey’s penchant for space in his compositions, the piano trio setting proves to be a wonderful avenue to display his sound. “Returns” begins with Smythe searching through the keys to find the right notes, as Sorey and Tordini lock in behind. As the searching increasing a mild chaos ensues only to return to a more melodic and contemplative tempo. “Return” flows directly into “Movement”. Building on melody, Smythe weaves in and out of Sorey’s light cymbal play and Tordini’s steady beat. After two 15 plus minute tracks, the trio jumps into “Template”. Honestly, Template will either scare the crap out of you, or make you wonder if you cd player changed discs. The surprise of the album, 2 and 1/2 minutes into the track Sorey lays into a groove on his drum kit that will shock you and make you undoubtedly bob your head in approval. It’s so beautifully out of place I love every time it kicks in, and I’m never expecting it. Finally, Sorey ends with the 30 minute “A Love Song”, and returns to the meditative spacial compositions that Sorey specializes in. This album is already rivaling Koan as my favorite Sorey led album, and currently my favorite release of any artist this year. Released in the typical Pi Recordings digipak, This album has excellent sound quality with one of the most beautifully mic’d pianos I have ever heard. (Josh Campbell)
Given Sorey’s penchant for space in his compositions, the piano trio setting proves to be a wonderful avenue to display his sound. “Returns” begins with Smythe searching through the keys to find the right notes, as Sorey and Tordini lock in behind. As the searching increasing a mild chaos ensues only to return to a more melodic and contemplative tempo. “Return” flows directly into “Movement”. Building on melody, Smythe weaves in and out of Sorey’s light cymbal play and Tordini’s steady beat. After two 15 plus minute tracks, the trio jumps into “Template”. Honestly, Template will either scare the crap out of you, or make you wonder if you cd player changed discs. The surprise of the album, 2 and 1/2 minutes into the track Sorey lays into a groove on his drum kit that will shock you and make you undoubtedly bob your head in approval. It’s so beautifully out of place I love every time it kicks in, and I’m never expecting it. Finally, Sorey ends with the 30 minute “A Love Song”, and returns to the meditative spacial compositions that Sorey specializes in. This album is already rivaling Koan as my favorite Sorey led album, and currently my favorite release of any artist this year. Released in the typical Pi Recordings digipak, This album has excellent sound quality with one of the most beautifully mic’d pianos I have ever heard. (Josh Campbell)
Состав
Tyshawn Sorey - drums
Cory Smythe - piano
Christopher Tordini - bass