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(Avant-Garde Jazz, Free Jazz) Szilard Mezei Octet - Tonk - 2010, FLAC (tracks+.cue), lossless

(Avant-Garde Jazz, Free Jazz) Szilard Mezei Octet - Tonk - 2010, FLAC (tracks+.cue), lossless
Треклист:
Szilard Mezei Octet / Tonk
Жанр: Avant-Garde Jazz, Free Jazz
Страна-производитель диска: UK
Год издания: 2010
Издатель (лейбл): Slam Productions
Номер по каталогу: SLAMCD 521
Страна: Hungary
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 71:40
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи: нет
Треклист:
1 Ülő Bika / Sitting Bull 8:21
2 Női Box / Female Boxing 21:01
3 Hep 5 7:34
4 Tönk - Hó / Stump - Snow 13:06
5 Bot 21:33
 
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 21. December 2012, 20:19
Szilard Mezei Octet / Tonk
Used drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 8:23.07 | 0 | 37731
2 | 8:23.07 | 21:02.44 | 37732 | 132425
3 | 29:25.51 | 7:35.08 | 132426 | 166558
4 | 37:00.59 | 13:05.67 | 166559 | 225500
5 | 50:06.51 | 21:33.33 | 225501 | 322508
Track 1
Filename D:\zzz\01 - Ulo Bika (Sitting Bull).wav
Pre-gap length 0:00:02.00
Peak level 98.8 %
Extraction speed 5.0 X
Track quality 100.0 %
Test CRC E032C30B
Copy CRC E032C30B
Track not present in AccurateRip database
Copy OK
Track 2
Filename D:\zzz\02 - Noi Box (Female Boxing).wav
Pre-gap length 0:00:02.00
Peak level 98.8 %
Extraction speed 6.4 X
Track quality 99.9 %
Test CRC 1D0FDE47
Copy CRC 1D0FDE47
Track not present in AccurateRip database
Copy OK
Track 3
Filename D:\zzz\03 - Hep 5.wav
Peak level 98.8 %
Extraction speed 7.3 X
Track quality 100.0 %
Test CRC 982EDD2E
Copy CRC 982EDD2E
Track not present in AccurateRip database
Copy OK
Track 4
Filename D:\zzz\04 - Tonk - Ho (Stump - Snow).wav
Pre-gap length 0:00:02.00
Peak level 98.8 %
Extraction speed 8.2 X
Track quality 100.0 %
Test CRC 415C73F1
Copy CRC 415C73F1
Track not present in AccurateRip database
Copy OK
Track 5
Filename D:\zzz\05 - Bot.wav
Peak level 98.8 %
Extraction speed 9.3 X
Track quality 100.0 %
Test CRC 1F19E237
Copy CRC 1F19E237
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum 88D1C7AC1F9D6B1662E374647825B319F18CBD1D8C03ED68D244207026BB0470 ====
 
Содержание индексной карты (.CUE)
REM GENRE Avantgarde
REM DATE 2010
REM DISCID 3410CC05
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Szilard Mezei Octet"
TITLE "Tonk"
FILE "01 - Ulo Bika (Sitting Bull).wav" WAVE
TRACK 01 AUDIO
TITLE "Ulo Bika (Sitting Bull)"
PERFORMER "Szilard Mezei Octet"
FLAGS DCP
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Noi Box (Female Boxing)"
PERFORMER "Szilard Mezei Octet"
FLAGS DCP
INDEX 00 08:21:07
FILE "02 - Noi Box (Female Boxing).wav" WAVE
INDEX 01 00:00:00
FILE "03 - Hep 5.wav" WAVE
TRACK 03 AUDIO
TITLE "Hep 5"
PERFORMER "Szilard Mezei Octet"
FLAGS DCP
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Tonk - Ho (Stump - Snow)"
PERFORMER "Szilard Mezei Octet"
FLAGS DCP
INDEX 00 07:33:08
FILE "04 - Tonk - Ho (Stump - Snow).wav" WAVE
INDEX 01 00:00:00
FILE "05 - Bot.wav" WAVE
TRACK 05 AUDIO
TITLE "Bot"
PERFORMER "Szilard Mezei Octet"
FLAGS DCP
INDEX 01 00:00:00
 
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Ulo Bika (Sitting Bull).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Noi Box (Female Boxing).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. Hep 5.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. Tonk - Ho (Stump - Snow).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. Bot.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Доп. информация:
 
Album Info, Squidsear Review
Recorded 3 October 2007 in Budapest, Hungary.
Over the last years, violist and composer Szilбrd Mezei has steadily amassed several remarkable and unjustly unsung albums, gradually expanding a creative individuality whose crucial constituents reside in the influence of his native region's folk — he's a Serbian of Hungarian descent — aptly fused with the freshest ramifications of contemporary jazz and chamber music. This live set from 2007, recorded in Budapest, takes a comprehensive snapshot of these issues, a path that bifurcates between the respect of a written score and a next-to-mayhem discharge of communicative energy. The whole is permeated by artistic integrity and unwillingness to bend to average Western standards, both in the very material and its presentation; the only English words correspond to the translation of the titles, while a poem by B. Pap Endre printed on the inside leaflet is left in the original idiom. Make what you want of these things.
The abundant duration — circa 72 minutes — is not a problem, in that the performance allows the listener to change perspectives rather frequently, enjoying a number of harmonic shifts, open-minded improvisations and thematic implications. It begins with silence broken by small instrumental noises — with the strings at the forefront — but soon enough the composition starts to exploit the octet's ever-changing dynamics, often suffused with a sort of sinister humor that's typically Balkan. One of the intriguing facets of Mezei's style is the superimposition of different rhythms, something that an untrained brain accepts with difficulty (see what happens when people teach that life's movements are all in twos and threes). Once familiarized with that, though, the process of assimilation is made easier by an expert subdivision of the parts across the orchestral ranks.
Space is allotted for each member's solo spots: a section by pianist Milan Aleksić impressively recalls Sergey Kuryokhin's furious flurries, whereas Albert Mбrkos' cello is a thing of beauty throughout. The jovially dissonant theme of "Hep 5" is the ultimate stamp on a work that desperately attempts to remain in the memory: not through easy-to-sing lines or surplus of skill, but via the kind of collective heart that throbs down to the most difficult-to-swallow sections. In that sense, Tцnk may not be the primary symbol of Mezei's inventiveness, yet it portrays the personal consistency and the comradeship among the participants quite well.
 
Состав
Alto Saxophone, Tenor Saxophone, Bass Clarinet – Bogdan Rankovic
Cello – Albert Márkos
Double Bass – Ervin Malina
Flute, Flute [Alto, Bass], Piccolo Flute – Gergely Ittzés
Percussion – István Csík
Piano – Milan Aleksic
Trombone – Branislav Aksin
Viola – Szilárd Mezei
05:41
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