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(Avant-Garde Jazz, Free Jazz, Hard Bop, Post-Bop) Mal Waldron & Steve Lacy - The Super Quartet Live at Sweet Basil - 1987, FLAC (tracks+.cue), lossless

(Avant-Garde Jazz, Free Jazz, Hard Bop, Post-Bop) Mal Waldron & Steve Lacy - The Super Quartet Live at Sweet Basil - 1987, FLAC (tracks+.cue), lossless
Треклист:
Mal Waldron & Steve Lacy - The Super Quartet Live at Sweet Basil
Жанр: Avant-Garde Jazz, Free Jazz, Hard Bop, Post-Bop
Страна-производитель диска: Германия
Год издания диска: 1987
Издатель (лейбл): Bellaphon
Номер по каталогу: K32Y 6208
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 46:00
Источник (релизер): GatoMedio (avaxhome)
Наличие сканов в содержимом раздачи: да
Треклист:
01. What It Is (Waldron) - 12:19
02. Evidence (Monk) - 10:52
03. Snake Out (Waldron) - 15:21
04. Let's Call This (Monk) - 7:23
Состав:
Mal Waldron - piano
Steve Lacy - soprano saxophone
Reggie Workman - bass
Eddie Moore - drums
Recorded live at "Sweet Basil", NYC, August 28 & 29, 1987 during the 6th Greenwich Village Jazz Festival.
 
Лог создания рипа
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 11. March 2010, 18:03
Mal Waldron / The Super Quartet Live at Sweet Basil
Used drive  : PLEXTOR DVDR   PX-716A   Adapter: 5  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : Yes
Read offset correction                      : 30
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : No
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 12:20.12 |         0    |    55511
        2  | 12:20.12 | 10:53.00 |     55512    |   104486
        3  | 23:13.12 | 15:23.00 |    104487    |   173711
        4  | 38:36.12 |  7:24.13 |    173712    |   207024
Track  1
     Filename M:\Music\Ripped\Jazz\Mal Waldron - The Super Quartet Live at Sweet Basil (1987)\01 - What It Is.wav
     Pre-gap length  0:00:02.00
     Peak level 100.0 %
     Track quality 100.0 %
     Copy CRC 01BB67D2
     Track not present in AccurateRip database
     Copy OK
Track  2
     Filename M:\Music\Ripped\Jazz\Mal Waldron - The Super Quartet Live at Sweet Basil (1987)\02 - Evidence.wav
     Peak level 88.3 %
     Track quality 100.0 %
     Copy CRC 89A70248
     Track not present in AccurateRip database
     Copy OK
Track  3
     Filename M:\Music\Ripped\Jazz\Mal Waldron - The Super Quartet Live at Sweet Basil (1987)\03 - Snake Out.wav
     Peak level 100.0 %
     Track quality 100.0 %
     Copy CRC D6F05249
     Track not present in AccurateRip database
     Copy OK
Track  4
     Filename M:\Music\Ripped\Jazz\Mal Waldron - The Super Quartet Live at Sweet Basil (1987)\04 - Let's Call This.wav
     Peak level 77.2 %
     Track quality 100.0 %
     Copy CRC AE6FBD94
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
 
 
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 1987
REM DISCID 2F0AC804
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Mal Waldron & Steve Lacy"
TITLE "The Super Quartet Live at Sweet Basil"
FILE "01 - What It Is.wav" WAVE
  TRACK 01 AUDIO
    TITLE "What It Is"
    PERFORMER "Mal Waldron & Steve Lacy"
    INDEX 01 00:00:00
FILE "02 - Evidence.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Evidence"
    PERFORMER "Mal Waldron & Steve Lacy"
    INDEX 01 00:00:00
FILE "03 - Snake Out.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Snake Out"
    PERFORMER "Mal Waldron & Steve Lacy"
    INDEX 01 00:00:00
FILE "04 - Let's Call This.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Let's Call This"
    PERFORMER "Mal Waldron & Steve Lacy"
    INDEX 01 00:00:00
 
 
Лог проверки качества
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01 - What It Is.wav]
Detected average hi-boundary frequency: 2.070847e+004 Hz
Detected average lo-boundary frequency: 1.622182e+004 Hz
Detected average hi-cut frequency: 2.167407e+004 Hz
Detected average lo-cut frequency: 1.681694e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 3.790630e-001
First order smothness: 3.919920e-001
Second order smothness: 6.712690e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02 - Evidence.wav]
Detected average hi-boundary frequency: 2.091646e+004 Hz
Detected average lo-boundary frequency: 1.701213e+004 Hz
Detected average hi-cut frequency: 2.176117e+004 Hz
Detected average lo-cut frequency: 1.844251e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.231107e-001
First order smothness: 4.211350e-001
Second order smothness: 7.451287e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03 - Snake Out.wav]
Detected average hi-boundary frequency: 2.085730e+004 Hz
Detected average lo-boundary frequency: 1.663108e+004 Hz
Detected average hi-cut frequency: 2.170598e+004 Hz
Detected average lo-cut frequency: 1.722992e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.134687e-001
First order smothness: 4.245321e-001
Second order smothness: 6.620044e-001
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [04 - Let's Call This.wav]
Detected average hi-boundary frequency: 2.076398e+004 Hz
Detected average lo-boundary frequency: 1.617063e+004 Hz
Detected average hi-cut frequency: 2.169809e+004 Hz
Detected average lo-cut frequency: 1.767939e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 4.816278e-001
First order smothness: 3.832323e-001
Second order smothness: 7.351035e-001
------------------------------------------------------------
This track looks like CDDA with probability 99%
 
 
Review by Henry M. Shteamer
This live set is a must-hear despite the familiar tune listing: Monk's "Evidence" and "Let's Call This," plus the Waldron favorites "What It Is" and "Snake Out." The leader's tunes are funky and dramatic and they spur soprano saxophonist Steve Lacy to some very frenzied playing. During "Snake Out," which boasts a downright demonic-sounding head, Lacy emits furious growls, a technique which may surprise and possibly delight fans of his more "inside" work. Waldron is excellent as usual, his solo on "What It Is" marked by meditative repeated figures, harking back to his 1961 Five Spot recordings with Eric Dolphy. Reggie Workman on bass and Eddie Moore on drums sound very excited to be part of the engagement, both in their heavily swinging solos and in their accompaniment. Live at Sweet Basil is highly recommended as an introduction to both Waldron and Lacy, as these performances reveal the quirks of each of their styles in a peppy, yet very profound setting. Incidentally, the Monk readings here are definitive, as there are perhaps no more seasoned interpreters of his music than these two, who first united to play Monk's tunes on the 1958 New Jazz date Reflections.
11:05
601
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