(Avant-Garde Jazz, Free Improvisation, pfMENTUM) [CD] Emily Hay (w/ Brad Dutz, Wayne Peet, Michael Whitmore, Steuart Liebig, Rich West) - Like Minds - 2005, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 10. January 2014, 20:55
Emily Hay / Like Minds
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:00.00 |  8:59.58 |         0    |    40482
        2  |  8:59.58 |  5:43.26 |     40483    |    66233
        3  | 14:43.09 |  4:04.21 |     66234    |    84554
        4  | 18:47.30 |  4:32.34 |     84555    |   104988
        5  | 23:19.64 |  8:18.59 |    104989    |   142397
        6  | 31:38.48 |  6:19.47 |    142398    |   170869
        7  | 37:58.20 |  7:12.22 |    170870    |   203291
        8  | 45:10.42 |  9:37.06 |    203292    |   246572
        9  | 54:47.48 |  2:34.03 |    246573    |   258125
       10  | 57:21.51 |  3:09.49 |    258126    |   272349
       11  | 60:31.25 |  5:39.45 |    272350    |   297819
       12  | 66:10.70 |  2:30.37 |    297820    |   309106
Track  1
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     Track quality 100.0 %
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     Track not present in AccurateRip database
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Track  2
     Filename D:\zzz\02 - Liturgy Of Sound.wav
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     Peak level 89.7 %
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     Track quality 100.0 %
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Track  3
     Filename D:\zzz\03 - A Year And Two Weeks.wav
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     Peak level 99.4 %
     Extraction speed 6.1 X
     Track quality 100.0 %
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Track  4
     Filename D:\zzz\04 - Boiled Cadillac.wav
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     Peak level 100.0 %
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Track  5
     Filename D:\zzz\05 - Crooked Hopscotch.wav
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     Peak level 100.0 %
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     Track quality 100.0 %
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Track  6
     Filename D:\zzz\06 - We Are.wav
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     Peak level 72.4 %
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     Track quality 100.0 %
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Track  7
     Filename D:\zzz\07 - Like Minds.wav
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Track  8
     Filename D:\zzz\08 - Wha' 'Bout.wav
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Track  9
     Filename D:\zzz\09 - Spar.wav
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     Track quality 99.9 %
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Track 10
     Filename D:\zzz\10 - Waiting For Sara.wav
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     Peak level 97.7 %
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     Track quality 100.0 %
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Track 11
     Filename D:\zzz\11 - Hibiki.wav
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Track 12
     Filename D:\zzz\12 - Swamp Moss.wav
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     Peak level 54.9 %
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     Track quality 100.0 %
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum F617CEA1C1F9E7E993A31155933B9E1230289728F294026ABBF0E04E23D93EF6 ====

REM GENRE "Free Improvisation"
REM DATE 2005
REM DISCID 9E10190C
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Emily Hay"
TITLE "Like Minds"
FILE "01 - Call To Unarm.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Call To Unarm"
    PERFORMER "Emily Hay"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Liturgy Of Sound"
    PERFORMER "Emily Hay"
    INDEX 00 08:57:58
FILE "02 - Liturgy Of Sound.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "A Year And Two Weeks"
    PERFORMER "Emily Hay"
    INDEX 00 05:41:26
FILE "03 - A Year And Two Weeks.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Boiled Cadillac"
    PERFORMER "Emily Hay"
    INDEX 00 04:02:21
FILE "04 - Boiled Cadillac.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Crooked Hopscotch"
    PERFORMER "Emily Hay"
    INDEX 00 04:30:34
FILE "05 - Crooked Hopscotch.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "We Are"
    PERFORMER "Emily Hay"
    INDEX 00 08:16:59
FILE "06 - We Are.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Like Minds"
    PERFORMER "Emily Hay"
    INDEX 00 06:17:47
FILE "07 - Like Minds.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Wha' 'Bout"
    PERFORMER "Emily Hay"
    INDEX 00 07:10:22
FILE "08 - Wha' 'Bout.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Spar"
    PERFORMER "Emily Hay"
    INDEX 00 09:35:06
FILE "09 - Spar.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Waiting For Sara"
    PERFORMER "Emily Hay"
    INDEX 00 02:32:03
FILE "10 - Waiting For Sara.wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "Hibiki"
    PERFORMER "Emily Hay"
    INDEX 00 03:07:49
FILE "11 - Hibiki.wav" WAVE
    INDEX 01 00:00:00
  TRACK 12 AUDIO
    TITLE "Swamp Moss"
    PERFORMER "Emily Hay"
    INDEX 00 05:37:45
FILE "12 - Swamp Moss.wav" WAVE
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Call To Unarm.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. Liturgy Of Sound.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. A Year And Two Weeks.wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. Boiled Cadillac.wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Crooked Hopscotch.wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. We Are.wav]
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This track looks like CDDA with probability 100%
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Processing file: [07. Like Minds.wav]
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This track looks like CDDA with probability 42%
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Processing file: [08. Wha' 'Bout.wav]
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This track looks like CDDA with probability 99%
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Processing file: [09. Spar.wav]
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This track looks like CDDA with probability 100%
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Processing file: [10. Waiting For Sara.wav]
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This track looks like CDDA with probability 100%
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Processing file: [11. Hibiki.wav]
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This track looks like CDDA with probability 100%
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Processing file: [12. Swamp Moss.wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

Recorded at: Ventura City Hall, Ventura, CA 2004 (1), Hit Single Studios, San Diego, CA 2004 (2,6,9,11), in North Hollywood, CA circa 1994 (3,12), Newzone Studios, Los Angeles, CA 1997 (4,8), Tujunga, CA circa 2000 (5,10), Asto Gallery, Los Angeles, CA 2003 (7)
Recorded by: Jeff Kaiser (1), Randy Fuelle (2,6,9,11), Brad Dutz (3,5,10,12), Wayne Peet (4,8), Ronit Kirchman/Jeremy Drake (7)
Mixed by Wayne Peet (4,8), Mark Wheaton (2,9), Lee Scott (6,11)
Mastered by Lee Scott, Glendale, CA 2004 (1,3-8,10-12), Mark Wheaton at Catasonic Studios, Los Angeles, CA 2004 (2,9)
Photography: Annette Buhl
Art design and layout: Jeff Kaiser
This recording represents various musical projects in which I have participated over the past few years. All tracks are improvisations with no overdubs or second takes, with the exception of 3. where a vocal track was added. 1. and 7. are from live concert performances, and 3.,12.,10. and 5. were recorded direct to two track tape, with no multi-track mixing. Special thanks to all of the musicians who performed on these recordings, to Lee Scott, Randy Fuelle and Wayne Peet for their engineering expertise, to Annette Buhl for her photography and to Jeff Kaiser for his artwork design and support in releasing this disc. - Emily Hay, 1.1.05
Emily Hay's flute and voice have graced the albums of the avant-prog group Motor Totemist Guild since the early '80s, but they quite near vanished from the public eye following their 1998 album, City of Mirrors. This CD sets the record straight: she is still active, creative, and witty. Like Minds is a collection of sorts, spanning a decade of activity and a number of projects and collaborations. Despite the diversity, it conveys a strong sense of direction. The music is presented as being improvised, but it still relies on rhythm, composed structures (although possibly instantly composed), and the occasional melody. In short: fans of the Guild will be able to relate to this material, as it shares its invention and some of its subversive avant rock format. Hay is one of America's under-recognized creative singers. Her range, extended techniques, and playfulness should put her alongside the likes of Shelley Hirsch and Anna Homler. Among her sidemen on this album are percussionists Brad Dutz, Rich West, Joseph Berardi (ex-Non Credo), and Marcos Fernandes (from the Trummerflora collective), bassists Lisle Ellis and Steuart Liebig, guitarist Michael Whitmore, and violinist Ronit Kirchman. The Hay/Kirchman/Dutz/Berardi quartet works marvelously well in "Call to Unarm," a nine-minute piece that is simply too structured to pass as an improvisation. The same goes for the song "A Year and Two Weeks" (featuring Hay, Whitmore, and Dutz), the only piece with overdubbed vocals. There are a few weak tracks -- the title track for instance, which has some nice vocal interplay between Hay, Kirchman, and trombonist Kurt Heyl, but never really takes off -- but they represent a small minority of the 12 pieces. And Like Minds is one of the most accessible-sounding albums the experimental label pfMENTUM has released. If you have appreciated Hay's earlier work, do not hesitate: hunt down this CD.

Emily Hay: flute, alto flute, piccolo, voice
Ronit Kirchman: violin (1,7), voice (1,7)
Brad Dutz: percussion (1,4,5,10), synthesizer (3), melodica (12)
Joe Berardi: percussion (1)
Lisle Ellis: electronics/bass (2,9)
Marcos Fernandes: percussion (2,6,9,11), field recordings (2,9)
Michael Whitmore: guitar (3,12)
Wayne Peet: piano (4)
Sara Schoenbeck: bassoon (5)
Michael Intriere: cello (5,10)
Kurt Heyl: trombone (7), voice (7)
Steuart Liebig: bass (8)
Rich West: drums/background recordings (8)