(Avant-Garde Jazz, Free Improvisation) [CD] Chicago Luzern Exchange (Marc Unternahrer, Josh Berman, Keefe Jackson, Frank Rosaly) - Several Lights - 2005, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 17. July 2014, 11:08
Chicago Luzern Exchange / Several Lights
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Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 320 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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Range status and errors
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     Filename K:\ЕАС\Chicago Luzern Exchange - Several Lights.wav
     Peak level 99.6 %
     Extraction speed 2.0 X
     Range quality 100.0 %
     Test CRC 85A61F64
     Copy CRC 85A61F64
     Copy OK
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==== Log checksum CD7049C13F2BAF2098F719957B5060964F12AC822D2156150CF14F51E80DF263 ====

REM GENRE Jazz
REM DATE 2005
REM DISCID F10F3113
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Chicago Luzern Exchange"
TITLE "Several Lights"
FILE "Chicago Luzern Exchange - Several Lights.flac" WAVE
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    PERFORMER "Chicago Luzern Exchange"
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Swiss tubaist Marc Unternahrer provided the inspiration for the exchange noted in this foursome’s moniker, but the group’s album, Several Lights (Delmark), is ultimately a landmark for Chicago music: it’s a fantastic album of free improvisation, one of the most powerful statements yet by the wave of post-Ken Vandermark players who gravitated here in the late 90s. Unternahrer, a dazzling player whose extended technique on his unwieldy ax conveys a low, trombonely range and a great deal of blubbery-sound imagination, spent five months here in 2002 as part of the Chicago Sister Cities International Program, quickly hooking up with a large crew of local players. He played most often with cornetist Josh Berman, tenor saxophonist Keefe Jackson, and drummer Frank Rosaly, and returned here last summer to record Several Lights with them. Considering that the quartet had no tunes and no preset melodic or harmonic structures, it’s astonishing how compositional the tracks feel; the players clearly have a deep rapport, but it takes an especially refined sensitivity for so many serendipitous collisions to sound so harmonious. And unlike many free-improv players in Chicago, this group isn’t ashamed to draw upon its collective love of jazz. Rosaly plays with a feather-stroke touch, dropping a hint of pulse here or a splash of color there, while Jackson’s marbled tone expresses a lovely lyricism no matter how brusque or serrated his lines get. Berman and Unternahrer play quicksilver, high-low brass games: the cornetist excels on the instrument’s lower registers and scratches up his liquid high notes, while the tubaist simulates snatches of bass lines and blows floor-rumbling long tones that resonate with the snaking lines that Jackson and Berman produce.

Marc Unternahrer – tuba
Josh Berman – cornet
Keefe Jackson – tenor saxophone
Frank Rosaly – drums