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(Avant-Garde Jazz, Contemporary Jazz) [CD] The Peggy Lee Band (feat. Ron Samworth, Tony Wilson, Dylan Van Der Schyff a.o.) - New Code - 2008, FLAC (tracks+.cue), lossless

Треклист:
The Peggy Lee Band / New Code
Жанр: Avant-Garde Jazz, Contemporary Jazz
Носитель: CD
Страна-производитель диска: Canada
Год издания: 2008
Издатель (лейбл): Drip Audio
Номер по каталогу: DA00318
Страна: Canada
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 59:01
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. All I Really Want To Do 5:24
2. Preparations 8:35
3. Offshoot 1 3:46
4. Not A Wake Up Call 5:55
5. Floating Island 4:46
6. Offshoot 2 2:45
7. Scribble Town 3:47
8. Tug 4:19
9. Offshoot 3 3:42
10. Walk Me Through 6:21
11. Shifting Tide 4:51
12. Lost In The Stars 4:24
 
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 26. March 2014, 23:40
The Peggy Lee Band / New Code
Used drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 5:24.70 | 0 | 24369
2 | 5:24.70 | 8:39.44 | 24370 | 63338
3 | 14:04.39 | 3:46.36 | 63339 | 80324
4 | 17:51.00 | 5:55.55 | 80325 | 107004
5 | 23:46.55 | 4:46.38 | 107005 | 128492
6 | 28:33.18 | 2:45.13 | 128493 | 140880
7 | 31:18.31 | 3:51.17 | 140881 | 158222
8 | 35:09.48 | 4:23.12 | 158223 | 177959
9 | 39:32.60 | 3:42.54 | 177960 | 194663
10 | 43:15.39 | 6:25.72 | 194664 | 223610
11 | 49:41.36 | 4:55.12 | 223611 | 245747
12 | 54:36.48 | 4:24.66 | 245748 | 265613
Track 1
Filename D:\zzz\01 - All I Really Want To Do.wav
Pre-gap length 0:00:02.00
Peak level 99.7 %
Extraction speed 4.5 X
Track quality 100.0 %
Test CRC 557E2DDE
Copy CRC 557E2DDE
Accurately ripped (confidence 3) [06A83E18] (AR v2)
Copy OK
Track 2
Filename D:\zzz\02 - Preparations.wav
Peak level 100.0 %
Extraction speed 5.1 X
Track quality 99.9 %
Test CRC 8112715B
Copy CRC 8112715B
Accurately ripped (confidence 3) [C6CEF587] (AR v2)
Copy OK
Track 3
Filename D:\zzz\03 - Offshoot 1.wav
Pre-gap length 0:00:04.00
Peak level 99.6 %
Extraction speed 5.5 X
Track quality 100.0 %
Test CRC 658F4098
Copy CRC 658F4098
Accurately ripped (confidence 3) [EC2566A3] (AR v2)
Copy OK
Track 4
Filename D:\zzz\04 - Not A Wake Up Call.wav
Peak level 100.0 %
Extraction speed 6.2 X
Track quality 100.0 %
Test CRC 3578D041
Copy CRC 3578D041
Accurately ripped (confidence 3) [3526A198] (AR v2)
Copy OK
Track 5
Filename D:\zzz\05 - Floating Island.wav
Peak level 97.8 %
Extraction speed 5.9 X
Track quality 99.9 %
Test CRC 0C51D383
Copy CRC 0C51D383
Accurately ripped (confidence 3) [B4425F1E] (AR v2)
Copy OK
Track 6
Filename D:\zzz\06 - Offshoot 2.wav
Peak level 99.3 %
Extraction speed 6.2 X
Track quality 100.0 %
Test CRC 3DC52948
Copy CRC 3DC52948
Accurately ripped (confidence 3) [25FFC057] (AR v2)
Copy OK
Track 7
Filename D:\zzz\07 - Scribble Town.wav
Peak level 100.0 %
Extraction speed 6.7 X
Track quality 100.0 %
Test CRC 82902003
Copy CRC 82902003
Accurately ripped (confidence 2) [0B8A8E06] (AR v2)
Copy OK
Track 8
Filename D:\zzz\08 - Tug.wav
Pre-gap length 0:00:04.00
Peak level 100.0 %
Extraction speed 7.2 X
Track quality 100.0 %
Test CRC 8D920386
Copy CRC 8D920386
Accurately ripped (confidence 3) [C54EAE84] (AR v2)
Copy OK
Track 9
Filename D:\zzz\09 - Offshoot 3.wav
Pre-gap length 0:00:04.00
Peak level 97.9 %
Extraction speed 7.1 X
Track quality 100.0 %
Test CRC E6F80BAD
Copy CRC E6F80BAD
Accurately ripped (confidence 3) [A0874E9F] (AR v2)
Copy OK
Track 10
Filename D:\zzz\10 - Walk Me Through.wav
Peak level 98.8 %
Extraction speed 7.9 X
Track quality 100.0 %
Test CRC 7D1731A0
Copy CRC 7D1731A0
Accurately ripped (confidence 3) [D7E24210] (AR v2)
Copy OK
Track 11
Filename D:\zzz\11 - Shifting Tide.wav
Pre-gap length 0:00:04.00
Peak level 99.3 %
Extraction speed 7.3 X
Track quality 99.9 %
Test CRC 838EA700
Copy CRC 838EA700
Accurately ripped (confidence 3) [AD6F2E94] (AR v2)
Copy OK
Track 12
Filename D:\zzz\12 - Lost In The Stars.wav
Pre-gap length 0:00:04.00
Peak level 99.4 %
Extraction speed 8.1 X
Track quality 100.0 %
Test CRC B0A87986
Copy CRC B0A87986
Accurately ripped (confidence 3) [C37041CB] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 1C383D8D665237668CCD87F2009D1BBD1494C7564B46887E6E51E43B80627F37 ====
 
Содержание индексной карты (.CUE)
REM GENRE "Avant-Garde Jazz"
REM DATE 2008
REM DISCID AE0DD50C
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "The Peggy Lee Band"
TITLE "New Code"
FILE "01 - All I Really Want To Do.wav" WAVE
TRACK 01 AUDIO
TITLE "All I Really Want To Do"
PERFORMER "The Peggy Lee Band"
INDEX 01 00:00:00
FILE "02 - Preparations.wav" WAVE
TRACK 02 AUDIO
TITLE "Preparations"
PERFORMER "The Peggy Lee Band"
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Offshoot 1"
PERFORMER "The Peggy Lee Band"
INDEX 00 08:35:44
FILE "03 - Offshoot 1.wav" WAVE
INDEX 01 00:00:00
FILE "04 - Not A Wake Up Call.wav" WAVE
TRACK 04 AUDIO
TITLE "Not A Wake Up Call"
PERFORMER "The Peggy Lee Band"
INDEX 01 00:00:00
FILE "05 - Floating Island.wav" WAVE
TRACK 05 AUDIO
TITLE "Floating Island"
PERFORMER "The Peggy Lee Band"
INDEX 01 00:00:00
FILE "06 - Offshoot 2.wav" WAVE
TRACK 06 AUDIO
TITLE "Offshoot 2"
PERFORMER "The Peggy Lee Band"
INDEX 01 00:00:00
FILE "07 - Scribble Town.wav" WAVE
TRACK 07 AUDIO
TITLE "Scribble Town"
PERFORMER "The Peggy Lee Band"
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Tug"
PERFORMER "The Peggy Lee Band"
INDEX 00 03:47:17
FILE "08 - Tug.wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "Offshoot 3"
PERFORMER "The Peggy Lee Band"
INDEX 00 04:19:12
FILE "09 - Offshoot 3.wav" WAVE
INDEX 01 00:00:00
FILE "10 - Walk Me Through.wav" WAVE
TRACK 10 AUDIO
TITLE "Walk Me Through"
PERFORMER "The Peggy Lee Band"
INDEX 01 00:00:00
TRACK 11 AUDIO
TITLE "Shifting Tide"
PERFORMER "The Peggy Lee Band"
INDEX 00 06:21:72
FILE "11 - Shifting Tide.wav" WAVE
INDEX 01 00:00:00
TRACK 12 AUDIO
TITLE "Lost In The Stars"
PERFORMER "The Peggy Lee Band"
INDEX 00 04:51:12
FILE "12 - Lost In The Stars.wav" WAVE
INDEX 01 00:00:00
 
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. All I Really Want To Do.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Preparations.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. Offshoot 1.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. Not A Wake Up Call.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. Floating Island.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06. Offshoot 2.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07. Scribble Town.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [08. Tug.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [09. Offshoot 3.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [10. Walk Me Through.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [11. Shifting Tide.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [12. Lost In The Stars.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Доп. информация:
 
Album Info & CloudsAndClocks.net Review
(Bob Dylan) - 1
(Lee) - 2,4,5,7,8,10,11
(Berkman/Samworth/Van Der Schyff) - 3
(Lee/Turner) - 6
(Bentley/Lachance/Wilson) - 9
(Kurt Weill) - 12
Produced by Peggy Lee and Dylan Van Der Schyff
Recorded by Sheldon Zaharko at The Factory Studios, Vancouver B.C., Canada
Mixed, edited and mastered by Dylan Van Der Schyff at Zio Uovo
Photographs by Jessica Eaton
Design by Andy Dixon
To say that I waited four long years for this album to appear would be an exaggeration. But it's true that from the time of the release of Peggy Lee's previous album I often wondered about what she would do next (and after some time had passed, what had happened to her sextet). Released about four years ago, Worlds Apart - her third album for the Canadian label Spool - showed a musician caught right in the middle of a beautiful process of growth when it came to her roles as an instrumentalist, arranger, and composer (the respective percentages of her success according to this writer being represented by the aforementioned order of her roles). Even if I thought that the process of growth and maturation had still some way to go, still I believed that all she really needed was to work a lot, assiduously. Which I know is not easy.
I really can't say how Peggy Lee spent the last four years, exactly (a blessing when it comes to easiness of access, the Web has brought us a degree of fragmentation that can turn any certitude into an hypothesis). But I know of two albums (and some gigs) as a member of the Gravitas Quartet, the group of para-chamber-music-like instrumentation (piano, cello, bassoon, and trumpet) led by Wayne Horvitz, a musician with whom Peggy Lee shared some traits.
New Code is not (yet) the album that I firmly believe Peggy Lee has inside herself, but it's a very fine work nonetheless. Quite easy to recognize starting from the first cello notes, here she offers many arrangements rich with invention and colour. Though not all the compositions featured here could be called memorable, they use a plurality of approaches that's quite welcome. Maybe one hour is a bit too much - this listener found his attention drifting, once in a while - but I think the intent here being to show the whole available palette, both compositionally and instrumentally.
The news are that the sextet has now become an octet: Jon Bently's tenor sax and Ron Samworth's guitars (the latter having appeared on her previous album) are now featured alongside Lee's cello, Dylan van der Schyff's drums, Brad Turner's trumpet and flugelhorn, Jeremy Berkman's trombone, Andre Lachance's electric bass, and Tony Wilson's guitars.
The album was produced by Lee and van der Schyff, the latter being also responsible for the mixing and editing. The whole doesn't sound too bad. Maybe due to reasons of sound balance, this time van der Schyff's drums reminded me quite a bit of Paul Motian, with fine work on cymbals, the drums placed behind in the mix. Most of the time the cello is easy to hear (though I would have preferred a bit more volume given to the tasty counterpoint work to the solos on track one). Bentley's tenor has an "airy", light, attack that often reminded me of a soprano's. The electric bass is quite difficult to hear (again!). Sounding "jazzy" in a tasty way, trumpet, flugelhorn, and trombone show Brad Turner and Jeremy Berkman in fine form. The guitarists here adopt a complementary approach: on the left channel, Wilson plays quite "jazzy" most of the time, while Samworth pushes the distortion pedal, à la Elliott Sharp.
The album features seven original compositions, two covers, and three concise improvisations: the varied Offshoot 1 is a trio for guitar, trombone, and drums; Offshoot 2 has a fine duo for trumpet and cello; Offshoot 3 has bass and tenor alongside Wilson's guitar, here for once sounding not too far from Derek Bailey.
The album opens with a tasty cover of Bob Dylan's All I Really Want To Do, sounding very mariachi: fine solos - in order: trumpet, tenor, trombone, guitar -, with nice counterpoint from the cello, and dynamic drums.
The only track of a considerable length in an album that otherwise wisely favours brevity, Preparations opens with a slow fade-in of about 2' (cymbals stroked with arco, cello), then goes to an ensemble theme whose mood reminded me a bit of the group President, circa Miracle Mile; a guitar arpeggio introduces - at about 7' 10" - a nice theme for winds.
Not A Wake Up Call has cello, guitar harmonics, arco, and a solo by Samworth à la Elliott Sharp, backed by an arpeggio by Wilson and van der Schyff's cymbals and drums. Winds appearing in fade-in mode, the tracks ends with a guitar loop and an echo which bring us to...
... Floating Island, one of the album's peaks: a simple melodic phrase (think of a more catatonic-sounding In A Silent Way), with trumpet, trombone (both played with mute), and guitar playing an almost-but-not-quite unison.
Scribble Town has a jazzy mood, and a fractured melody that for a minute reminded me of Monk's Epistrophy. Good solo by tenor, with nice backing from drums.
Tug has a "lyrical"-sounding attack, a fine cello, a light mood, and a very Davis-like trumpet.
Walk Me Through has a fine melody played by winds, and a jazzy guitar solo as its close.
Shifting Tide's main part is by tenor. Subtle bossa hints, it almost reminded me of the "soft side" of Elton Dean, in his Soft Machine period.
As a nice close, we have a cover of Kurt Weill's Lost In The Stars: the trumpet comes to the fore, then cello and winds traveling parallel, muted trumpet, quite appropriate drums.
 
Состав
Brad Turner: trumpet, flugelhorn
Jon Bentley: tenor saxophone
Jeremy Berkman: trombone
Peggy Lee: cello
Ron Samworth: electric and acoustic guitars
Tony Wilson: electric and acoustic guitars
Andre Lachance: electric bass
Dylan Van Der Schyff: drums
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