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(Avant-Garde Jazz) Cecil Taylor - Algonquin - 2004, APE (tracks), lossless

Cecil Taylor - Algonquin
Жанр: Avant-Garde Jazz
Год выпуска диска: 2004
Производитель диска: США
Аудио кодек: APE
Тип рипа: tracks
Продолжительность: 54:43
01 30:36
02 4:12
03 6:34
04 13:21
Cecil Taylor - piano
Mat Maneri - violin
Диск записан вживую в Библиотеке Конгресса США (the Library of Congress)
12 февраля 1999 года
Рецензия на альбом Algonquin от allaboutjazz.com (на английском)
Spending taxpayer money wisely, the Library of Congress commissioned Cecil Taylor to write a work for violin and piano in 1999. The resulting Algonquin features the pianist alongside violinist Mat Maneri, recorded before an audibly appreciative audience. Clearly enjoying the company, Taylor plays it frisky, free and light. Maneri has a more youthful-sounding partner than on his Gravitational Systems duet with Matthew Shipp.
Reciting a short poem, Taylor opens "Part One." Maneri plays a solo improvisation, sounding already warmed up. Taylor plays harpist with the piano strings, plucking, stroking, and muting them. He cries like a martial artist, and Maneri drops out wihle Taylor commences two-handed orchestrations. Quickly returning to the fray, Maneri spins a long yarn around the ivory storm Taylor unleashes. The pianist's idea geyser remains a wonder, the violinist's ease speeding through that minefield remarkable as well. The two roll in waves, exhausting possibilities.
Taylor plays "Part Two" as a tuneful, tender, reflective meditation of borderless intimacy. Brief as a flower or a haiku, it's a little gem for the Taylor canon. On "Part Three" Maneri floats brief, spacious variations through his instrument's low range. By the end similar phrases linked by light-fire finger runs takes it out.
For "Part Four" Taylor introduces chording that could be a dense cubist version of "Tequila." Maneri saunters in and they get to work. Taylor's hands fly over rippling chords and variations, and Maneri cuts through like a fencing master. When Taylor rains keys over him, Maneri becomes the wind. Taylor amps up to full force and Maneri never blinks, the two locking into ecstatic musical dance.
Although credited on violin, Maneri occasionally sounds like he brought his signature viola for this show. Both sound like they brought their A-Game, and with these two, that's good news for every ear.
Rex Butters
Рецензия на альбом Algonquin от allaboutjazz.com (сокращенный перевод)
С умом тратя деньги налогоплательщиков, в 1999 году Библиотека Конгресса США наняла Сесила Тэйлора написать произведение для фортепиано и скрипки. Результат исполняет автор вместе со скрипачем Мэтом Мэнэри...
Рэкс Баттерс
EAC log
EAC extraction logfile from 13. August 2006, 18:29 for CD
Unknown Artist / Unknown Title
Used drive : _NEC DVD_RW ND-3540A Adapter: 0 ID: 0 LUN: 0
Read mode : Burst
Read offset correction : 0
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Native Win32 interface for Win NT & 2000
Track 1
Filename C:\Documents and Settings\Andrea\Desktop\Taylor\01 - Unknown Artist - Track01.wav
Peak level 97.7 %
Copy CRC CD3C2118
Copy OK
Track 2
Filename C:\Documents and Settings\Andrea\Desktop\Taylor\02 - Unknown Artist - Track02.wav
Peak level 74.8 %
Copy CRC 55F2F5DF
Copy OK
Track 3
Filename C:\Documents and Settings\Andrea\Desktop\Taylor\03 - Unknown Artist - Track03.wav
Peak level 97.7 %
Copy CRC 634A5946
Copy OK
Track 4
Filename C:\Documents and Settings\Andrea\Desktop\Taylor\04 - Unknown Artist - Track04.wav
Peak level 97.7 %
Copy CRC E96837F0
Copy OK
No errors occured
End of status report
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