(Avant-Garde Jazz) [CD] Scott Fields & Multiple Joyce Orchestra - Moersbow / OZZO - 2011, FLAC (tracks+.cue), lossless
![(Avant-Garde Jazz) [CD] Scott Fields & Multiple Joyce Orchestra - Moersbow / OZZO - 2011, FLAC (tracks+.cue), lossless (Avant-Garde Jazz) [CD] Scott Fields & Multiple Joyce Orchestra - Moersbow / OZZO - 2011, FLAC (tracks+.cue), lossless](/upload/000/u2/ca/cd/avant-garde-jazz-cd-scott-fields-amp-multiple-joyce-orches.jpg)
Scott Fields & Multiple Joyce Orchestra / Moersbow / OZZO
Жанр: Avant-Garde Jazz
Носитель: CD
Страна-производитель диска: Portugal
Год издания: 2011
Издатель (лейбл): Clean Feed
Номер по каталогу: CF236CD
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 75:11
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:![](//static.t-ru.org/smiles/ges_no.gif)
Треклист:
1. Moersbow 13:54
2. OZZO 1 31:05
3. OZZO 2 6:38
4. OZZO 3 8:17
5. OZZO 4 15:17
Доп. информация:
Жанр: Avant-Garde Jazz
Носитель: CD
Страна-производитель диска: Portugal
Год издания: 2011
Издатель (лейбл): Clean Feed
Номер по каталогу: CF236CD
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 75:11
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
![](http://static.t-ru.org/smiles/ges_no.gif)
Треклист:
1. Moersbow 13:54
2. OZZO 1 31:05
3. OZZO 2 6:38
4. OZZO 3 8:17
5. OZZO 4 15:17
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 29. March 2014, 23:26
Scott Fields & Multiple Joyce Orchestra / Moersbow / OZZO
Used drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 13:54.18 | 0 | 62567
2 | 13:54.18 | 31:05.36 | 62568 | 202478
3 | 44:59.54 | 6:38.03 | 202479 | 232331
4 | 51:37.57 | 8:16.34 | 232332 | 269565
5 | 59:54.16 | 15:17.26 | 269566 | 338366
Track 1
Filename D:\zzz\01 - Moersbow.wav
Pre-gap length 0:00:02.00
Peak level 87.8 %
Extraction speed 5.7 X
Track quality 100.0 %
Test CRC 5F481A11
Copy CRC 5F481A11
Accurately ripped (confidence 1) [956B3C0D] (AR v2)
Copy OK
Track 2
Filename D:\zzz\02 - OZZO 1.wav
Pre-gap length 0:00:11.67
Peak level 97.7 %
Extraction speed 7.6 X
Track quality 99.9 %
Test CRC 6A475170
Copy CRC 6A475170
Accurately ripped (confidence 2) [DC5BEAB3] (AR v2)
Copy OK
Track 3
Filename D:\zzz\03 - OZZO 2.wav
Pre-gap length 0:00:06.00
Peak level 97.7 %
Extraction speed 7.8 X
Track quality 99.9 %
Test CRC D714CE87
Copy CRC D714CE87
Accurately ripped (confidence 2) [EFBA7055] (AR v2)
Copy OK
Track 4
Filename D:\zzz\04 - OZZO 3.wav
Pre-gap length 0:00:06.00
Peak level 97.7 %
Extraction speed 9.0 X
Track quality 100.0 %
Test CRC B81C1421
Copy CRC B81C1421
Accurately ripped (confidence 2) [FB2B6BD2] (AR v2)
Copy OK
Track 5
Filename D:\zzz\05 - OZZO 4.wav
Pre-gap length 0:00:05.74
Peak level 97.7 %
Extraction speed 9.8 X
Track quality 100.0 %
Test CRC B3DA2F3D
Copy CRC B3DA2F3D
Accurately ripped (confidence 2) [767A22E0] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 8C91A824BF9D943CC7A84BAAF764F45DE500F88F5C734B28F54CD3746C7E2FBC ====
Содержание индексной карты (.CUE)
REM GENRE "Avant-Garde Jazz"
REM DATE 2011
REM DISCID 49119F05
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Scott Fields & Multiple Joyce Orchestra"
TITLE "Moersbow / OZZO"
FILE "01 - Moersbow.wav" WAVE
TRACK 01 AUDIO
TITLE "Moersbow"
PERFORMER "Scott Fields & Multiple Joyce Orchestra"
FLAGS DCP
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "OZZO 1"
PERFORMER "Scott Fields & Multiple Joyce Orchestra"
FLAGS DCP
INDEX 00 13:42:26
FILE "02 - OZZO 1.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "OZZO 2"
PERFORMER "Scott Fields & Multiple Joyce Orchestra"
FLAGS DCP
INDEX 00 30:59:36
FILE "03 - OZZO 2.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "OZZO 3"
PERFORMER "Scott Fields & Multiple Joyce Orchestra"
FLAGS DCP
INDEX 00 06:32:03
FILE "04 - OZZO 3.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "OZZO 4"
PERFORMER "Scott Fields & Multiple Joyce Orchestra"
FLAGS DCP
INDEX 00 08:10:35
FILE "05 - OZZO 4.wav" WAVE
INDEX 01 00:00:00
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Moersbow.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. OZZO 1.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. OZZO 2.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. OZZO 3.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. OZZO 4.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Album Info & TouchingExtremes Review
All music composed by Scott Fields
Recorded by Christian Heck
Mixed and mastered by Reinhard Kobialka at Topaz Studios, Cologne, Germany, February 10, 2009
Produced by Scott Fields
Executive production by Trem Azul
Drawings by Letitia Gaba
Photo by Stefan Strasser
Design by Travassos
Moersbow is an homage to the Japanese electronics master Merzbow. In contrast his work with phased noise at extremely high volume, Moersbow is performed as quietly as the musicians can manage.
OZZO is the third of my modular compositions for improvising chamber group. 48 Motives (Cadence Jazz Records) was for eight specific instrumentalists. 96 Gestures (New World / CRI Blue Shift) was for twelve specific instruments. OZZO is for at least sixteen pitched instruments.
This project was recorded as "The Scott Fields Quite Large Ensemble", although, because of a typo, the concert was billed as a "quiet" large ensemble. The core of the group was Cologne's "James Choice Orchestra", so named because it debuted on Bloomsday (the pun ridiculed the leaders' German accents). I was the orchestra's guitarist. James Choice premiered Moersbow, then called Merzbow, and OZZO, then called Ozzi (which, as I found out, is a slur for East German). Since then the group has reincarnated - new pun in place - as the Multiple Jhoice Orchestra, led by Frank Gratkowski, Carl Ludwig Hubsch, and Matthias Schubert.
This CD was recorded live in concert at the Loft, Cologne, Germany, on January 25, 2009. Each take is complete and unedited. - Scott Fields
The history behind the names of these two pieces for improvising chamber group is too difficult to synthesize here; check the liners or google around, also to learn about the various evolutions of the very orchestra’s appellative. What’s transparent is that the opening period is dedicated to Masami Akita (aka Merzbow), though Fields and his companions decided to approach the task with the sagacious expertise of a qualified ensemble paying homage to a time-honored composer rather than a Japanese noise merchant. The outcome is a superb paradigm of how to carry out a joint improvisation, the timbres so consistently interconnected in different permutations and dynamics that giving privileges to “lead” designs and distinct ideas becomes a pointless exercise. Our friendly advice is to relinquish a bit of focus and abandoning yourselves to a compelling stream of beautifully emitted music, nurturing one’s yearning for density in a collective statement without losing grip on the poetic aspects of the diverse instrumental idioms.
The first, and a sizeable chunk of the fourth movement of “Ozzo” are plain wonders, replete with fine games of call and response, tactful probing of quietness and recurring parallelisms between assorted groups (sax, accordion and strings in particular evidence, with Thomas Lehn’s synthesizer adding pinches of analogue salt and the flutists inserting small enigmas throughout). The rest is more directly reminiscent of the conductor’s style both in terms of composition and as a guitarist: minuscule cells and dissonant quirks succeed and involve, the interest maintained by the extreme unsettledness generated by the palette’s variety. With musicians of the caliber of Frank Gratkowski, Carl Ludwig Hübsch, Melvyn Poore, Angelika Sheridan and Georg Wissel among the many – everybody deserving a “well done” – this live recording (Cologne’s Loft, January 2009) is as impeccable as a pre-planned studio session.
Recorded by Christian Heck
Mixed and mastered by Reinhard Kobialka at Topaz Studios, Cologne, Germany, February 10, 2009
Produced by Scott Fields
Executive production by Trem Azul
Drawings by Letitia Gaba
Photo by Stefan Strasser
Design by Travassos
Moersbow is an homage to the Japanese electronics master Merzbow. In contrast his work with phased noise at extremely high volume, Moersbow is performed as quietly as the musicians can manage.
OZZO is the third of my modular compositions for improvising chamber group. 48 Motives (Cadence Jazz Records) was for eight specific instrumentalists. 96 Gestures (New World / CRI Blue Shift) was for twelve specific instruments. OZZO is for at least sixteen pitched instruments.
This project was recorded as "The Scott Fields Quite Large Ensemble", although, because of a typo, the concert was billed as a "quiet" large ensemble. The core of the group was Cologne's "James Choice Orchestra", so named because it debuted on Bloomsday (the pun ridiculed the leaders' German accents). I was the orchestra's guitarist. James Choice premiered Moersbow, then called Merzbow, and OZZO, then called Ozzi (which, as I found out, is a slur for East German). Since then the group has reincarnated - new pun in place - as the Multiple Jhoice Orchestra, led by Frank Gratkowski, Carl Ludwig Hubsch, and Matthias Schubert.
This CD was recorded live in concert at the Loft, Cologne, Germany, on January 25, 2009. Each take is complete and unedited. - Scott Fields
The history behind the names of these two pieces for improvising chamber group is too difficult to synthesize here; check the liners or google around, also to learn about the various evolutions of the very orchestra’s appellative. What’s transparent is that the opening period is dedicated to Masami Akita (aka Merzbow), though Fields and his companions decided to approach the task with the sagacious expertise of a qualified ensemble paying homage to a time-honored composer rather than a Japanese noise merchant. The outcome is a superb paradigm of how to carry out a joint improvisation, the timbres so consistently interconnected in different permutations and dynamics that giving privileges to “lead” designs and distinct ideas becomes a pointless exercise. Our friendly advice is to relinquish a bit of focus and abandoning yourselves to a compelling stream of beautifully emitted music, nurturing one’s yearning for density in a collective statement without losing grip on the poetic aspects of the diverse instrumental idioms.
The first, and a sizeable chunk of the fourth movement of “Ozzo” are plain wonders, replete with fine games of call and response, tactful probing of quietness and recurring parallelisms between assorted groups (sax, accordion and strings in particular evidence, with Thomas Lehn’s synthesizer adding pinches of analogue salt and the flutists inserting small enigmas throughout). The rest is more directly reminiscent of the conductor’s style both in terms of composition and as a guitarist: minuscule cells and dissonant quirks succeed and involve, the interest maintained by the extreme unsettledness generated by the palette’s variety. With musicians of the caliber of Frank Gratkowski, Carl Ludwig Hübsch, Melvyn Poore, Angelika Sheridan and Georg Wissel among the many – everybody deserving a “well done” – this live recording (Cologne’s Loft, January 2009) is as impeccable as a pre-planned studio session.
Состав
Scott Fields: conductor
Christina Fuchs: soprano saxophone, clarinet
Frank Gratkowski: alto saxophone
Michael Heupel: flute, bass flute
Carl Ludwig Hubsch: tuba
Thomas Lehn: analog electronics
Axel Lindner: violin
Tom Lorenz: vibraphone
Matthias Mainz: trumpet
Annette Maye: clarinet, bass clarinet
Udo Moll: trumpet
Matthias Muche: trombone
Melvyn Poore: tuba
Eva Poppelin: computer
Norbert Roderkicher: wooden flute
Vincent Royer: viola
Matthias Schubert: tenor saxophone
Angelika Sheridan: flute, bass flute
Florian Standler: accordion
Radek Stawarz: violin
Achim Tang: contrabass
Christian Thome: percussion
Georg Wissel: alto saxophone
Marion Worle (aka Frau W): computer
Philip Zoubek: piano
Christina Fuchs: soprano saxophone, clarinet
Frank Gratkowski: alto saxophone
Michael Heupel: flute, bass flute
Carl Ludwig Hubsch: tuba
Thomas Lehn: analog electronics
Axel Lindner: violin
Tom Lorenz: vibraphone
Matthias Mainz: trumpet
Annette Maye: clarinet, bass clarinet
Udo Moll: trumpet
Matthias Muche: trombone
Melvyn Poore: tuba
Eva Poppelin: computer
Norbert Roderkicher: wooden flute
Vincent Royer: viola
Matthias Schubert: tenor saxophone
Angelika Sheridan: flute, bass flute
Florian Standler: accordion
Radek Stawarz: violin
Achim Tang: contrabass
Christian Thome: percussion
Georg Wissel: alto saxophone
Marion Worle (aka Frau W): computer
Philip Zoubek: piano