(Avant-Garde Jazz) [CD] Alice Coltrane - Transfiguration (1978) (2CD) - 2002, FLAC (tracks+.cue), lossless
![(Avant-Garde Jazz) [CD] Alice Coltrane - Transfiguration (1978) (2CD) - 2002, FLAC (tracks+.cue), lossless](/upload/000/u2/1f/92/avant-garde-jazz-cd-alice-coltrane-transfiguration-1978.jpg "(Avant-Garde Jazz) [CD] Alice Coltrane - Transfiguration (1978) (2CD) - 2002, FLAC (tracks+.cue), lossless")
Треклист:
Alice Coltrane - Transfiguration (1978) (2CD)
Жанр: Avant-Garde Jazz
Носитель: CD
Год издания: 2002
Издатель (лейбл): Sepia Tone/Warner Bros.
Номер по каталогу: STONE 01
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:22:00
Источник (релизер): ruskaval
Наличие сканов в содержимом раздачи: да
Disc 1 (40:43)
01. Transfiguration (12:00)
02. Spoken Introduction and One For The Father (7:43)
03. Prema (9:51)
04. Affinity (11:09)
Disc 2 (41:17)
01. Krishnaya (3:45)
02. Leo, Part One (16:54)
03. Leo, Part Two (20:37)
Personnel:
Alice Coltrane - p, org
Reggie Workman - b
Roy Haynes - d
Noel Pointer, Murray Adler, Sherwyn Hirbod, Michelle Sita Coltrane, Jay Rosen - vln
Pamela Goldsmith, Viola Janice Ford - vla
Ray Kelley, Christina King - clo
Носитель: CD
Год издания: 2002
Издатель (лейбл): Sepia Tone/Warner Bros.
Номер по каталогу: STONE 01
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:22:00
Источник (релизер): ruskaval
Наличие сканов в содержимом раздачи: да
Disc 1 (40:43)
01. Transfiguration (12:00)
02. Spoken Introduction and One For The Father (7:43)
03. Prema (9:51)
04. Affinity (11:09)
Disc 2 (41:17)
01. Krishnaya (3:45)
02. Leo, Part One (16:54)
03. Leo, Part Two (20:37)
Personnel:
Alice Coltrane - p, org
Reggie Workman - b
Roy Haynes - d
Noel Pointer, Murray Adler, Sherwyn Hirbod, Michelle Sita Coltrane, Jay Rosen - vln
Pamela Goldsmith, Viola Janice Ford - vla
Ray Kelley, Christina King - clo
Об альбоме (сборнике)
Alice Coltrane never had an easy time of it with critics. That she was able to pursue her rugged musical vision in the midst of controversy (many claimed she was "the Yoko Ono of the John Coltrane Quartet," in that she replaced McCoy Tyner when Trane decided to shift the focus of his band) is, in retrospect, a heroic act, though, humble as she is, she would never see it that way. This double-LP live set recorded at UCLA in 1978, reveals in total the ambitious and profound free jazz and universal musical frontiers Ms. Coltrane was able to explore in both small and larger groups.
The lion's share of the music here features her in a trio setting with bassist Reggie Workman and drummer Roy Haynes. Ms. Coltrane performs on piano and organ. The opening moments of the title track, which opens the album, offer the careening subjectivity through the whole-tone improvisation that Alice Coltrane made her own. Certainly there is the influence of her late husband here, but her sense of phraseological articulation and accent is far different. She moves with one hand over a difficult series of arpeggiattic concerns, creating a strong harmonic line for Workman and Haynes to develop into a rhythmic construct. When a standard modal interlude develops in the rhythm section, Coltrane stretches it to its breaking point until a new one must be developed; it's nothing less than breathtaking. But expectation is thwarted when Coltrane plays a piano solo on "One for the Father," where the depth dynamics of Shostakovich meet the strident harmonic vistas of Stravinsky and Messiaen and engage the profound spiritual emotionalism of gospel music in a seven-minute piece that is so moving, it would seem that the set should end there. But there is so much more. On "Prema," another solo piano piece which opens an Eastern drone in a near-impressionistic (à la Debussy) manner was later overdubbed with a string section, adding more dimension to the droning, whole tones that lie at its root. When the work shifts into a section that reflects transcendence, the dynamic is actually quieter and more lush and reflective than in the music's searching passages. Finally, after two more selections, the concert's finale begins, a 37-minute read of John Coltrane's "Leo." Ms. Coltrane and her band begin slowly to articulate a system devised by John, where all 12 tones were related to the 12 signs of the zodiac. Alice Coltrane's organ soloing here is very much in the angular shifting, shaping, and contouring that her husband's soprano playing had. It articulates a phrase repeatedly until every ounce of emotion and spirit have been wrung from it and then dives straight into the next. The interplay between Workman and Haynes was so telepathic, it pushed Ms. Coltrane into new realms further inside these shimmering harmonics until their shards gave way to a series of symbols and meanings that opened onto new vistas in tonal metalinguistic post-tonalism. It's an exhausting work, but one that leaves the listener in a state of near disbelief at what just transpired. If you can only own one Alice Coltrane record, this should be it.
The lion's share of the music here features her in a trio setting with bassist Reggie Workman and drummer Roy Haynes. Ms. Coltrane performs on piano and organ. The opening moments of the title track, which opens the album, offer the careening subjectivity through the whole-tone improvisation that Alice Coltrane made her own. Certainly there is the influence of her late husband here, but her sense of phraseological articulation and accent is far different. She moves with one hand over a difficult series of arpeggiattic concerns, creating a strong harmonic line for Workman and Haynes to develop into a rhythmic construct. When a standard modal interlude develops in the rhythm section, Coltrane stretches it to its breaking point until a new one must be developed; it's nothing less than breathtaking. But expectation is thwarted when Coltrane plays a piano solo on "One for the Father," where the depth dynamics of Shostakovich meet the strident harmonic vistas of Stravinsky and Messiaen and engage the profound spiritual emotionalism of gospel music in a seven-minute piece that is so moving, it would seem that the set should end there. But there is so much more. On "Prema," another solo piano piece which opens an Eastern drone in a near-impressionistic (à la Debussy) manner was later overdubbed with a string section, adding more dimension to the droning, whole tones that lie at its root. When the work shifts into a section that reflects transcendence, the dynamic is actually quieter and more lush and reflective than in the music's searching passages. Finally, after two more selections, the concert's finale begins, a 37-minute read of John Coltrane's "Leo." Ms. Coltrane and her band begin slowly to articulate a system devised by John, where all 12 tones were related to the 12 signs of the zodiac. Alice Coltrane's organ soloing here is very much in the angular shifting, shaping, and contouring that her husband's soprano playing had. It articulates a phrase repeatedly until every ounce of emotion and spirit have been wrung from it and then dives straight into the next. The interplay between Workman and Haynes was so telepathic, it pushed Ms. Coltrane into new realms further inside these shimmering harmonics until their shards gave way to a series of symbols and meanings that opened onto new vistas in tonal metalinguistic post-tonalism. It's an exhausting work, but one that leaves the listener in a state of near disbelief at what just transpired. If you can only own one Alice Coltrane record, this should be it.
Disc 1
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 10. November 2015, 10:26
Alice Coltrane / Transfiguration
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Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
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Read offset correction : 618
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
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Quality : High
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TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 12:00.34 | 0 | 54033
2 | 12:00.34 | 7:42.54 | 54034 | 88737
3 | 19:43.13 | 9:50.45 | 88738 | 133032
4 | 29:33.58 | 11:09.31 | 133033 | 183238
Track 1
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Peak level 99.9 %
Extraction speed 5.2 X
Track quality 99.9 %
Test CRC F575A441
Copy CRC F575A441
Accurately ripped (confidence 3) [3D97D032] (AR v2)
Copy OK
Track 2
Filename F:\New Rips\Alice Coltrane - Transfiguration (2002) [FLAC]\disc 1of2\02 - One For The Father.wav
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Extraction speed 6.4 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [74B756C7] (AR v2)
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Track 3
Filename F:\New Rips\Alice Coltrane - Transfiguration (2002) [FLAC]\disc 1of2\03 - Prema.wav
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Accurately ripped (confidence 3) [7302D322] (AR v2)
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Track 4
Filename F:\New Rips\Alice Coltrane - Transfiguration (2002) [FLAC]\disc 1of2\04 - Affinity.wav
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Содержание индексной карты (.CUE)
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TITLE "Transfiguration"
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TRACK 01 AUDIO
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PERFORMER "Alice Coltrane"
INDEX 01 00:00:00
FILE "02 - One For The Father.wav" WAVE
TRACK 02 AUDIO
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TRACK 03 AUDIO
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FLAGS DCP
INDEX 01 00:00:00
Disc 2
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 10. November 2015, 10:52
Alice Coltrane / Transfiguration
Used drive : SONY DVD RW DRU-810A Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 618
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 3:45.17 | 0 | 16891
2 | 3:45.17 | 16:54.27 | 16892 | 92968
3 | 20:39.44 | 20:37.02 | 92969 | 185745
Track 1
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Accurately ripped (confidence 3) [28059F3C] (AR v2)
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Track 2
Filename F:\New Rips\Alice Coltrane - Transfiguration (2002) [FLAC]\disc 2of2\02 - Leo Part One.wav
Peak level 99.5 %
Extraction speed 6.2 X
Track quality 100.0 %
Test CRC 597251BB
Copy CRC 597251BB
Accurately ripped (confidence 3) [E9557397] (AR v2)
Copy OK
Track 3
Filename F:\New Rips\Alice Coltrane - Transfiguration (2002) [FLAC]\disc 2of2\03 - Leo Part Two.wav
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==== Log checksum 4898457F4F7A333D12EE8E6C059860B38DB046389E6CD949DD2FEA49E176B2A2 ====
Содержание индексной карты (.CUE)
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REM DATE 2002
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PERFORMER "Alice Coltrane"
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