(Avant-Garde Jazz, Big Band) The Vinny Golia Large Ensemble - Pilgrimage To Obscurity - 1990, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 1. February 2013, 20:58
The Vinny Golia Large Ensemble / Pilgrimage To Obscurity
Used drive  : TSSTcorpCDDVDW SH-222AB   Adapter: 1  ID: 0
Read mode : Burst
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
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TOC of the extracted CD
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        1  |  0:00.00 | 16:57.62 |         0    |    76336
        2  | 16:57.62 | 26:03.55 |     76337    |   193616
        3  | 43:01.42 | 30:45.33 |    193617    |   332024
Track  1
     Filename D:\zzz\01 - What You Know Is Not My Fault , Ted Williams Calls The Mick And Renders Touch Sensitivity Useless.wav
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Track  2
     Filename D:\zzz\02 - Views , Serene.wav
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Track  3
     Filename D:\zzz\03 - The Kreikan , Robusqued.wav
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 2 track(s) accurately ripped
 1 track(s) could not be verified as accurate
Some tracks could not be verified as accurate
No errors occurred
End of status report
==== Log checksum 5674EE870AC00A61F538F701B65B5E09651539E3551CA19732C2D242FC287FEC ====

REM GENRE Avantgarde
REM DATE 1990
REM DISCID 1F114B03
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "The Vinny Golia Large Ensemble"
TITLE "Pilgrimage To Obscurity"
FILE "01 - What You Know Is Not My Fault , Ted Williams Calls The Mick And Renders Touch Sensitivity Useless.wav" WAVE
  TRACK 01 AUDIO
    TITLE "What You Know Is Not My Fault / Ted Williams Calls The Mick And Renders Touch..."
    PERFORMER "The Vinny Golia Large Ensemble"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Views / Serene"
    PERFORMER "The Vinny Golia Large Ensemble"
    INDEX 00 16:55:57
FILE "02 - Views , Serene.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "The Kreikan / Robusqued"
    PERFORMER "The Vinny Golia Large Ensemble"
    INDEX 00 26:02:23
FILE "03 - The Kreikan , Robusqued.wav" WAVE
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. What You Know Is Not My Fault - Ted Williams Calls The Mick And Renders Touch Sensitivity Useless.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. Views - Serene.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. The Kreikan - Robusqued.wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

Recorded 12.30.85 at the Los Angels Theatre Centre
Non-conformist Vinny Golia continues to probe toward the outer limits of what a big band can do in his third Large Ensemble album, recorded live at the Los Angeles Theatre Center.. As usual, you won't find any hand-me-down Basie riffs or Kentonian ripoffs in these three lengthy compound works. You'll get big swinging passages for an overloaded ensemble; atonal, brooding, disquieting interludes and codas; lumbering mock marches; wildly stomping, avant-garde blastoffs; contemporary classical textures; even a burlesque on burlesque music ("Robusqued") -- all of which have structures and direction. Golia definitely goes his own way in titles as well, the best example being one that will convulse any baseball buff, "Ted Williams Calls the Mick and Renders Touch Sensitivity Useless." Utilizing his multi-instrumental talents to the hilt, Golia careens wildly on tenor sax in "Ted Williams," reappears evocatively on bass and C flutes on "Views," and barrels around on the rare bass sax on "The Kreikan." Mike Acosta (alto), Ralf Rickert (trumpets, flugelhorn), Eric Messerschmidt (tuba) and the classical clarinetist David Ocker also have significant solo passages from within the 18-piece ensemble. Though the album title probably gets Golia's position in the larger scheme of things sardonically right, that doesn't mean you should pass up this adventurous, highly stimulating CD.

Composed By, Reeds [Woodwinds] – Vinny Golia
Conductor – John Rapson, Wayne Peet
Double Bass – Ken Filiano, Roberto Miranda
Drums – Billy Mintz
Percussion – Alex Cline
Reeds [Woodwinds] – David Ocker, Mike Acosta, Steve Fowler, Wynell Montgomery
Trombone – David Stout, Doug Wintz, John Rapson, Mike Vlatkovich
Trumpet, Flugelhorn – John Fumo, Ralf Rickert, Sal Cracchiolo
Tuba – Eric Messerschmidt
Vibraphone, Marimba – David Johnson