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(Avant-Garde, Free Jazz) Henry Grimes Trio - Live at The Kerava Jazz Festival - 2004, FLAC (tracks+.cue), lossless

Henry Grimes Trio - Live at The Kerava Jazz Festival
Жанр: Avant-Garde, Free Jazz
Год выпуска диска: 2004
Производитель диска: Sweden / France
Label: Ayler Records aylCD-028
Аудио кодек: FLAC
Тип рипа: tracks+.cue + Artwork
Битрейт аудио: lossless
Продолжительность: 1:03:34
Происхождение рипа: собственный рип с оригинального диска.
01. Spin (22.21)
02. Eighty degrees (25.49)
03. Flowers for Albert (07.48)
04. Blues for Savanah (07.34)
Доп. информация:
Henry Grimes - bass
David Murray - tenor saxophone, bass clarinet
Hamid Drake - drums
Recorded live at the Kerava Jazz Festival, Keuda House, Kerava, Finland on June 5, 2004.
Recording by Kimmo Antikainen and Jan Ström.
Cover art and layout by Åke Bjurhamn.
EAC log
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 23. August 2010, 17:47
Henry Grimes Trio / Live At The Kerava Jazz Festival
Used drive : HL-DT-STDVD-ROM GDR8162B Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -V -8 -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "TRACKNUMBER=%n" -T "GENRE=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 22:21.41 | 0 | 100615
2 | 22:21.41 | 25:49.62 | 100616 | 216852
3 | 48:11.28 | 7:48.40 | 216853 | 251992
4 | 55:59.68 | 7:34.48 | 251993 | 286090
Track 1
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Pre-gap length 0:00:02.00
Peak level 98.7 %
Track quality 99.9 %
Accurately ripped (confidence 2) [C346E50E]
Copy OK
Track 2
Filename C:\ru up\henry grimes trio\02 - Eighty Degrees.wav
Peak level 98.7 %
Track quality 100.0 %
Test CRC 6DE00D3B
Copy CRC 6DE00D3B
Accurately ripped (confidence 2) [7F3507EB]
Copy OK
Track 3
Filename C:\ru up\henry grimes trio\03 - Flowers For Albert.wav
Peak level 98.3 %
Track quality 99.9 %
Test CRC 8E00A0AF
Copy CRC 8E00A0AF
Accurately ripped (confidence 2) [CCAC8CEE]
Copy OK
Track 4
Filename C:\ru up\henry grimes trio\04 - Blues For Savanah.wav
Peak level 98.7 %
Track quality 100.0 %
Test CRC 2A3A3A21
Copy CRC 2A3A3A21
Accurately ripped (confidence 2) [A10889DF]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Henry Grimes Trio"
TITLE "Live At The Kerava Jazz Festival"
FILE "01 - Spin.wav" WAVE
TITLE "Spin"
PERFORMER "Henry Grimes Trio"
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FILE "04 - Blues For Savanah.wav" WAVE
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Henry Grimes (born November 3, 1935, Philadelphia, Pennsylvania) is a jazz double bassist, violinist, and poet.
After more than a decade of activity and performance, notably as a leading bassist in free jazz, Grimes completely disappeared from the music scene by 1970.
Grimes was often presumed dead, but he was rediscovered in 2002 and returned to performing.
As a child, Grimes took up the violin, then began playing tuba, English horn, percussion, and finally the double bass at age 13 or 14, while he was in high school. Grimes furthered his musical studies at Juilliard, and established a reputation as a versatile bassist in the mid 1950s. He recorded or performed with saxophonists Gerry Mulligan and Sonny Rollins, pianist Thelonious Monk, singer Anita O'Day, clarinetist Benny Goodman and many others. At a time when bassist Charles Mingus was experimenting with a second bass player in his band, Grimes was the person he selected for the job.
Gradually growing interested in free jazz, Grimes performed with most of the music's important names, including pianist Cecil Taylor, trumpeter Don Cherry, saxophonists Steve Lacy, Pharoah Sanders, Archie Shepp, and Albert Ayler. He released one album, The Call as a trio leader for the ESP-Disk record label in 1965. The album features Perry Robinson on clarinet and Tom Price on drums and is considered to be of a great quality representative of his career.
In the late 1960s, Grimes career came to a halt after his move to California. It was commonly assumed Grimes had died; he was listed as such in several jazz reference works. Then Marshall Marrotte, a social worker and jazz fan, set out to discover Grimes's fate once and for all. In 2003, he found Grimes alive but nearly destitute, without a bass to play, renting a tiny apartment in Los Angeles, California, writing poetry and doing odd jobs to support himself. He had fallen out of touch with the jazz world and was unaware Albert Ayler had died, but was eager to perform again.
Word spread of Grimes's 'resurrection', and some musicians and fans offered their help. Bassist William Parker donated a bass (nicknamed "Olive Oil", for its distinctive greenish color) and with David Gage's help had it shipped from New York to Los Angeles, and others assisted with travel expenses and arranging performances. Grimes's return was featured in The New York Times and on National Public Radio. A documentary film is planned, as is a biography.
Grimes has made up for lost time: In 2003 he performed at over two dozen music festivals or other appearances. Grimes received a returning hero's welcome at the free jazz-oriented Vision Festival, and is teaching lessons and workshops for bassists. His November 2003 appearance on trumpeter Dennis González' Nile River Suite was the bassist's second recording in more than 35 years. In 2004 he recorded as leader with David Murray and Hamid Drake; and in 2005 with guitarist Marc Ribot, who also wrote an introduction to Grimes' first book, Signs Along the Road, published in March 2007 by Buddy's Knife Jazzedition in Cologne, Germany, a collection of Grimes' poetry, in which he presents his selection of entries from thousands of pages of his writings. Also in 2007, Henry Grimes recorded with drummer Rashied Ali, with whom he has played a half-dozen duo concerts and a trio with Marilyn Crispell, and in 2008 with Paul Dunmall and Andrew Cyrille, a co-leader trio called the Profound Sound Trio, among others.
In many venues around New York and on tour in the U.S., Canada, and 23 countries in Europe and the Far East, working mostly as a leader since 2003, Henry Grimes has been making music with Rashied Ali, Marshall Allen, Fred Anderson, Marilyn Crispell, Ted Curson, Andrew Cyrille, Bill Dixon, Dave Douglas, Andrew Lamb, Joe Lovano, William Parker, Cecil Taylor (with whom Henry resumed playing in October, 2006 after forty years), John Tchicai, and others. In the past few years, Henry has also held a number of residencies and offered workshops and master classes on major campuses (including Berklee College of Music, Hamilton College for the Arts, New England Conservatory, the University of Michigan at Ann Arbor, the University of Gloucestershire at Cheltenham, and several more). He has released several new recordings, made his professional debut on a second instrument (the violin) at the age of 70, and has been creating illustrations to accompany his new recordings and publications. He has received many honors in recent years, including four Meet the Composer grants and a grant from the Acadia Foundation. He can be heard on more than 80 recordings on various labels, including Atlantic, Ayler Records, Blue Note, Columbia, ESP-Disk, ILK Music, Impulse!, JazzNewYork Productions, Pi Recordings, Porter Records, Prestige, Riverside, and Verve. Henry Grimes is now a resident of New York City and has a busy schedule of performances, clinics, and international tours.
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