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(Avant Garde, Experimental, Rune Grammofon) Phonophani - Oak Or Rock - 2004, FLAC (tracks+.cue) lossless

Треклист:
Phonophani / Oak Or Rock
Жанр: Avant Garde, Experimental, Rune Grammophon
Страна-производитель диска: Norway
Год издания диска: 2004
Издатель (лейбл): Rune Grammofon
Номер по каталогу: RCD 2038
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 43:18
Источник (релизер): what.cd (grinningcat)
Наличие сканов в содержимом раздачи: нет
Треклист:
01 Earth Diver 5:31
02 A Lion Lies Listening 2:59
03 The Boiling Fjords Orchestra 4:04
Cello - Nicholas H. Mollerhaug
04 Blind Birds Of The Antarctic 5:12
05 Take Off Your Wooden Coat 3:52
Cello - Nicholas H. Mollerhaug
06 Cloudberry 4:17
Cello - Nicholas H. Mollerhaug
Voice - Maja Solveig Kjelstrup Ratkje
07 The Melancholic Giant 4:44
08 Animals 4:21
09 You Must Welcome The Stranger 3:40
10 Oak Or Rock 4:37
 
Лог создания рипа
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 2. May 2009, 15:15
Phonophani / Oak Or Rock
Used drive : PIONEER DVD-RW DVRKD08 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 5:31.36 | 0 | 24860
2 | 5:31.36 | 2:58.50 | 24861 | 38260
3 | 8:30.11 | 4:04.21 | 38261 | 56581
4 | 12:34.32 | 5:12.06 | 56582 | 79987
5 | 17:46.38 | 3:52.25 | 79988 | 97412
6 | 21:38.63 | 4:17.03 | 97413 | 116690
7 | 25:55.66 | 4:43.60 | 116691 | 137975
8 | 30:39.51 | 4:20.40 | 137976 | 157515
9 | 35:00.16 | 3:40.04 | 157516 | 174019
10 | 38:40.20 | 4:37.39 | 174020 | 194833
Track 1
Filename C:\Downloads\eac\01 - Earth Diver .wav
Pre-gap length 0:00:02.00
Peak level 96.5 %
Track quality 100.0 %
Test CRC ED7FD7D4
Copy CRC ED7FD7D4
Copy OK
Track 2
Filename C:\Downloads\eac\02 - A Lion Lies Listening .wav
Peak level 86.1 %
Track quality 99.9 %
Test CRC DEFEA1A9
Copy CRC DEFEA1A9
Copy OK
Track 3
Filename C:\Downloads\eac\03 - The Boiling Fjords Orchestra .wav
Pre-gap length 0:00:01.48
Peak level 86.2 %
Track quality 100.0 %
Test CRC 43AF73B9
Copy CRC 43AF73B9
Copy OK
Track 4
Filename C:\Downloads\eac\04 - Blind Birds Of The Antarctic .wav
Pre-gap length 0:00:03.66
Peak level 82.4 %
Track quality 100.0 %
Test CRC 894E10B4
Copy CRC 894E10B4
Copy OK
Track 5
Filename C:\Downloads\eac\05 - Take Off Your Wooden Coat .wav
Pre-gap length 0:00:03.49
Peak level 86.1 %
Track quality 100.0 %
Test CRC 09386FDB
Copy CRC 09386FDB
Copy OK
Track 6
Filename C:\Downloads\eac\06 - Cloudberry .wav
Pre-gap length 0:00:02.12
Peak level 86.2 %
Track quality 99.9 %
Test CRC F2D1DD3D
Copy CRC F2D1DD3D
Copy OK
Track 7
Filename C:\Downloads\eac\07 - The Melancholic Giant .wav
Pre-gap length 0:00:03.53
Peak level 76.8 %
Track quality 100.0 %
Test CRC 10EB45DA
Copy CRC 10EB45DA
Copy OK
Track 8
Filename C:\Downloads\eac\08 - Animals .wav
Pre-gap length 0:00:04.00
Peak level 96.7 %
Track quality 100.0 %
Test CRC B3490868
Copy CRC B3490868
Copy OK
Track 9
Filename C:\Downloads\eac\09 - You Must Welcome The Stranger .wav
Pre-gap length 0:00:02.96
Peak level 96.6 %
Track quality 100.0 %
Test CRC 80403031
Copy CRC 80403031
Copy OK
Track 10
Filename C:\Downloads\eac\10 - Oak Or Rock .wav
Pre-gap length 0:00:01.00
Peak level 96.5 %
Track quality 100.0 %
Test CRC B9EF0CFB
Copy CRC B9EF0CFB
Copy OK
No errors occurred
End of status report
 
Содержание индексной карты (.CUE)
REM GENRE Electronic
REM DATE 2004
REM DISCID 660A250A
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Phonophani"
TITLE "Oak Or Rock"
FILE "01 - Earth Diver .wav" WAVE
TRACK 01 AUDIO
TITLE "Earth Diver"
PERFORMER "Phonophani"
INDEX 01 00:00:00
FILE "02 - A Lion Lies Listening .wav" WAVE
TRACK 02 AUDIO
TITLE "A Lion Lies Listening"
PERFORMER "Phonophani"
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "The Boiling Fjords Orchestra"
PERFORMER "Phonophani"
INDEX 00 02:57:14
FILE "03 - The Boiling Fjords Orchestra .wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Blind Birds Of The Antarctic"
PERFORMER "Phonophani"
INDEX 00 04:00:46
FILE "04 - Blind Birds Of The Antarctic .wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Take Off Your Wooden Coat"
PERFORMER "Phonophani"
INDEX 00 05:08:44
FILE "05 - Take Off Your Wooden Coat .wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Cloudberry"
PERFORMER "Phonophani"
INDEX 00 03:50:16
FILE "06 - Cloudberry .wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "The Melancholic Giant"
PERFORMER "Phonophani"
INDEX 00 04:13:38
FILE "07 - The Melancholic Giant .wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Animals"
PERFORMER "Phonophani"
INDEX 00 04:39:60
FILE "08 - Animals .wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "You Must Welcome The Stranger"
PERFORMER "Phonophani"
INDEX 00 04:17:43
FILE "09 - You Must Welcome The Stranger .wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "Oak Or Rock"
PERFORMER "Phonophani"
INDEX 00 03:39:04
FILE "10 - Oak Or Rock .wav" WAVE
INDEX 01 00:00:00
 
Об альбоме (сборнике)
RCD 2038 - Phonophani: Oak or Rock
This is the third Phonophani album, the second for Rune Grammofon. The title refers to mysterious connections between material things, and the album is all about rediscovering the great mystery of music. Through dissecting the sound of ordinary or "real" instruments such as cello, vibraphone, guitars and the human voice and dissolving melodies into their elementary particles, Espen Sommer Eide seeks to excavate the "ur" music itself. Instruments are often sampled and manipulated using software designed and made by himself, being a keen programmer who prefers this to the so-called industry standards, giving the album a personal and unique sound. Maja Ratkje is appearing on one of the tracks.
Release: 30.08.04
Reviews RCD2038The dark undertow that floats through the music, creates both balance and a strong identity. Espen Sommer Eide is both playful and serious, and he manages to vary the musical content without compromising its direction and consistency. 5/6.
Aftenposten (NO)
The new Phonophani album dropped through the door the other day and i eagerly opened it, gazed at Kim Hiorthoy's beautifully realised packaging, stuck the cd in the stereo and proceeded to grin from ear to ear from the opening noise way past the end of the disc. Phonophani make electronic music that sounds like the human heart, all the intricacies of the body are held within it's depths. The miss-timed beats of sampled natural sound is the fluttering of seeing that girl that you love walking towards you, or that boy that you want crossing the street. The hiccups and drones are giggles of times spent with best friends, and the washes of sound sit safely round you like being held by a parent after too long apart. Perhaps you're getting the idea now.
Kabukikore (UK)
Phonophani's latest offering sees him exploring new directions dissecting and reassembling ”real” instrumentation via self designed software, in a sense masking the borders between the virtual and acoustic. As one might conclude from the album title, ”Oak or Rock” is a concept album of sorts, but rather than get lost in theoretical demonstration, Eide's music is imbued by a healthy sense of wonder and experimentation too often lacking in the generally sterile quarters of contemporary electronic music. Hopefully we won't have to wait another three years before the next installment.
Other Music (US)
Here we find playful expressions that use sounds and noises to create atmospheres and small melodic lines that glide in and out of the sound picture. The music is constructed in a cut and paste way into an expressive whole that I find very interesting. There are no obvious or traditional rhythms or melodies that the listener can hang on to, but by paying attention you will be richly rewarded and led into Sommer Eide's musical universe.
Jazznytt (NO)
In contrast to many of the other contemporary Scandinavian, Japanese and American noise artists, Phonophani appear to have a predilection for classical musical composition. A keen, emotive, and subtle sense of melody permeates ”Oak or Rock”, adding to the record a wintry, Scandinavian shimmer to that beggars comparison with Iceland's Mum and Sigur Ros. Though a typically strong release for Rune Grammofon, ”Oak or Rock”, with its emphasis on melody vs. gratuitous abstraction, is probably more accessible than many of the other recent releases on the label. Admittedly, it takes a few listens for the music to digest, but it's a worthwhile endeavor to be sure.
Tinymixtapes (US)
”Oak Or Rock” is seated firmly in a post-Oval, post-Nintendo world, a world perhaps looking for something more than the hollow self-sufficiency of systems. Instead, Phonophani's music successfully extends electronica's reach to meld with the multiplicity and playfulness of nature.
BBC Online (UK)
As on Phonophani's previous album, ”Genetic Engineering”, a strong animist current runs through each piece. Using customised programs, Eide effaces the distances separating sounds from their sources: The result is an enigmatic series of brief understatements.
The Wire (UK)
Part is sometimes a frustrating thing to appreciate. Innately you understand the process that has gone into the making of the piece and you can admire the outcome of that process, but in the end, probably more than any other major art movement of the last fifty years, you feel like ita€™s merely a nice optical illusion and nothing more. The same thing is true in music, when listening to music created by a specific process. You can admire the work that went into making the process and even sometimes the final product, but rarely do you engage with the work much further than that. This is the problem that plagued Arne Norheima€™s Dodeka. While the process and the sounds were beautiful on the record, there was little connecting them or creating any tension between them.
This is also the problem with Phonophania€™s second record for Rune Grammofon, Oak or Rock. Luckily, Espen Sommer Eide has created a process, software designed by himself that manipulates his sampled sounds, that allows for the best of both worlds: otherworldly sounds and a human hand to guide their placement. This is essential on tracks like a€?Earth Divera€? where the maelstrom of noise, melody and implied rhythm are fleshed out expertly by Eide, creating a situation where all of these elements play off one another instead of operating independently. A strong opening track, it also benefits from the degree of chance that Eide leaves in. For, as much as the song belies its ultra-composedness in its mid-track breakdown, ita€™s also obvious that Eide believes in the idea of chance because of the sounds that he chooses to place right up against the hyper-melodic sine melodies.
But for all the talk of process, Phonophania€™s compositions hardly sound the same throughout. While Eide has a penchant for certain types of sounds: distorted sine waves, ghostly strings and the radically altered human voice; he combines these relatively small amount of sound sources into something far larger and imaginative. a€?The Boiling Fjords Orchestraa€?, for instance, resurrects a decaying orchestra out of what sounds like a desperate landscape, revealing their sound over the course of its four minutes, while a€?Cloudberrya€? utilizes the least distorted voice of the album (identifiably Maja Ratjke) to stunning effect amid hills and valleys of processed notes.
But ita€™s perhaps on the closing title track that Eide makes his greatest statement, working with the same sine waves, squeaks and synthesized horns that he has throughout, but unfurling them in a masterful crescendo that ends the album appropriately.
When working so intensely with process, ita€™s very often hard to see the forest for the trees. Eide luckily sees a forest of a truly Technicolor nature that should excite listeners of Rune Grammofona€™s most forward thinking releases.
 
Состав
Design - Kim Hiorthoy
Written-by [All Tracks By] - Espen Sommer Eide
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