(Afrobeat, Ethnic Jazz, Jazz-Funk) [CD] Orlando Julius with The Heliocentrics - Jaiyede Afro - 2014, FLAC (tracks+.cue), lossless
![(Afrobeat, Ethnic Jazz, Jazz-Funk) [CD] Orlando Julius with The Heliocentrics - Jaiyede Afro - 2014, FLAC (tracks+.cue), lossless](/upload/000/u2/16/2d/afrobeat-ethnic-jazz-jazz-funk-cd-orlando-julius-with-the.jpg "(Afrobeat, Ethnic Jazz, Jazz-Funk) [CD] Orlando Julius with The Heliocentrics - Jaiyede Afro - 2014, FLAC (tracks+.cue), lossless")
ORLANDO JULIUS
WITH THE
HELIOCENTRICS
Jaiyede AFRO Жанр: Afrobeat, Ethnic Jazz, Jazz-Funk
Страна-производитель диска: UK
Год издания: 2014
Издатель (лейбл): Strut Records
Номер по каталогу: STRUT112CD
Страна исполнителя: Nigeria
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 51:32
Источник (релизер): спасибо murdouches
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Buje Buje
2. Love Thy Neighbour
3. Aseni
4. Sangodele
5. Jaiyede Afro
6. Omo Oba Blues
7. Be Counted
8. In the Middle
9. Alafia
WITH THE
HELIOCENTRICS
Jaiyede AFRO Жанр: Afrobeat, Ethnic Jazz, Jazz-Funk
Страна-производитель диска: UK
Год издания: 2014
Издатель (лейбл): Strut Records
Номер по каталогу: STRUT112CD
Страна исполнителя: Nigeria
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 51:32
Источник (релизер): спасибо murdouches
Наличие сканов в содержимом раздачи: нет
Треклист:
1. Buje Buje
2. Love Thy Neighbour
3. Aseni
4. Sangodele
5. Jaiyede Afro
6. Omo Oba Blues
7. Be Counted
8. In the Middle
9. Alafia
Лог создания рипа
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Содержание индексной карты (.CUE)
TITLE "Jaiyede Afro (With The Heliocentrics)"
PERFORMER "Orlando Julius"
REM GENRE "Traditional"
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Об альбоме
AllMusic
Nigerian musical innovator Orlando Julius made his reputation internationally in the mid-'60s with his smash album Super Afro Soul. Fela Kuti was actually in Julius' band, the Modern Aces, playing trumpet before leaving -- with a few of the band's members -- to form Koola Lobitos. Julius relocated to the United States for a time in the '70s, where, as O.J. Ekemode, he worked with everyone from Louis Armstrong and Lamont Dozier to Hugh Masekela and the Crusaders before returning to Africa. Though active on the concert front, Julius hasn't made a recording of material since the '80s. London's space funk pioneers the Heliocentrics, led by drummer Malcolm Catto, are, for lack of a better word, specialists in drawing out legendary personas -- they've cut collaborative albums with Mulatu Astatke, Lloyd Miller, and Melvin Van Peebles. Jaiyede Afro was recorded at their North London studio. It contains early compositions that have never been previously recorded, stomping rearrangements of classics, and some new tunes. Opener "Buje Buje" initially appeared on Orlando Julius & the Afro Sounders, issued back in 1973; it's far sleeker here. The breakbeat-driven groove features Julius' alto puncturing the backbeat with serpentine accents amid taut guitars and a bubbling, dubwise bassline. His vocals have lost none of their power over the decades, either. "Aseni" is pure, steamy, floor-grinding Afro-funk with a tough front horn line and killer hi-hat work by Catto. The title cut melds layers of hand percussion, drum kit, a rubbery bassline, spacy wafting organ, and angular guitar vamps. Julius' sax solo signals a change in direction as a call-and-response encounter with a female chorus transforms this slow burner into one of the set's finest moments. There is a hell of a lot of reverb here, but for the most part it never overwhelms the proceedings. "Omo Oba Blues" is guitarless. It's a highlife tune that commences with vocals (lead and backing chorus) and percussion, but gradually gets an organ vamp in the backdrop; it increases in dynamic and tempo before Julius delivers a piercing alto solo. "Be Counted" is a moaning, humid, and nocturnal jam with Julius and his singers entwining hypnotically before the horn section ruptures the driving Afro-beat that frames it. "In the Middle," an instrumental, is another cooking Afro-funk jam, combining African jazz, American funk, and Latin grooves; Julius displays his best sax of the album here. Jaiyede Afro marks a welcome return for Orlando Julius and overall is an excellent, fingerpopping, ass-shaking collaboration. (Thom Jurek)
Popmatters
Orlando Julius has been making a joyful noise for a long time now, and his latest full-length, Jaiyede Afro, brings the gladdest of tidings: the man is still Afro-rocking with as much intensity and verve as ever. A contemporary of the great Fela Kuti, Orlando plows a similar furrow, with a good deal less emphasis on horns but plenty of guitars, organ, and uptempo percussion to keep things moving. Especially notable are the band’s fluid and irresistible basslines, which propels the whole band effortlessly and provides a sinewy backbone for the rest of the band to build upon. The result is a meaty, high-energy gumbo that is compulsively danceable, but also complex to immerse oneself in and simply listen to. Great for road trips too.
In case it’s not clear: Jaiyede Afro is a tremendous album.
The good times start right away, with joyous album opener “Buje Buje”. Over layers of skronking horns, sweet guitar trills and thrumming bass ‘n’ drums, Julius’s voice exhorts the listener with vocals that are passionate but never strident. The hypnotic groove rolls on, engulfing the listener, and encompassing enough shifts in dynamic and rhythm to ensure that things never grow stale despite the lengthy running time. Follow-up tune “Love Thy Neighbor” is shorter, peppier, and instrumental, but every bit as engaging. The band is masterful at establishing an irresistible groove within just a few beats, and uses a wide array of sounds both organic and electronic to snare the listener’s attention.
Julius is smart enough to allow these grooves, once established, to stretch out and breathe. The result is that many of these songs top the five-minute mark, with opener “Buje Buje” stretching past eight and epic “Be Counted” stretching well past 11. Another band might lose the plot with such extended workouts, but that is never the case here: With the rhythm section as reliable as it is, providing a rock-solid backbone that is never rigid or constricting, the rest of the instrumentalists and vocalists can soar. “Be Counted” features some freak-out sax howling and times calls to mind the more frenzied moments of the Stooges Fun House, but it never goes off the rails entirely due to the solidity of the rhythm section.
With such a consistently compelling set it’s tough to pick a standout track, but “Sangodele” might be a contender, with its reverb-heavy wah-wah guitar line and propulsive bass. Another instrumental tune, it suffers not one bit from the lack of vocals. It’s unfair to single out just one song, though, as there are so many here that are so effortless (that word again) in their elastic, booty-shaking groove. “Love Thy Neighbor” in particular benefits from some nice organ flourishes, which add a crispness and sparkle to the sonic palette, while “In the Middle” utilizes many of the same elements, with a good amount of brass introduced into the mix, allowing Julius’s always-expressive saxophone to enjoy some company.
Listeners seeking a rock-solid album of Afro-funk – or maybe a solidly rocking album of Afro-funk – need look no further than here. Orlando Julius has put decades of experience into this record, and it shows. (David Maine)
In case it’s not clear: Jaiyede Afro is a tremendous album.
The good times start right away, with joyous album opener “Buje Buje”. Over layers of skronking horns, sweet guitar trills and thrumming bass ‘n’ drums, Julius’s voice exhorts the listener with vocals that are passionate but never strident. The hypnotic groove rolls on, engulfing the listener, and encompassing enough shifts in dynamic and rhythm to ensure that things never grow stale despite the lengthy running time. Follow-up tune “Love Thy Neighbor” is shorter, peppier, and instrumental, but every bit as engaging. The band is masterful at establishing an irresistible groove within just a few beats, and uses a wide array of sounds both organic and electronic to snare the listener’s attention.
Julius is smart enough to allow these grooves, once established, to stretch out and breathe. The result is that many of these songs top the five-minute mark, with opener “Buje Buje” stretching past eight and epic “Be Counted” stretching well past 11. Another band might lose the plot with such extended workouts, but that is never the case here: With the rhythm section as reliable as it is, providing a rock-solid backbone that is never rigid or constricting, the rest of the instrumentalists and vocalists can soar. “Be Counted” features some freak-out sax howling and times calls to mind the more frenzied moments of the Stooges Fun House, but it never goes off the rails entirely due to the solidity of the rhythm section.
With such a consistently compelling set it’s tough to pick a standout track, but “Sangodele” might be a contender, with its reverb-heavy wah-wah guitar line and propulsive bass. Another instrumental tune, it suffers not one bit from the lack of vocals. It’s unfair to single out just one song, though, as there are so many here that are so effortless (that word again) in their elastic, booty-shaking groove. “Love Thy Neighbor” in particular benefits from some nice organ flourishes, which add a crispness and sparkle to the sonic palette, while “In the Middle” utilizes many of the same elements, with a good amount of brass introduced into the mix, allowing Julius’s always-expressive saxophone to enjoy some company.
Listeners seeking a rock-solid album of Afro-funk – or maybe a solidly rocking album of Afro-funk – need look no further than here. Orlando Julius has put decades of experience into this record, and it shows. (David Maine)
Состав
Orlando Julius - tenor sax, vocals, organ, percussion
Malcolm Catto - drums, organ, percussion
Jason Yarde - baritone sax
Abdul Raheem - trombone
Matt Roberts - trumpet
Ollie Parfitt - organ
Phil Dawson - guitar
Adrian Owusu - guitar
Jake Ferguson - bass, guitar
Jack Yglesias - congas
Latoya Aduke Ekemode - background vocals
Luzmira Zerpa - background vocals
Malcolm Catto - drums, organ, percussion
Jason Yarde - baritone sax
Abdul Raheem - trombone
Matt Roberts - trumpet
Ollie Parfitt - organ
Phil Dawson - guitar
Adrian Owusu - guitar
Jake Ferguson - bass, guitar
Jack Yglesias - congas
Latoya Aduke Ekemode - background vocals
Luzmira Zerpa - background vocals
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777