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(Afro-Cuban Jazz, Vocal, Ethnic) [CD] Dayme Arocena - Cubafonia - 2017 [Japan Bonus Track Edition], FLAC (tracks+.cue), lossless

(Afro-Cuban Jazz, Vocal, Ethnic) [CD] Dayme Arocena - Cubafonia - 2017 [Japan Bonus Track Edition], FLAC (tracks+.cue), lossless
Треклист:
DAYMÉ AROCENA
CUBAFONÍA
Жанр: Afro-Cuban Jazz, Vocal, Ethnic
Страна-производитель диска: Japan
Год издания: 2017
Издатель: Brownswood Recordings/Beat Records
Номер по каталогу: BRC-541
Страна исполнителя: Cuba
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 43:53
Источник (релизер): спасибо thezabs
Наличие сканов: да
Треклист:
01. Eleggua
02. La Rumba Me Llamo Yo
03. Lo Que Fue
04. Maybe Tomorrow
05. Negra Caridad
06. Mambo Na’ M à
07. Cómo
08. Todo Por Amor
09. Ángel
10. It’s Not Gonna Be Forever
11. Valentine
12. Yambu Improvisado
 
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 10. March 2017, 20:04
Daymé Arocena / Cubafonia
Used drive : PLEXTOR DVDR PX-891SAW Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 3:08.61 | 0 | 14160
2 | 3:08.61 | 4:24.02 | 14161 | 33962
3 | 7:32.63 | 3:49.13 | 33963 | 51150
4 | 11:22.01 | 2:56.46 | 51151 | 64396
5 | 14:18.47 | 3:11.07 | 64397 | 78728
6 | 17:29.54 | 3:22.25 | 78729 | 93903
7 | 20:52.04 | 5:05.10 | 93904 | 116788
8 | 25:57.14 | 3:08.60 | 116789 | 130948
9 | 29:05.74 | 2:54.44 | 130949 | 144042
10 | 32:00.43 | 3:50.11 | 144043 | 161303
11 | 35:50.54 | 4:25.18 | 161304 | 181196
12 | 40:15.72 | 3:38.00 | 181197 | 197546
Track 1
Filename D:\Rips\01 - Eleggua.wav
Pre-gap length 0:00:02.00
Peak level 99.0 %
Extraction speed 4.6 X
Track quality 100.0 %
Test CRC 8B20E08E
Copy CRC 8B20E08E
Track not present in AccurateRip database
Copy OK
Track 2
Filename D:\Rips\02 - La Rumba Me Llamo Yo.wav
Peak level 99.0 %
Extraction speed 5.3 X
Track quality 100.0 %
Test CRC 18EAABE4
Copy CRC 18EAABE4
Track not present in AccurateRip database
Copy OK
Track 3
Filename D:\Rips\03 - Lo Que Fue.wav
Peak level 99.0 %
Extraction speed 5.6 X
Track quality 100.0 %
Test CRC 60DF8D0E
Copy CRC 60DF8D0E
Track not present in AccurateRip database
Copy OK
Track 4
Filename D:\Rips\04 - Maybe Tomorrow.wav
Peak level 98.9 %
Extraction speed 3.5 X
Track quality 99.9 %
Test CRC DA1CD8A0
Copy CRC DA1CD8A0
Track not present in AccurateRip database
Copy OK
Track 5
Filename D:\Rips\05 - Negra Caridad.wav
Peak level 98.9 %
Extraction speed 6.1 X
Track quality 100.0 %
Test CRC B3E20C82
Copy CRC B3E20C82
Track not present in AccurateRip database
Copy OK
Track 6
Filename D:\Rips\06 - Mambo Na' Mà.wav
Peak level 99.0 %
Extraction speed 6.4 X
Track quality 100.0 %
Test CRC 699B15B7
Copy CRC 699B15B7
Track not present in AccurateRip database
Copy OK
Track 7
Filename D:\Rips\07 - Cómo.wav
Peak level 98.9 %
Extraction speed 5.2 X
Track quality 99.9 %
Test CRC 00B5FA62
Copy CRC 00B5FA62
Track not present in AccurateRip database
Copy OK
Track 8
Filename D:\Rips\08 - Todo Por Amor.wav
Peak level 98.9 %
Extraction speed 7.0 X
Track quality 100.0 %
Test CRC 86B97546
Copy CRC 86B97546
Track not present in AccurateRip database
Copy OK
Track 9
Filename D:\Rips\09 - Ángel.wav
Peak level 98.8 %
Extraction speed 4.4 X
Track quality 99.9 %
Test CRC D030211B
Copy CRC D030211B
Track not present in AccurateRip database
Copy OK
Track 10
Filename D:\Rips\10 - It's Not Gonna Be Forever.wav
Peak level 99.0 %
Extraction speed 7.7 X
Track quality 100.0 %
Test CRC 011E85ED
Copy CRC 011E85ED
Track not present in AccurateRip database
Copy OK
Track 11
Filename D:\Rips\11 - Valentine.wav
Peak level 99.4 %
Extraction speed 5.7 X
Track quality 99.9 %
Test CRC AA802A95
Copy CRC AA802A95
Track not present in AccurateRip database
Copy OK
Track 12
Filename D:\Rips\12 - Yambu Improvisado.wav
Peak level 98.8 %
Extraction speed 8.1 X
Track quality 100.0 %
Test CRC 3B075EC7
Copy CRC 3B075EC7
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.6
[CTDB TOCID: JnV7CmMl2RyO.yBy3ztFSNmzYcw-] disk not present in database
Submit result: JnV7CmMl2RyO.yBy3ztFSNmzYcw- has been uploaded
==== Log checksum 96612121FFB4BAD22B70EA6D36FE279B52988579E323016799FF86EEE693C338 ====
 
Содержание индексной карты (.CUE)
REM GENRE "Afro-Cuban Jazz"
REM DATE 2017
REM DISCID 990A490C
REM COMMENT "ExactAudioCopy v1.3"
CATALOG 5060180322991
PERFORMER "Dayme Arocena"
TITLE "Cubafonia"
REM COMPOSER ""
FILE "01 - Eleggua.wav" WAVE
TRACK 01 AUDIO
TITLE "Eleggua"
PERFORMER "Dayme Arocena"
REM COMPOSER ""
ISRC GBMEF1600934
INDEX 01 00:00:00
FILE "02 - La Rumba Me Llamo Yo.wav" WAVE
TRACK 02 AUDIO
TITLE "La Rumba Me Llamo Yo"
PERFORMER "Dayme Arocena"
REM COMPOSER ""
ISRC GBMEF1600935
INDEX 01 00:00:00
FILE "03 - Lo Que Fue.wav" WAVE
TRACK 03 AUDIO
TITLE "Lo Que Fue"
PERFORMER "Dayme Arocena"
REM COMPOSER ""
ISRC GBMEF1600936
INDEX 01 00:00:00
FILE "04 - Maybe Tomorrow.wav" WAVE
TRACK 04 AUDIO
TITLE "Maybe Tomorrow"
PERFORMER "Dayme Arocena"
REM COMPOSER ""
ISRC GBMEF1600938
INDEX 01 00:00:00
FILE "05 - Negra Caridad.wav" WAVE
TRACK 05 AUDIO
TITLE "Negra Caridad"
PERFORMER "Dayme Arocena"
REM COMPOSER ""
ISRC GBMEF1600939
INDEX 01 00:00:00
FILE "06 - Mambo Na' Ma.wav" WAVE
TRACK 06 AUDIO
TITLE "Mambo Na' Ma"
PERFORMER "Dayme Arocena"
REM COMPOSER ""
ISRC GBMEF1600940
INDEX 01 00:00:00
FILE "07 - Como.wav" WAVE
TRACK 07 AUDIO
TITLE "Como"
PERFORMER "Dayme Arocena"
REM COMPOSER ""
ISRC GBMEF1600937
INDEX 01 00:00:00
FILE "08 - Todo Por Amor.wav" WAVE
TRACK 08 AUDIO
TITLE "Todo Por Amor"
PERFORMER "Dayme Arocena"
REM COMPOSER ""
ISRC GBMEF1600943
INDEX 01 00:00:00
FILE "09 - Angel.wav" WAVE
TRACK 09 AUDIO
TITLE "Angel"
PERFORMER "Dayme Arocena"
REM COMPOSER ""
ISRC GBMEF1600942
INDEX 01 00:00:00
FILE "10 - It's Not Gonna Be Forever.wav" WAVE
TRACK 10 AUDIO
TITLE "It's Not Gonna Be Forever"
PERFORMER "Dayme Arocena"
REM COMPOSER ""
ISRC GBMEF1600941
INDEX 01 00:00:00
FILE "11 - Valentine.wav" WAVE
TRACK 11 AUDIO
TITLE "Valentine"
PERFORMER "Dayme Arocena"
REM COMPOSER ""
ISRC GBMEF1600944
INDEX 01 00:00:00
FILE "12 - Yambu Improvisado.wav" WAVE
TRACK 12 AUDIO
TITLE "Yambu Improvisado"
PERFORMER "Dayme Arocena"
REM COMPOSER ""
ISRC GBMEF1600948
INDEX 01 00:00:00
 
Об альбоме
The rise and rise of Daymé Arocena is quite the Cinderella story, sans the proverbial ‘glass slipper’. She performed for some time in Joaquin Betancourt’s big band and went on to create the all-girl band, Alami. In 2013 Arocena and Alami were performing at the Jazz Plaza Festival. Fairy Godmother and Canadian icon, “Havana” Jane Bunnett, and her producer and trumpet-playing husband, Larry Cramer heard her singing and with a wave of an invisible wand, Maqueque came into being with Bunnett fronting the sextet on soprano saxophone and flute, and Daymé Arocena on vocals. The band achieved near mythical status after just two discs and a global tour.
Meanwhile, Gilles Peterson already had his eyes on her and snapped her up for his Brownswood Recordings. And the fairytale continues… The vivacious, go-getting and indefatigable Daymé Arocena, in addition to performing with Maqueque has since developed a burgeoning solo career, toured Europe and the USA with Brownswood and after a wonderful debut on the label with Nueva Era (Brownswood, 2015) she has released Cubafonía, an ambitious production that sling-shots her star into the world music stratosphere and it seems only a matter of time when she will be one of the most recognised Afro-Cuban singers on the planet. And when that happens, this disc will have had everything to do with it.
Cubafonía is a lavish production. Gilles Peterson has not spared the horses on this venture. And Daymé Arocena has returned the favour many times over. She comes across at every turn as a veritable force of nature as her vivid illumination of the Afro-Cuban experience – from her happily crowded childhood home, to the ubiquitous Cuban comparsa; from the conservatoire to the infectious power of montuno, changüí, mambo and guaguancó, Daymé Arocena blows past Afro-Cuban horizons to create a sort of musical anthropography of her own. She has a powerful voice, virtually exploding in the lower registers.
But she can also turn on the sensuous charm, which often brings the sheer poetry of her music to life as she free-wheels into a sweet upper range, reaching up for high notes, exquisitely, without sign of strain or wobble. Her phrasing too is magically rich and flexible. In short, her vocal colouring is incredibly fresh and young-sounding. There are eleven examples of this on Cubafonía from the husky invocation of “Eleggua” and “Mambo Na’ Mà’ to the glorious curtain call, “Valentine”. Her English repertoire is pitch-perfect and Latin inflections are barely audible. All told, this is a vocal performance that excels all expectation promised by her 2015 recording.
Not surprisingly the extraordinary group pf musicians that support Daymé Arocena respond to her feisty performance with great gusto. The core group of pianist Jorge Luis Lagarza, bassist Gastón Joya and drummer Ruly Herrera are the lead-architects of the album’s sound as is percussionist Yaroldy Abreu. Add to that an incredibly sharp horn section, guitar and tres that together and separately raise the ornamental bar several notches. This album will give continuing pleasure and is sure to turn Jane Bunnett and Larry Cramer’s debutant into the belle of the ball. (Raul da Gama)
 
Состав
См. сканы либо здесь
Крутая дамочка! Не люблю я латину, потому что, на мой взгляд, делать её почти никто не умеет - альбомы страдают однообразием (в тяжелой форме). Здесь же Дайме не только как вокалистка выступает - она написала все композиции альбома, и каждая следующая не похожа на предыдущую, аранжировки великолепны, ну и поет задорно!
Any questions - support@pro-jazz.com. Есть вопросы - support@pro-jazz.com
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