1997 Slam Stewart - 1945-1946 {The Chronological Classics 939} [CD]
![1997 Slam Stewart - 1945-1946 {The Chronological Classics 939} [CD]](/upload/000/u2/b9/68/swing-bop-cd-slam-stewart-the-chronological-classics-194.jpg "1997 Slam Stewart - 1945-1946 {The Chronological Classics 939} [CD]")
Дата записи диска:
January 30, 1945 - April 26, 1946
Издатель (лейбл):
Носитель:
CD
Тип рипа:
tracks+.cue
Аудиокодек:
FLAC (*.flac)
Битрейт аудио:
lossless
Наличие сканов:
да
01. Play Fiddle Play (2:55)
02. Dark-Eyesky (3:00)
03. Laff Slam Slam (Laff Slam Laff) (3:00)
04. Jumpin at the Deuces (2:55)
05. Honeysuckle Rose (3:04)
06. Mood to Be Stewed (2:57)
07. The Voice of the Turtle (3:01)
08. Slammin' the Gate (2:53)
09. Jingle Bells (3:01)
10. On the Upside Looking Down (3:13)
11. Time on My Hands (3:02)
12. A Bell for Norvo (2:44)
13. Haw Haw (2:48)
14. Dozin' (2:35)
15. Talkin' Back (2:56)
16. The One That Got Away (Three Feathers) (3:08)
17. Hop, Skip and Jump (2:34)
18. Sherry Lynn Flip (3:01)
19. Three Blind Micesky (2:41)
20. Blue, Brown and Beige (2:56)
21. Doctor Foo (3:01)
22. Coppin' Out (2:57)
23. Blues Collins (3:01)
24. On Me, Oh My, Oh Gosh (3:01)
Состав:
- Bass – Slam Stewart
- Drums – Harold "Doc" West (треков: 1 to 4, 17 to 24), Morey Feld (треков: 5 to 16)
- Guitar – Bill De Arango (треков: 5 to 12), Chuck Wayne (треков: 13 to 16), John Collins (2) (треков: 21 to 24), Mike Bryan (треков: 1 to 4)
- Liner Notes [February 1997] – Anatol Schenker
- Piano – Billy Taylor (треков: 21 to 24), Erroll Garner (треков: 1 to 4, 17 to 20), Johnny Guarnieri (треков: 5 to 16)
- Vibraphone – Red Norvo (треков: 5 to 12)
Доп. инфо:
1945-1946 Обзор arwulf arwulf
Несмотря на все появления Слэма Стюарта на записях других исполнителей, под его именем было выпущено не так много записей. В этом сборнике представлены пять разных групп, каждая из которых одной ногой стояла в традиции свинга, а другой твердо стояла на новой почве, которую критики и журналисты назвали «би-боп». Сессия Savoy от 30 января 1945 года ценна благодаря участию Эрролла Гарнера. «Play Fiddle Play» очень похожа на «Bassology», записанную несколькими годами ранее со Слимом Гайярдом. Сходство проявляется в последнюю минуту, когда Стюарт постепенно поднимается до самых высоких нот, доступных на этом инструменте, пока он не начинает звучать как альт. «Laff Slam Slam» выросла из простого набора вариаций на тему «Volga Boat Men». На записи квинтета для лейбла Continental в мае и июле 1945 года участвовали Джонни Гуарньери и Ред Норво. Пианист поет «Honeysuckle Rose», близко имитируя Фэтса Уоллера, и так часто повторяет «Yaz!», что это становится почти раздражающим. Такое подражание, вероятно, было забавным на коктейльных вечеринках, но, как и большинство пародий на Уоллера, оно, скорее всего, не понравится тем, кто действительно знает и любит Фэтса Уоллера. Тем не менее, Гуарньери был чертовски хорошим пианистом. Леонард Фезер сочинил довольно много мелодий, которые можно услышать здесь. Его «Mood to Be Stewed» — это меланхоличная прогулка, а «The Voice of the Turtle» смело движется по территории современного бопа, с чем Норво в то время чувствовал себя вполне комфортно. «On the Upside Looking Down» — удивительно прохладная и магнетически заряженная композиция. «A Bell for Norvo» — настоящая экскурсия — они действительно зажигают! «Haw Haw» звучит так, как будто она основана на «Paper Moon», «Dozin'» — это эфирная мечтательность, а «The One That Got Away» — быстрая и игривая композиция, в которой Гуарньери демонстрирует свое умение играть на фортепиано в стиле страйд. Гарнер вернулся для сессии трио с Гарольдом «Доком» Вестом в сентябре 1945 года, создав четыре композиции, которые хорошо вписывались во все остальное, что записывалось для небольшого лейбла Manor (см. Dizzy Gillespie 1945, Classics 888). «Blue, Brown and Beige» немного напоминает «Satin Doll», а эксцентричная «Three Blind Micesky» — это чистое удовольствие. Последние четыре трека этой замечательной коллекции были записаны в апреле 1946 года для лейбла Musicraft с молодым Билли Тейлором за фортепиано. Элемент бопа здесь сильнее, чем когда-либо. «Doctor Foo» кажется связанным с «Meet Doctor Foo» Коулмана Хокинса лишь косвенно, хотя, вероятно, стоит более тщательно сравнить эти две композиции. «Coppin' Out» имеет много общего с «Be Bop» Диззи Гиллеспи и с некоторыми идеями, которые тогда развивал Бад Пауэлл. «Oh Me, Oh My, Oh Gosh» с вокалом Стюарта и оркестра — редкий пример того, как Стюарт поет, не играя одновременно на контрабасе. Это приятный сюрприз и изысканное завершение этого увлекательного портрета Лероя Эллиотта «Слэма» Стюарта.
Лог создания рипа
X Lossless Decoder version 20151214 (149.1)
XLD extraction logfile from 2016-04-24 11:48:08 +0200
Slam Stewart / 1945-1946
Used drive : Apple SuperDrive (revision 2.03)
Media type : Pressed CD
Ripper mode : XLD Secure Ripper
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Gap status : Analyzed, Appended (except HTOA)
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
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1 | 00:00:32 | 02:55:23 | 32 | 13179
2 | 02:55:55 | 03:00:35 | 13180 | 26714
3 | 05:56:15 | 02:59:62 | 26715 | 40201
4 | 08:56:02 | 02:55:15 | 40202 | 53341
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7 | 17:52:05 | 03:01:02 | 80405 | 93981
8 | 20:53:07 | 02:53:33 | 93982 | 106989
9 | 23:46:40 | 03:01:30 | 106990 | 120594
10 | 26:47:70 | 03:12:55 | 120595 | 135049
11 | 30:00:50 | 03:01:62 | 135050 | 148686
12 | 33:02:37 | 02:43:48 | 148687 | 160959
13 | 35:46:10 | 02:48:35 | 160960 | 173594
14 | 38:34:45 | 02:35:37 | 173595 | 185256
15 | 41:10:07 | 02:56:20 | 185257 | 198476
16 | 44:06:27 | 03:08:28 | 198477 | 212604
17 | 47:14:55 | 02:33:40 | 212605 | 224119
18 | 49:48:20 | 03:01:00 | 224120 | 237694
19 | 52:49:20 | 02:41:30 | 237695 | 249799
20 | 55:30:50 | 02:56:22 | 249800 | 263021
21 | 58:26:72 | 03:00:58 | 263022 | 276579
22 | 61:27:55 | 02:56:42 | 276580 | 289821
23 | 64:24:22 | 03:00:40 | 289822 | 303361
24 | 67:24:62 | 03:01:00 | 303362 | 316936
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CRC32 hash (skip zero) : A5C521EB
AccurateRip v1 signature : E6D7E000
AccurateRip v2 signature : C315FB6B
->Accurately ripped (v2, confidence 3/3)
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
No errors occurred
End of status report
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-----END XLD SIGNATURE-----Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777