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1965 The Roland Kirk Quartet - Rip, Rig & Panic [LP][24-96]

1965 The Roland Kirk Quartet - Rip, Rig & Panic [LP][24-96]
Side One:
A1No Tonic Pres (04:30)
A2 Once In A While (03:55)
A3 From Bechet, Byas And Fats (07:25)
A4 Mystical Dream (02:35)
Side Two:
B1Rip, Rig And Panic (06:58)
B2 Black Diamond (05:20)
B3 Slippery, Hippery, Flippery (04:50)
Состав:

Recorded January 13, 1965 at Rudy Van Gelder Studios, Englewood, NJ
Originally released in 1965 by Limelight Records (US), LP — LM 82027/
LS 86027

Жанр: Post-Bop, Avant-Garde Jazz
Год выпуска: 1965
Лейбл: Nippon Phonogram/Limelight – SJ-19611/LS 86027 (Pressing 1967)
Страна-производитель: Japan
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 35:03

Источник оцифровки: Рип взят из сети. Автор: Crispi
Код класса состояния винила: Неизвестно

Доп. инфо:
 
Ripping Info:
Deadwax info:
Z V LS-86027A 11
LS-86027B 11
Technique:
* Rega RP1 turntable
* Denon DL-110 high output moving coil cartridge
* Graham Slee Gram Amp 2 phono pre
* Tascam US-122 mkII USB interface
* Neutrik interconnects
* Knosti RCM
Soundtrack Pro for recording in 24/96
iZotope RX 2 for declicking and normalizing
Peak Pro for splitting into individual tracks
files fully tagged in iTunes
XLD for FLAC conversion
Canon 7D camera for high-resolution sleeve and label reproductions
Note:
One of Roland Kirk’s best, this is the Japanese Nippon Phonogram issue from 1967. Nice heavy vinyl and crisp sound…
The brief dropout in the right channel during track 4 is in the recording itself
Ripping and post processing technique:
I rip one side at a time at a recording level that places the peaks around -6db, as suggested by mastering engineer Barry Diament, in order to minimize distortion inside the ADC. I then painstakingly declick each side, taking various approaches depending on the material. Silence between tracks is treated using higher values in iZotope (‘multiband declicker random’ between 2.0 and 5.0) and musical parts lacking transients with lower values (between 1.0 and 3.0, depending on record condition). On modern recordings, where the declicker might mistake musical information for clicks or pops, declicking is done fully manually by listening to the entire side and observing the spectral view. I then apply fades to beginning and end of sides, and in rare instances where the surface noise is too distracting I also fade each track. Normalizing is done one side at a time, at -.3 db.
No NoNoise or EQ are used in my rips under any circumstances.
 
 
Dynamic Range Analysis:
=======================================================================
----------------------------------------------------------------------------------------------
Analyzed folder: Rahsaan Roland Kirk - Rip, Rig & Panic {1965, Nippon Phonogram pressing} rip by crispi
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR12 -2.14 dB -16.10 dB 01 No Tonic Pres 1.m4a
DR12 -1.84 dB -16.13 dB 02 Once in a While 1.m4a
DR12 -2.12 dB -16.38 dB 03 From Bechet, Byas, and Fats 1.m4a
DR12 -3.26 dB -17.78 dB 04 Mystical Dream 1.m4a
DR12 -1.67 dB -15.86 dB 05 Rip, Rig, and Panic 1.m4a
DR13 -3.00 dB -17.77 dB 06 Black Diamonds 1.m4a
DR12 -3.57 dB -17.56 dB 07 Slippery, Hippery, Flippery 1.m4a
----------------------------------------------------------------------------------------------
Number of files: 7
Official DR value: DR12
=======================================================================
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
08:12
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