(World Fusion, Indian Folk, Electronic) [WEB] Sarathy Korwar - Day To Day - 2016, FLAC (tracks), lossless

(World Fusion, Indian Folk, Electronic) [WEB] Sarathy Korwar - Day To Day - 2016, FLAC (tracks), lossless
Sarathy Korwar / Day To Day
Жанр: World Fusion, Indian Folk, Electronic
Год издания: 2016
Издатель (лейбл): Ninja Tune / Steve Reid Foundation
Номер по каталогу: ZENDNL230
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 42:20
Источник (релизер): WEB
Наличие сканов в содержимом раздачи: нет
01. Bhajan
02. Bismillah
03. Dreaming
04. Eyes Closed
05. Hail
06. Indefinite Leave to Remain
07. Karam
08. Lost Parade
09. Mawra (Transcendence)
The extraordinary debut album from percussionist, drummer and producer Sarathy Korwar – Day To Day – fuses traditional folk music of the Sidi community in India (combining East African, Sufi and Indian influences) with jazz and electronics. It’s a collaborative release by Ninja Tune with The Steve Reid Foundation – a charitable trust established by Brownswood / Gilles Peterson with the dual objective of helping musicians in crisis and also supporting emerging talent. Sarathy is an alumnus of the Foundation’s development program, mentored by Four Tet, Emanative, Floating Points, Koreless and Gilles Peterson – all trustees of the foundation.
“Sarathy instantly caught my attention when he said he wanted to make an album that embraced both Indian folk music and jazz - two worlds that have had a big influence on me. His album succeeds in bringing these things together in an elegant way, but it’s his own style and ideas that come through the most in the music. Refreshingly different, this is a deep and powerful listening experience.” Four Tet
The Steve Reid Foundation commemorates the life and legacy of legendary percussionist/drummer Steve Reid. It is fitting that Sarathy’s album follows the lineage and spirit of Reid who himself left New York and took on a spiritual pilgrimage through Africa in the mid-1960s. For three years he journeyed through West Africa, playing with people along the way, including Fela Kuti, Guy Warren and Randy Weston. The musical roots and routes of the Black Atlantic have been discussed and documented extensively, but Sarathy is highlighting a different dispersal of people in the other direction, from East Africa to India. The Sidis travelled to India from Africa as merchants, sailors, indentured servants and mercenaries from as far back as 628 AD and have settled in India ever since.
Conceived on an extended trip to rural Gujarat, followed by sessions at Dawn Studios in Pune, Sarathy made field recordings of The Sidi Troupe of Ratanpur whose vocals and percussion form the backbone of Day To Day. The troupe features five drummers – their polyrhythms reflect their African heritage, in contrast to traditional Indian drummers who play in unison. Likewise, the Malunga bows (there are only 4 or 5 players in India) bear a striking resemblance to those found in Africa.
“The record is about how we individually and collectively live from day to day. The everyday rituals and tasks that bind us together, it’s a celebration of the trivial and mundane,” explains Sarathy. The colourful handmade rag quilts that the Sidis make using everyday fabrics serve as a perfect metaphor for the record: “The Sidi women make these amazing collages of colour using everyday rags,” he says. “That’s how I see this album”.
Born in the US, Sarathy Korwar grew up in Ahmedabad and Chennai in India. He began playing tabla aged 10 but was also drawn to the American music that he heard on the radio and that leaked through the doorway of his local jazz music shop, Ahmad Jamal were John Coltrane early discoveries. At 17, Sarathy moved to Pune to study for a degree in Environmental Science, but instead dedicated his time to music: practicing tabla under the tutelage of Rajeev Devasthali, translating his skills to the Western drumkit and playing as a session musician. Finishing his studies, Sarathy began to think about pursuing a career in music and moved to London, where he trained as a classical tabla player under the guidance of Sanju Sahai and graduated with a MMus in Performance from SOAS (School of Oriental and African Studies) focusing on the adaptation of Indian classical rhythmic material to non-Indian percussion instruments.
Working the angles in London’s jazz scene, Sarathy connected with Shabaka Hutchings (Sons of Kemet, The Comet is Coming), Cara Stacey (Kit Records) and played with clarinettist Arun Ghosh. He was, however, itching to create under his own name and he started researching and formulating the concept for Day To Day and planning a trip to India to record the Sidis. It was late in 2014 when Sarathy heard about the Steve Reid Foundation. He applied with a three-minute video explaining his vision for the record and was accepted onto the project to be mentored by the foundation’s patrons: Four Tet, Floating Points, Gilles Peterson, Koreless and Nick Woodmansey (Emanative).
“Day To Day is an exceptional debut by this multi-percussive artist fusing jazz, electronic and Indian harmonics.” - Gilles Peterson
Лог проверки качества
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FILE: 09. Mawra (Transcendence).flac
Size: 33129912 Hash: 1C261EB1438DEF2CC70AE21821CBD373 Accuracy: -m0
Conclusion: CDDA 100%
Signature: CCE2923B0549BE7722F78606E148937C813E4D27
FILE: 08. Lost Parade.flac
Size: 4874960 Hash: 5727BADA57A59E5685A824E60A1E6EFE Accuracy: -m0
Conclusion: CDDA 100%
Signature: 382F89E58ACD5CB5337B1D23EA164A88D4124FAD
FILE: 07. Karam.flac
Size: 26746223 Hash: C044506D40A8FEB291DFECCFBF05A429 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 3250DB126D8A56E38811C64E29914A2AB9A2E38B
FILE: 06. Indefinite Leave to Remain.flac
Size: 31791553 Hash: F2AFF869915DB32E0393E0335CDD312B Accuracy: -m0
Conclusion: CDDA 99%
Signature: 1C119179FA923FC96C587EF30B8176A96BB984A4
FILE: 05. Hail.flac
Size: 17234986 Hash: 20C7F0DFF9D1CA950466BB145670FC21 Accuracy: -m0
Conclusion: CDDA 100%
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FILE: 04. Eyes Closed.flac
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Conclusion: CDDA 100%
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FILE: 03. Dreaming.flac
Size: 22779820 Hash: F09190AE12BEB4D45EA0CB64ECD441E3 Accuracy: -m0
Conclusion: CDDA 99%
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FILE: 02. Bismillah.flac
Size: 53159725 Hash: A2A8C1AC8EFFC3550FFDE9116909BD8C Accuracy: -m0
Conclusion: CDDA 100%
Signature: 10363B0C1B60A445A1C6A03377E50770C0275C0C
FILE: 01. Bhajan.flac
Size: 27948250 Hash: F9000D6885200ABB7EE38DC090412622 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 3751A12E07587E89B9E2F9C002DAF82FC047299B
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