(Vocal Jazz, Modern Creative, Chanson) [CD] Theo Bleckmann & Fumio Yasuda - Berlin: Songs of Love and War, Peace and Exile - 2007, FLAC (track
![(Vocal Jazz, Modern Creative, Chanson) [CD] Theo Bleckmann & Fumio Yasuda - Berlin: Songs of Love and War, Peace and Exile - 2007, FLAC (track (Vocal Jazz, Modern Creative, Chanson) [CD] Theo Bleckmann & Fumio Yasuda - Berlin: Songs of Love and War, Peace and Exile - 2007, FLAC (track](/upload/parser_rutr/images/big/01577776.jpg)
Theo Bleckmann & Fumio Yasuda - Berlin: Songs of Love and War, Peace and Exile
Жанр: Vocal Jazz, Modern Creative, Chanson
Носитель: CD
Страна-производитель диска (релиза): Германия
Год издания: 2007
Издатель (лейбл): Winter & Winter
Номер по каталогу: 910 138-2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 01:17:07
Источник: What.CD
Наличие сканов в содержимом раздачи: нет
Треклист:
01. An den kleinen Radioapparat (Eisler-Brecht) - 2:05
02. Das deutsche Miserere (Eisler-Brecht) - 3:34
03. Ostersonntag (Eisler-Brecht) - 1:53
04. Das Lied vom Surabaya-Johnny (Weill-Brecht) - 5:36
05. Davon geht die Welt nicht unter (Jary-Balz) - 4:16
06. Maskulinum-Femininum (Spoliansky-Schiffer) - 1:49
07. Ich hab dich ausgetragen (Eisler-Brecht) - 2:21
08. Bitten der Kinder (Dessau-Brecht) - 2:13
09. Ich bin von Kopf bis Fuss auf Liebe eingestellt (Hollaender) - 5:21
10. Die alten Weisen (Eisler-Brecht) - 2:08
11. Als ich dich in meinem Leib trug (Eisler-Brecht) - 3:07
12. Moon of Alabama (Weill-Brecht) - 3:49
13. Hotelzimmer 1942 (Eisler-Brecht) - 2:15
14. Die Welt verandern wir (Eisler-Brecht) - 2:19
15. Friedenslied (Eisler-Brecht) - 4:26
16. Als ich dich gebar (Eisler-Brecht) - 2:14
17. Hollywood-Elegie Nr. 7 (Eisler-Brecht) - 1:38
18. Der Bilbao-Song (Weill-Brecht) - 5:48
19. Mein Sohn, was immer auch aus dir werde (Eisler-Brecht) - 2:44
20. Uber den Selbstmord (Eisler-Brecht) - 3:20
21. I build my time (Bleckmann-Schwitters) - 4:27
22. Lili Marleen (Schulze-Leip) - 5:50
23. Schmidt-Lied (Bleckmann-Schwitters) - 3:54
Состав:
Theo Bleckmann - vocals
Fumio Yasuda - piano, arrangements
Todd Reynolds, Courtney Orlando, Caleb Burhans, Wendy Sutter - violin
XLD extraction logfile from 2010-10-05 11:19:12 -0400
various / Berlin. Songs of love and war, peace and exile
Used drive : HL-DT-ST DVDRW GWA4080MA (revision BE39)
Use cdparanoia mode : YES (CDParanoia III 10.2 engine)
Disable audio cache : OK for the drive with cache less than 2750KB
Make use of C2 pointers : NO
Read offset correction : 667
Max retry count : 100
Gap status : Analyzed, Appended
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 00:00:00 | 02:05:20 | 0 | 9394
2 | 02:05:20 | 03:33:62 | 9395 | 25431
3 | 05:39:07 | 01:52:38 | 25432 | 33869
4 | 07:31:45 | 05:36:32 | 33870 | 59101
5 | 13:08:02 | 04:15:74 | 59102 | 78300
6 | 17:24:01 | 01:49:36 | 78301 | 86511
7 | 19:13:37 | 02:21:09 | 86512 | 97095
8 | 21:34:46 | 02:13:02 | 97096 | 107072
9 | 23:47:48 | 05:20:39 | 107073 | 131111
10 | 29:08:12 | 02:07:57 | 131112 | 140693
11 | 31:15:69 | 03:07:11 | 140694 | 154729
12 | 34:23:05 | 03:49:13 | 154730 | 171917
13 | 38:12:18 | 02:14:74 | 171918 | 182041
14 | 40:27:17 | 02:19:13 | 182042 | 192479
15 | 42:46:30 | 04:26:34 | 192480 | 212463
16 | 47:12:64 | 02:14:21 | 212464 | 222534
17 | 49:27:10 | 01:37:52 | 222535 | 229861
18 | 51:04:62 | 05:47:40 | 229862 | 255926
19 | 56:52:27 | 02:44:31 | 255927 | 268257
20 | 59:36:58 | 03:20:06 | 268258 | 283263
21 | 62:56:64 | 04:26:49 | 283264 | 303262
22 | 67:23:38 | 05:49:49 | 303263 | 329486
23 | 73:13:12 | 03:53:64 | 329487 | 347025
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PERFORMER "Theo Bleckmann & Fumio Yasuda"
CATALOG 0025091013821
REM GENRE "Jazz"
REM DATE "2007"
REM DISCID 6A121317
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INDEX 01 00:00:00
TRACK 14 AUDIO
TITLE "Die Welt verandern wir"
ISRC DEA290700115
INDEX 00 02:12:70
FILE "14 - Die Welt verandern wir.wav" WAVE
INDEX 01 00:00:00
TRACK 15 AUDIO
TITLE "Friedenslied"
ISRC DEA290700116
INDEX 00 02:17:13
FILE "15 - Friedenslied.wav" WAVE
INDEX 01 00:00:00
TRACK 16 AUDIO
TITLE "Als ich dich gebar"
ISRC DEA290700117
INDEX 00 04:24:14
FILE "16 - Als ich dich gebar.wav" WAVE
INDEX 01 00:00:00
TRACK 17 AUDIO
TITLE "Hollywood-Elegie Nr. 7"
ISRC DEA290700118
INDEX 00 02:11:21
FILE "17 - Hollywood-Elegie Nr. 7.wav" WAVE
INDEX 01 00:00:00
TRACK 18 AUDIO
TITLE "Der Bilbao-Song"
ISRC DEA290700119
INDEX 00 01:35:51
FILE "18 - Der Bilbao-Song.wav" WAVE
INDEX 01 00:00:00
TRACK 19 AUDIO
TITLE "Mein Sohn, was immer auch aus dir werde"
ISRC DEA290700120
INDEX 00 05:45:41
FILE "19 - Mein Sohn, was immer auch aus dir werde.wav" WAVE
INDEX 01 00:00:00
TRACK 20 AUDIO
TITLE "Uber den Selbstmord"
ISRC DEA290700121
INDEX 00 02:42:31
FILE "20 - Uber den Selbstmord.wav" WAVE
INDEX 01 00:00:00
TRACK 21 AUDIO
TITLE "I build my time"
ISRC DEA290700122
INDEX 00 03:19:68
FILE "21 - I build my time.wav" WAVE
INDEX 01 00:00:00
TRACK 22 AUDIO
TITLE "Lili Marleen"
ISRC DEA290700123
INDEX 00 04:21:38
FILE "22 - Lili Marleen.wav" WAVE
INDEX 01 00:00:00
FILE "23 - Schmidt-Lied.wav" WAVE
TRACK 23 AUDIO
TITLE "Schmidt-Lied"
ISRC DEA290700124
INDEX 01 00:00:00
[CTDB TOCID: 1581CGlkw2J8iic9x5mp1vJGtLE-] found.
Track | CTDB Status
1 | (5/5) Accurately ripped
2 | (5/5) Accurately ripped
3 | (5/5) Accurately ripped
4 | (5/5) Accurately ripped
5 | (5/5) Accurately ripped
6 | (5/5) Accurately ripped
7 | (5/5) Accurately ripped
8 | (5/5) Accurately ripped
9 | (5/5) Accurately ripped
10 | (5/5) Accurately ripped
11 | (5/5) Accurately ripped
12 | (5/5) Accurately ripped
13 | (5/5) Accurately ripped
14 | (5/5) Accurately ripped
15 | (5/5) Accurately ripped
16 | (5/5) Accurately ripped
17 | (5/5) Accurately ripped
18 | (5/5) Accurately ripped
19 | (5/5) Accurately ripped
20 | (5/5) Accurately ripped
21 | (5/5) Accurately ripped
22 | (5/5) Accurately ripped
23 | (5/5) Accurately ripped
[AccurateRip ID: 003bd7b3-03ec1353-6a121317] found.
Track [ CRC | V2 ] Status
01 [414fb33b|79d4e950] (3+2/5) Accurately ripped
02 [d45dd245|8760d7b6] (3+2/5) Accurately ripped
03 [3f366cc3|299c77c2] (3+2/5) Accurately ripped
04 [4dd51568|8d4b6d67] (3+2/5) Accurately ripped
05 [6f78900c|c436f94c] (2+2/4) Accurately ripped
06 [bb0e5f2d|c9693eb0] (3+2/5) Accurately ripped
07 [7df94843|65c06839] (3+2/5) Accurately ripped
08 [2d257f1a|3bba5ebf] (3+2/5) Accurately ripped
09 [a6bad901|26ab9f18] (3+2/5) Accurately ripped
10 [fbff1f6c|4d87098c] (3+2/5) Accurately ripped
11 [b450aed7|05f945c9] (3+2/5) Accurately ripped
12 [a62aec68|9d855700] (3+2/5) Accurately ripped
13 [4f4d9887|cf9cfdf1] (3+2/5) Accurately ripped
14 [6f8ec04f|ab4b0096] (3+2/5) Accurately ripped
15 [2c83e4c0|68dc2224] (3+2/5) Accurately ripped
16 [79f8b0bd|b864d67b] (3+2/5) Accurately ripped
17 [b6f280a7|73b635b9] (3+2/5) Accurately ripped
18 [d6b50246|6c802432] (3+2/5) Accurately ripped
19 [f2b52b56|878bd560] (3+2/5) Accurately ripped
20 [a39cf19f|cb9c69a4] (3+2/5) Accurately ripped
21 [e5572360|2b59648a] (3+2/5) Accurately ripped
22 [8d3dd909|2917be4b] (3+2/5) Accurately ripped
23 [2d8ad30a|2ba4122d] (3+2/5) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL]
-- 99,5 [FBB3EB07] [1DEBCF66]
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02 62,9 [B77E85A9] [A2DA3FA0]
03 54,9 [5C61586E] [0795BD82]
04 74,1 [C6983005] [F942B75B]
05 68,9 [D8A41D8A] [0B29CBB0]
06 99,5 [D35D3C81] [2E34A0FE]
07 30,0 [701AF3EA] [8614556A]
08 44,7 [3B59370F] [4256ABED]
09 65,5 [D7E07D0D] [358B743B]
10 52,2 [4589B18C] [4A1B8354]
11 42,6 [0331155F] [200964D3]
12 66,0 [BF4668C6] [971A22ED]
13 51,8 [DF53C758] [C1EA0C6A]
14 59,9 [220E75A6] [EE680F28]
15 80,4 [8DCC6DC7] [CC8ACD43]
16 72,8 [8E6C2F44] [311F0A24]
17 84,5 [A0FE366C] [A17F316F]
18 76,7 [BF582FB2] [83C49205]
19 98,1 [4ACFCE43] [BC13275F]
20 67,1 [B1046850] [336450E2]
21 88,1 [107F3DA2] [94A4244C]
22 37,1 [D555D2F0] [BBC50893]
23 68,5 [C329BAB0] [1AE70B63]
Yet there’s little about the conservative Berlin that bends, skips or skirts. Take Weill and Brecht’s “Moon of Alabama,” for example. You’d never guess that this art-song rendition of the well-known tune (“Oh, show us the way to the next whisky bar”) was performed by anyone with jazz or experimental roots. Even the Doors’ take on the song is more adventurous. Perhaps the best clue about the musicians’ intent comes from the label’s PR: “Somewhere in a New York hotel room, some musicians seem to be making music just for themselves, and we can listen in.” Those who do so will hear impeccable performances. Just don’t expect to find anything modern on the dial.
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777