(Vocal Jazz) Marilyn Scott - Walking With Strangers - 2001 (USA, 8 06863001-2), FLAC (image+.cue), lossless

Marilyn Scott / Walking With Strangers
Жанр: Vocal Jazz
Страна-производитель диска: USA
Год издания диска: 2001
Издатель (лейбл): Prana Entertainment
Номер по каталогу: 8 06863001-2
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 57:41
Источник (релизер): диск из личной коллекции
Наличие сканов в содержимом раздачи: да
Треклист:
Жанр: Vocal Jazz
Страна-производитель диска: USA
Год издания диска: 2001
Издатель (лейбл): Prana Entertainment
Номер по каталогу: 8 06863001-2
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 57:41
Источник (релизер): диск из личной коллекции
Наличие сканов в содержимом раздачи: да
Треклист:
- Loving You (4:30)
- I Always Think Of You (6:04)
- Give In (4:27)
- All Of The Above (6:35)
- Beginning With You (5:51)
- You Don't Know What Love Is (5:13)
- Walking With Strangers (4:53)
- Don't Let Love Get Away (4:42)
- Who's Looking For Me? (4:45)
- No Room For Hate (6:15)
- A Chance For Peace (4:26)
EAC .LOG
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 23. May 2011, 20:25
Marilyn Scott / Walking With Strangers
Used drive : PLEXTOR DVDR PX-810SA Adapter: 2 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.32 | 4:30.00 | 32 | 20281
2 | 4:30.32 | 6:04.00 | 20282 | 47581
3 | 10:34.32 | 4:26.50 | 47582 | 67581
4 | 15:01.07 | 6:35.08 | 67582 | 97214
5 | 21:36.15 | 5:51.37 | 97215 | 123576
6 | 27:27.52 | 5:13.00 | 123577 | 147051
7 | 32:40.52 | 4:52.55 | 147052 | 169006
8 | 37:33.32 | 4:41.63 | 169007 | 190144
9 | 42:15.20 | 4:44.62 | 190145 | 211506
10 | 47:00.07 | 6:15.25 | 211507 | 239656
11 | 53:15.32 | 4:26.25 | 239657 | 259631
Range status and errors
Selected range
Filename D:\tmp\Marilyn Scott - Walking With Strangers.wav
Peak level 100.0 %
Extraction speed 0.5 X
Range quality 99.9 %
Test CRC 00F796ED
Copy CRC 00F796ED
Copy OK
No errors occurred
AccurateRip summary
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Track 2 accurately ripped (confidence 6) [90593703]
Track 3 accurately ripped (confidence 6) [08950045]
Track 4 accurately ripped (confidence 6) [1A823D84]
Track 5 accurately ripped (confidence 6) [0DB13E12]
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Track 10 accurately ripped (confidence 6) [02CEBE14]
Track 11 accurately ripped (confidence 5) [E93A7B05]
All tracks accurately ripped
End of status report
==== Log checksum 84FEB1C0AF760C3AC04CFF0248BCF145716D9D74D2F1BD6563777B87986F50C3 ====
.CUE
REM GENRE Jazz
REM DATE 2001
REM DISCID A30D850B
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Marilyn Scott"
TITLE "Walking With Strangers"
FILE "Marilyn Scott - Walking With Strangers.flac" WAVE
TRACK 01 AUDIO
TITLE "Loving You"
PERFORMER "Marilyn Scott"
ISRC USISV0111106
INDEX 00 00:00:00
INDEX 01 00:00:32
TRACK 02 AUDIO
TITLE "I Always Think Of You"
PERFORMER "Marilyn Scott"
ISRC USISV0111107
INDEX 00 04:29:57
INDEX 01 04:30:32
TRACK 03 AUDIO
TITLE "Give In"
PERFORMER "Marilyn Scott"
ISRC USISV0111108
INDEX 00 10:33:20
INDEX 01 10:34:32
TRACK 04 AUDIO
TITLE "All Of The Above"
PERFORMER "Marilyn Scott"
ISRC USISV0111109
INDEX 00 14:57:20
INDEX 01 15:01:07
TRACK 05 AUDIO
TITLE "Beginning With You"
PERFORMER "Marilyn Scott"
ISRC USISV0111110
INDEX 00 21:34:20
INDEX 01 21:36:15
TRACK 06 AUDIO
TITLE "You Don't Know What Love Is"
PERFORMER "Marilyn Scott"
ISRC USISV0111111
INDEX 00 27:26:57
INDEX 01 27:27:52
TRACK 07 AUDIO
TITLE "Walking With Strangers"
PERFORMER "Marilyn Scott"
ISRC USISV0111112
INDEX 00 32:37:50
INDEX 01 32:40:52
TRACK 08 AUDIO
TITLE "Don't Let Love Get Away"
PERFORMER "Marilyn Scott"
ISRC USISV0111114
INDEX 00 37:32:57
INDEX 01 37:33:32
TRACK 09 AUDIO
TITLE "Who's Looking For Me?"
PERFORMER "Marilyn Scott"
ISRC USISV0111113
INDEX 00 42:12:20
INDEX 01 42:15:20
TRACK 10 AUDIO
TITLE "No Room For Hate"
PERFORMER "Marilyn Scott"
ISRC USISV0111115
INDEX 00 46:57:70
INDEX 01 47:00:07
TRACK 11 AUDIO
TITLE "A Chance For Peace"
PERFORMER "Marilyn Scott"
ISRC USISV0111116
INDEX 00 53:14:57
INDEX 01 53:15:32
auCDtest (options: -v -m0)
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
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Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 8.710721e-002
First order smothness: 4.124467e-001
Second order smothness: 6.071975e-001
------------------------------------------------------------
This track looks like CDDA with probability 100%
Spectrogram
Waveform
Frequency
About
To paraphrase from the title of a vintage jazz ballad, "It Was a Beautiful Three Days in August," when singer/songwriter Marilyn Scott fulfilled her long-held dream of recording an acoustic jazz album in New York City the way the legends used to do it - with the singer and musicians all cutting and working out arrangements together in the studio. Christened Every Time We Say Goodbye, the album is a dreamy throwback to a purer aesthetic that marks the 30th anniversary of Ms. Scott's impressively eclectic recording career - one in which she has successfully sung soul, pop, smooth jazz, adult contemporary and music for motion pictures. However, anyone who has listened to her CDs knows that jazz has been a prominent part of the foundation of her artistic architecture. So much so that she is the only vocalist in the history of Billboard magazine to have two different albums charting on the Contemporary Jazz and Traditional Jazz charts - simultaneously.
Now on Every Time We Say Goodbye, Marilyn Scott is taking her love for jazz to new heights with a seasoned East Coast quintet led by acclaimed pianist Cyrus Chestnut, produced for the Japan-based Venus Records imprint by label president Tetsuo Hara and veteran jazz musician/producer Todd Barkan - his partner of 15 years. The 10-song repertoire is comprised of smoky wee hours standards such as the Cole Porter-penned title track, a Rio-kissed samba take on Irving Berlin's "I Got Lost in His Arms" and a blues walk through "Detour Ahead." The arrangements offer fresh nuances to familiar favorites as do Marilyn's artful and articulate vocal interpretations.
The process of how Every Time We Say Goodbye was created was a swift and surprise-filled one. "Todd called me in June of 2007 and asked if I'd be interested in doing something for Venus," Ms. Scott recalls. "The company was looking to do more vocal projects." Barkan - whose esteemed resumZ includes production for jazz vocal greats such as Jimmy Scott, Gloria Lynne, Freddy Cole and Vanessa Rubin, as well as Venus' own Barbara Carroll and Simone Kopmajer - adds, "A year ago Mr. Hara asked me to send him demo materials on a bunch of singers to see what resonated with him and the Japanese market. I first became aware of Marilyn through a neighbor of mine - an amateur music enthusiast with whom I'm constantly sharing new music. Though Marilyn's musical style was not the idiom I normally work in, she had a resonance and timbre in her voice that I felt would sound wonderful within a straight ahead jazz framework. Mr. Hara and I both felt strongly about this, so we reached out to her."
It was Barkan who hand-picked Ms. Scott's enviable quintet of pianist Cyrus Chestnut, reed man Ken Peplowski, guitarist Paul Bollenback, bassist Gerald Cannon and drummer Willie Jones III. "I got the guys I felt could go where she wants to go but maintain the Venus straight ahead jazz sound," Barkan explains. "Bringing Marilyn to the east was a great idea. It helped meld her musical expression into more of a New York state of mind."
Now on Every Time We Say Goodbye, Marilyn Scott is taking her love for jazz to new heights with a seasoned East Coast quintet led by acclaimed pianist Cyrus Chestnut, produced for the Japan-based Venus Records imprint by label president Tetsuo Hara and veteran jazz musician/producer Todd Barkan - his partner of 15 years. The 10-song repertoire is comprised of smoky wee hours standards such as the Cole Porter-penned title track, a Rio-kissed samba take on Irving Berlin's "I Got Lost in His Arms" and a blues walk through "Detour Ahead." The arrangements offer fresh nuances to familiar favorites as do Marilyn's artful and articulate vocal interpretations.
The process of how Every Time We Say Goodbye was created was a swift and surprise-filled one. "Todd called me in June of 2007 and asked if I'd be interested in doing something for Venus," Ms. Scott recalls. "The company was looking to do more vocal projects." Barkan - whose esteemed resumZ includes production for jazz vocal greats such as Jimmy Scott, Gloria Lynne, Freddy Cole and Vanessa Rubin, as well as Venus' own Barbara Carroll and Simone Kopmajer - adds, "A year ago Mr. Hara asked me to send him demo materials on a bunch of singers to see what resonated with him and the Japanese market. I first became aware of Marilyn through a neighbor of mine - an amateur music enthusiast with whom I'm constantly sharing new music. Though Marilyn's musical style was not the idiom I normally work in, she had a resonance and timbre in her voice that I felt would sound wonderful within a straight ahead jazz framework. Mr. Hara and I both felt strongly about this, so we reached out to her."
It was Barkan who hand-picked Ms. Scott's enviable quintet of pianist Cyrus Chestnut, reed man Ken Peplowski, guitarist Paul Bollenback, bassist Gerald Cannon and drummer Willie Jones III. "I got the guys I felt could go where she wants to go but maintain the Venus straight ahead jazz sound," Barkan explains. "Bringing Marilyn to the east was a great idea. It helped meld her musical expression into more of a New York state of mind."
Personnel
- Marilyn Scott - Lead & Backing Vocals
- Renato Neto - Keyboards (1, 2, 4, 9)
- Russell Ferrante - Keyboards (3, 7, 10)
- Joe Vanelli - Keyboars, Synth Bass, Percussion (5, 8)
- George Duke - Keyboards (9)
- Patrice Rushen - Piano & Keyboards (6)
- Jimmy Haslip - Electric Bass (1, 2, 4, 6, 7, 8, 9, 10), 7-String Bass Solo (5), Additional Keyboards (5, 8), Percussion (5, 8), Fretless Bass (10)
- Ray Fuller - Guitars (1, 3, 4, 6, 7, 8, 9)
- Ricardo Silveria - Guitars (2)
- James Hara - Guitars (10)
- Joey Heredia - Drums (2, 4)
- Vinny Coliauta - Drums (3, 10)
- Michael White - Drums (9)
- Terri Lyne Carrington - Drums (6), Additional Programming (7)
- Darryl "Munyungo" Jackson - Percussion (6)
- Katisse Buckingham - Drum Programming, Soprano Saxophone (7)
- Lori Perry - Backing Vocals (2, 3, 6, 10)
- Darlene Perry - Backing Vocals (3)
- Carolyn Perry - Backing Vocals (3)
- Leslie Smith - Backing Vocals (4, 5, 8)
- Maxyne Lewis - Backing Vocals (4)
- Ross Vannelli - Backing Vocals (5, 8)
- Frank McComb - Duet Vocals (6)
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777