(Vocal Jazz, Contemporary Jazz) Kenny Wheeler, Norma Winstone, London Vocal Project (with Nikki Iles, Mark Lockheart) - Mirrors - 2013, FLAC (tracks+.cue), lossless

KENNY WHEELER
NORMA WINSTONE
LONDON VOCAL PROJECT
MIRRORS
Жанр: Vocal Jazz, Contemporary Jazz
Страна-производитель диска: UK
Год издания: 2013
Издатель (лейбл): Edition Records
Номер по каталогу: EDN1038
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 69:40
Источник (релизер): спасибо evensteven
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Humpty Dumpty
02. The Broken Heart
03. The Lover Mourns
04. Black March
05. Through The Looking Glass
06. The Hat
07. Breughel
08. Tweedledum
09. The Bereaved Swan
10. The Deathly Child
11. My Soul
NORMA WINSTONE
LONDON VOCAL PROJECT
MIRRORS
Жанр: Vocal Jazz, Contemporary Jazz
Страна-производитель диска: UK
Год издания: 2013
Издатель (лейбл): Edition Records
Номер по каталогу: EDN1038
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 69:40
Источник (релизер): спасибо evensteven
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Humpty Dumpty
02. The Broken Heart
03. The Lover Mourns
04. Black March
05. Through The Looking Glass
06. The Hat
07. Breughel
08. Tweedledum
09. The Bereaved Swan
10. The Deathly Child
11. My Soul
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 7. September 2013, 13:07
Kenny Wheeler, Norma Winstone, London Vocal Project / Mirrors
Used drive : PLEXTOR DVDR PX-760A Adapter: 3 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
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---------------------------------------------------------
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2 | 5:21.15 | 3:58.05 | 24090 | 41944
3 | 9:19.20 | 5:36.54 | 41945 | 67198
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10 | 56:34.43 | 8:42.60 | 254593 | 293802
11 | 65:17.28 | 4:22.08 | 293803 | 313460
Track 1
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Accurately ripped (confidence 1) [EA3AF1F2] (AR v2)
Copy OK
Track 2
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Track quality 99.9 %
Test CRC 0628F7D1
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Accurately ripped (confidence 1) [8A098D66] (AR v2)
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Track 3
Filename C:\EACRips\03 The Lover Mourns.wav
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Track quality 100.0 %
Test CRC 5BC99D4F
Copy CRC 5BC99D4F
Accurately ripped (confidence 1) [2A27528B] (AR v2)
Copy OK
Track 4
Filename C:\EACRips\04 Black March.wav
Peak level 94.2 %
Extraction speed 1.9 X
Track quality 99.9 %
Test CRC 2E9BE69E
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Accurately ripped (confidence 1) [AFA04EFC] (AR v2)
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Track 5
Filename C:\EACRips\05 Through The Looking Glass.wav
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Track 6
Filename C:\EACRips\06 The Hat.wav
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Accurately ripped (confidence 1) [09C8E68A] (AR v2)
Copy OK
Track 7
Filename C:\EACRips\07 Breughel.wav
Peak level 94.2 %
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Track quality 100.0 %
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Accurately ripped (confidence 1) [89198F76] (AR v2)
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Track 8
Filename C:\EACRips\08 Tweedledum.wav
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Accurately ripped (confidence 1) [A71F0A4D] (AR v2)
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Track 9
Filename C:\EACRips\09 The Bereaved Swan.wav
Peak level 94.2 %
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Track quality 100.0 %
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Track 10
Filename C:\EACRips\10 The Deathly Child.wav
Peak level 94.2 %
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Accurately ripped (confidence 1) [557A42D7] (AR v2)
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Track 11
Filename C:\EACRips\11 My Soul.wav
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Accurately ripped (confidence 1) [DFBD944D] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.3
[CTDB TOCID: PJCW6MHVJw..dlBUUkujULQFbY0-] disk not present in database, Submit result: PJCW6MHVJw..dlBUUkujULQFbY0- has been uploaded
==== Log checksum 85045C6F1978F6C399560BF333671AF6D7EFB2C890925BE0DDE70384433A6904 ====
Содержание индексной карты (.CUE)
REM GENRE Alternative
REM DATE 2013
REM DISCID 9910530B
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 5065001530425
PERFORMER "Kenny Wheeler, Norma Winstone, London Vocal Project"
TITLE "Mirrors"
FILE "01 Humpty Dumpty.wav" WAVE
TRACK 01 AUDIO
TITLE "Humpty Dumpty"
PERFORMER "Kenny Wheeler, Norma Winstone, London Vocal Project"
ISRC GBVEV1300008
INDEX 01 00:00:00
FILE "02 The Broken Heart.wav" WAVE
TRACK 02 AUDIO
TITLE "The Broken Heart"
PERFORMER "Kenny Wheeler, Norma Winstone, London Vocal Project"
ISRC GBVEV1300009
INDEX 01 00:00:00
FILE "03 The Lover Mourns.wav" WAVE
TRACK 03 AUDIO
TITLE "The Lover Mourns"
PERFORMER "Kenny Wheeler, Norma Winstone, London Vocal Project"
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INDEX 01 00:00:00
FILE "04 Black March.wav" WAVE
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TITLE "Black March"
PERFORMER "Kenny Wheeler, Norma Winstone, London Vocal Project"
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INDEX 01 00:00:00
FILE "05 Through The Looking Glass.wav" WAVE
TRACK 05 AUDIO
TITLE "Through The Looking Glass"
PERFORMER "Kenny Wheeler, Norma Winstone, London Vocal Project"
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INDEX 01 00:00:00
FILE "06 The Hat.wav" WAVE
TRACK 06 AUDIO
TITLE "The Hat"
PERFORMER "Kenny Wheeler, Norma Winstone, London Vocal Project"
ISRC GBVEV1300013
INDEX 01 00:00:00
FILE "07 Breughel.wav" WAVE
TRACK 07 AUDIO
TITLE "Breughel"
PERFORMER "Kenny Wheeler, Norma Winstone, London Vocal Project"
ISRC GBVEV1300014
INDEX 01 00:00:00
FILE "08 Tweedledum.wav" WAVE
TRACK 08 AUDIO
TITLE "Tweedledum"
PERFORMER "Kenny Wheeler, Norma Winstone, London Vocal Project"
ISRC GBVEV1300015
INDEX 01 00:00:00
FILE "09 The Bereaved Swan.wav" WAVE
TRACK 09 AUDIO
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PERFORMER "Kenny Wheeler, Norma Winstone, London Vocal Project"
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INDEX 01 00:00:00
FILE "10 The Deathly Child.wav" WAVE
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PERFORMER "Kenny Wheeler, Norma Winstone, London Vocal Project"
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FILE "11 My Soul.wav" WAVE
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PERFORMER "Kenny Wheeler, Norma Winstone, London Vocal Project"
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Об альбоме
That trumpeter/flugelhornist/composer Kenny Wheeler is challenging himself at 80 is surely inspirational. Mirrors represents his first recording where poems provide the music's source, though he composed the music over 20 years ago. The project was then commissioned for five solo voices in 1998, but the combination of Wheeler, singer Norma Winstone and the London Vocal Project, led by Pete Churchill, brings a fluid, suite-like permanency and epic scale to the original concept. Poets Stevie Smith, Lewis Carroll and W.B. Yeats provide strikingly diverse imagery—surreal, visceral and profound—and Wheeler weaves it all together in a sumptuous melodic tapestry where the music of language is meaning enough.
The inimitable Winstone's strength and nuanced delivery belie her 70 years. Hers is a remarkable performance, though the balance struck between all the voices makes Mirrors a truly collaborative success. Bassist Steve Watts, drummer James Maddren and pianist Nikki Iles engender a swinging undercurrent, breezy and understated, that's irrevocably felt throughout. These musicians enjoy tremendous understanding; Winstone and Wheeler first recorded together in Azimuth in the 1970s and Iles, saxophonist Mark Lockheart, Watts and Maddren all play with Winstone in the group Printmakers. Little wonder, then, that the evident chemistry seems so effortless and joyfully intuitive.
The LVP's seven sopranos, eight altos, five tenors and five basses are the protagonists on three numbers. "Humpty Dumpty" is a playful take on Carroll's poem, with delightful passing around of the vocals between the choir sections. A deceptive intensity inhabits the mantra-like vocal rhythm of Smith's "The Broken Heart," a particularly hypnotic number punctuated by Wheeler's fine bluesy solo. Wheeler and Iles shine on a swinging arrangement of Smith's "Black March," though its buoyancy derives primarily from the snappy choral cadences.
Winstone's performance sets the jewel in the crown. Her dreamy, almost ethereal reading of Carroll's "Through the Looking Glass" is wonderfully sympathetic. A rootsy and mellifluous instrumental passage, driven by Wheeler and Lockheart, serves as an interlude before the choir restores the contemplative mood. Carroll's "Tweedledum" is similarly episodic; jaunty in the choral passages, intimate and spare when Winstone holds court, and swinging when the quintet steps up. The singer, Iles and Lockheart confer a gentle majesty on Smith's seemingly throwaway, four-line poem, "My Hat."
Winstone and Iles treat the ghostly subject matter of "The Deathly Child" with a palpable sense of wonder, though when Winstone sits out the ensemble refashions this harbinger-of-death tale into joyous celebration. The fatalistic view of humankind's condition in Smith's "Breughel" is similarly dressed in more soothing robes by a lovely Burt Bacharach-esque melody. "The Bereaved Swan" captures the contrasting elements of melancholy and lyricism in Smith's words, whereby the choir's graceful waves form a canvas for Wheeler and Lockheart's more emotionally urgent colors. The subdued rhythm of "My Soul" highlights the powerful lyric content, lent suitable poignancy by Winstone's pitch-perfect delivery.
How to categorize this glorious music, the ingenuity of Wheeler, Winstone and the LVP? To quote Smith: "Whatever names you give me, I am a breath of fresh air, a change for you." And what price Vol. 2—from James Joyce, via Robert Frost to John Cooper Clarke? (Ian Patterson, AllAboutJazz)
The inimitable Winstone's strength and nuanced delivery belie her 70 years. Hers is a remarkable performance, though the balance struck between all the voices makes Mirrors a truly collaborative success. Bassist Steve Watts, drummer James Maddren and pianist Nikki Iles engender a swinging undercurrent, breezy and understated, that's irrevocably felt throughout. These musicians enjoy tremendous understanding; Winstone and Wheeler first recorded together in Azimuth in the 1970s and Iles, saxophonist Mark Lockheart, Watts and Maddren all play with Winstone in the group Printmakers. Little wonder, then, that the evident chemistry seems so effortless and joyfully intuitive.
The LVP's seven sopranos, eight altos, five tenors and five basses are the protagonists on three numbers. "Humpty Dumpty" is a playful take on Carroll's poem, with delightful passing around of the vocals between the choir sections. A deceptive intensity inhabits the mantra-like vocal rhythm of Smith's "The Broken Heart," a particularly hypnotic number punctuated by Wheeler's fine bluesy solo. Wheeler and Iles shine on a swinging arrangement of Smith's "Black March," though its buoyancy derives primarily from the snappy choral cadences.
Winstone's performance sets the jewel in the crown. Her dreamy, almost ethereal reading of Carroll's "Through the Looking Glass" is wonderfully sympathetic. A rootsy and mellifluous instrumental passage, driven by Wheeler and Lockheart, serves as an interlude before the choir restores the contemplative mood. Carroll's "Tweedledum" is similarly episodic; jaunty in the choral passages, intimate and spare when Winstone holds court, and swinging when the quintet steps up. The singer, Iles and Lockheart confer a gentle majesty on Smith's seemingly throwaway, four-line poem, "My Hat."
Winstone and Iles treat the ghostly subject matter of "The Deathly Child" with a palpable sense of wonder, though when Winstone sits out the ensemble refashions this harbinger-of-death tale into joyous celebration. The fatalistic view of humankind's condition in Smith's "Breughel" is similarly dressed in more soothing robes by a lovely Burt Bacharach-esque melody. "The Bereaved Swan" captures the contrasting elements of melancholy and lyricism in Smith's words, whereby the choir's graceful waves form a canvas for Wheeler and Lockheart's more emotionally urgent colors. The subdued rhythm of "My Soul" highlights the powerful lyric content, lent suitable poignancy by Winstone's pitch-perfect delivery.
How to categorize this glorious music, the ingenuity of Wheeler, Winstone and the LVP? To quote Smith: "Whatever names you give me, I am a breath of fresh air, a change for you." And what price Vol. 2—from James Joyce, via Robert Frost to John Cooper Clarke? (Ian Patterson, AllAboutJazz)
Состав
Kenny Wheeler - flugelhorn, composer
Norma Winstone - vocals
Nikki Iles - piano
Mark Lockheart - saxophones
Steve Watts - double bass
James Maddren - drums
London Vocal Project:
Pete Churchill - director
sopranos - Fini Bearman; Hannah Berry; Jessica Berry; Helen Burnett; Katie Butler; Joanna Richards; Janni Thompson
tenors - Tommy Antonio; Sam Chaplin; Brendan Dowse; Richard Lake; Adam Saunders
altos - Mishka Adams; Paolo Bottomley; Nikki Franklin; Clara Green; Andi Hopgood; Chloe Potter; Emma Smith; Emmy Urquhart
basses - Kwabena Adjepong; Pat Bamber; Ben Barritt; Pete Churchill; Andrew Woolf
Norma Winstone - vocals
Nikki Iles - piano
Mark Lockheart - saxophones
Steve Watts - double bass
James Maddren - drums
London Vocal Project:
Pete Churchill - director
sopranos - Fini Bearman; Hannah Berry; Jessica Berry; Helen Burnett; Katie Butler; Joanna Richards; Janni Thompson
tenors - Tommy Antonio; Sam Chaplin; Brendan Dowse; Richard Lake; Adam Saunders
altos - Mishka Adams; Paolo Bottomley; Nikki Franklin; Clara Green; Andi Hopgood; Chloe Potter; Emma Smith; Emmy Urquhart
basses - Kwabena Adjepong; Pat Bamber; Ben Barritt; Pete Churchill; Andrew Woolf
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777